Needless to say, Arturo Brachetti can change costumes really, really quickly. Any amount of hyperbole doesn’t do justice to his ability and it’s rare to spend time in the company of somebody who is unequivocally the best in the world at what they do; watching Brachetti perform is a rare pleasure. It feels almost ridiculous to state, but the highlights of Brachetti’s show are the stunning quick-changes (although there’s some seriously impressive sand-art thrown in for good measure). The patter between set pieces is a bit naff with some vaguely incoherent message about refusing to grow up, and how you shouldn’t let your shadow control you.

But that isn’t the reason why people are here. They’re here to watch an act billed as ‘the legend of quick change’ change quickly, and the moniker is undeniable. The show succeeds on moments that leave jaws dropped firmly on the floor, and they come by the dozen. Despite mentioning his age (he’s 66, though it’s hard to believe), Brachetti shows no signs of slowing down. It’s a surprise and a privilege to spend an hour with an unequivocal master of his craft, and the sheer variety value of Solo plays testament to the true spirit of the Fringe.

Arturo Brachetti: Solo, Pleasance At EICC, until 25 August, 7pm; main picture: Paolo Ranzani.