2025-6 Season - Concert 4: Page, Berg, Coleridge-Taylor And Walton
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Geoff PageThe Masque of Red Death
Alban BergViolin Concerto
Avril Coleridge-Taylor A Sussex Landscape
William Walton Symphony No. 1
City of Cambridge Symphony Orchestra
Conductor: Robert Hodge
Soloist: Michael Foyle
Supported Charity: TBC
NEW - reserved seating plan
Local composer, teacher and musical director Geoff Page has written and performed musicals for both professional and amateur productions. He has a witty penchant for the dark side, as many of his titles suggest: Academy of Death, No Sleep for the Haunted, and Typhoid Mary. The Masque of Red Death is no exception, taking its title from a macabre short story by Edgar Allan Poe.
In 1935, at the age of 50, Alban Berg received news that Manon Gropius, the daughter of dear friends, had died from polio aged 18. He immediately threw himself into completing a commission for a violin concerto, dedicating it To the Memory of an Angel. It proved to be his last work, and surely it is one of his best and most expressive, combining techniques of 12-tone composition with rhapsodic solo writing, culminating in variations on the Bach chorale It is enough! Michael Foyle is our virtuoso for this extraordinary work.
Born in 1903, Avril Coleridge-Taylor inherited her father Samuels musical talent. She established a career as a conductor, working with many top professional orchestras; she also composed and even founded her own orchestra. A Sussex Landscape, written in 1940, is far from being the merely serene and pastoral that the title suggests; rather it can be heard as a womans impassioned reaction to wartime.
William Waltons second symphony (1956-60), composed 25 years after his first, was initially deemed not modern enough by British critics. The work found favour in America, however, causing it to be reborn, in the words of Waltons wife. Perhaps it was the rhythmic energy of the opening Allegro, or the dazzling orchestration, or the sheer invention of the variations which comprise the last movement that appealed to the Americans. In any event, the Brits quickly changed their tune and came to realise this is Walton at his best.
Alban BergViolin Concerto
Avril Coleridge-Taylor A Sussex Landscape
William Walton Symphony No. 1
City of Cambridge Symphony Orchestra
Conductor: Robert Hodge
Soloist: Michael Foyle
Supported Charity: TBC
NEW - reserved seating plan
Local composer, teacher and musical director Geoff Page has written and performed musicals for both professional and amateur productions. He has a witty penchant for the dark side, as many of his titles suggest: Academy of Death, No Sleep for the Haunted, and Typhoid Mary. The Masque of Red Death is no exception, taking its title from a macabre short story by Edgar Allan Poe.
In 1935, at the age of 50, Alban Berg received news that Manon Gropius, the daughter of dear friends, had died from polio aged 18. He immediately threw himself into completing a commission for a violin concerto, dedicating it To the Memory of an Angel. It proved to be his last work, and surely it is one of his best and most expressive, combining techniques of 12-tone composition with rhapsodic solo writing, culminating in variations on the Bach chorale It is enough! Michael Foyle is our virtuoso for this extraordinary work.
Born in 1903, Avril Coleridge-Taylor inherited her father Samuels musical talent. She established a career as a conductor, working with many top professional orchestras; she also composed and even founded her own orchestra. A Sussex Landscape, written in 1940, is far from being the merely serene and pastoral that the title suggests; rather it can be heard as a womans impassioned reaction to wartime.
William Waltons second symphony (1956-60), composed 25 years after his first, was initially deemed not modern enough by British critics. The work found favour in America, however, causing it to be reborn, in the words of Waltons wife. Perhaps it was the rhythmic energy of the opening Allegro, or the dazzling orchestration, or the sheer invention of the variations which comprise the last movement that appealed to the Americans. In any event, the Brits quickly changed their tune and came to realise this is Walton at his best.
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