This big-hearted gig-theatre piece tells the story of people coming home after experiencing the criminal justice system. Weaving together songs with a solid narrative, it stands out both for its musicianship and the genuine nature of the tales being told, the show having been born of the Distant Voices project, which facilitated songwriting workshops in criminal justice settings. 

There are five performers onstage, each sharing musical and storytelling duties. The music mostly sticks to widescreen guitar rock with folk elements, although the inclusion of hip hop and synth-pop keeps things interesting. Considering the performers are musicians, it’s perhaps not surprising that some of the monologue elements fall short dramatically, but there is always a rousing music number round the corner to pick things up. 

While the show might not be uncovering any new truths, it is difficult not to be moved by how these songs came into existence. The early start time may put some people off, but those who do commit will be richly rewarded.

A Giant On The Bridge, Assembly Roxy, until 18 August, 10.40am; main picture: Tommy Ga-Ken Wan.