Laura Horton’s Breathless takes a condition often used for comic or dramatic effect (hoarding) and lends it an urgency that is both compassionate and thoughtful. A woman, finally acknowledging her sexually after years of repression, struggles to maintain a relationship because her collection of clothes ensures that nobody can be allowed into the house. When she recognises her situation, the protagonist Sophie (played with charm and aplomb by Madeleine MacMahon) is forced to accept that the justifications for her purchases are preventing her from living a proper life.

Although the script never flinches from the consequences of this hoarding, from lost friendships to unfulfilled ambitions, the redemptive conclusion rescues Sophie from her anguish, and avoids the clichés of neurodiverse tragedy. The condition is depicted as serious but not insurmountable, and Sophie is never merely defined by it: she speaks of lovers, family, hopes and fears in a way that simultaneously evokes compassion and develops her character. 

^{Picture: Chris Vaughan}

Warm and witty, and articulated through a strong performance, this monologue avoids maudlin sentimentality and sketches the outline of a life that is threatened but ultimately saved by self-recognition and determination. It is an articulate and passionate call for understanding, that balances psychological depth and kindness.

Pleasance Courtyard, until 29 August, 3pm.