KING theatre review: Portrait of a sad man
Fishamble and the remarkable Pat Kinevane deliver a charismatic piece that misses a few opportunities

In KING, formidable Irish talent Pat Kinevane plays Luther, a lonely man with mental-health issues living in the small town of Cobh. Kinevane’s skill allows him to balance the sadness in Luther’s soul with a quick wit and charm that immediately endears him to the audience. The piece follows Luther as he gets ready for his job as an Elvis impersonator at a friend’s wedding. As he prepares, he recalls the friends and family that have influenced his life.

It all makes for an impressive psychological portrait, but the narrative never really coalesces in a way that elevates the show. Luther’s tendency towards fragmented vagaries means there’s no strong emotional path to hold on to, ultimately resulting in an unsatisfying ending. It feels as though there are missed opportunities too with some of the thematic content, particularly when exploring loneliness and oppression. Working once again with Fishamble, it’s always a thrill to be in the presence of such a skilled performer as Kinevane. Yet, the sheer soul-baring charisma of his performance is sadly not enough to carry the 80 minutes, leaving us feeling slightly short-changed.
KING, Assembly @ Dance Base, until 27 August, 6.30pm.