Kinga Ujszszi violin Heinrich Biber Sonata No 3. (1681) in F major Johann Paul von Westhoff Campanella Biber Annunciation Mystery Sonata No.1 Biber Sonata No. 6 (1681) in C minor Johann Vilsmayr Partita No. 5 Biber The Assumption Mystery Sonata No.13 Mystery and Mastery offers a glimpse into the dazzling and expressive world of 17th-century violin musica period when the violin was emerging as a solo instrument of unprecedented virtuosity and emotional depth. This era marked an exciting chapter in the violins history. Composers, performers, and instrument makers are constantly pushing the boundaries of what the violin could express and achieve. Much of the music from this time draws inspiration from the stylus phantasticusa free, imaginative style known for its dramatic contrasts and inventive spirit, while slowly starting to move toward more structured forms. At the heart of the program are two contrasting sets of sonatas by the deeply religious violinist Heinrich Ignaz Franz Biber. His devotion is evident in every note of the Mystery (or Rosary) Sonatas, even in his unprecedentedly daring use of scordatura (alternative tunings). Biber draws on religious symbolism and narrative to create a deeply immersive experience equally for performers and listeners. In contrast, Bibers technically challenging sonata set from 1681, dazzle with virtuosic passages and intricate polyphony, exploring the limits of violin technique. Alongside Biber, the concert introduces works by Johann Paul von Westhoff, a contemporary of Biber, and Johann Joseph Vilsmayr, Bibers student. Both violinists are on the same path, exploring the violins expressive and technical possibilities, creating music that is both challenging and deeply moving. As you listen youll hear the violin as a voice of devotion, storytelling, and brilliance. From the bell-like clarity of Westhoffs Campanella, to the spiritual drama of Bibers Annunciation and Assumption sonatas, and the lively dance movements of Vilsmayrs Partita No. 5, each piece offers a window into a time when the violin was both a vehicle for personal expression and a symbol of mystery, mastery, and devotion.