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Music podcasts: Tracking sounds from Britain's past

It’s all about the music. Or at least, the often fascinating stories behind the bands who made our favourite tunes. Neil Cooper picks some of his own favourites among the gazillions of top music podcasts doing the rounds

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Music podcasts: Tracking sounds from Britain's past

With more music-related podcasts out there than you might care to shake a stick at, the ghosts of music past can easily send seekers down online rabbit holes in search of enlightenment. For many, this often begins with The Fall. Oh! Brother is the tellingly named show hosted by siblings Paul and Steve Hanley, who both served lengthy stints in the ultimate outsider group and lived to tell the tale.

Since 2021, Oh! Brother has seen the Hanleys engage an array of former band members, celebrity fans and other fellow travellers for discursive chats about life in and out of Mark E Smith’s ever-changing ensemble. Highlights include chats with the band’s former keyboardist Marcia Schofield, ex-footballer Pat Nevin, and music-loving authors Ian Rankin and John Niven. If at times it sounds like a bunch of old blokes in a pub gathered like a post-punk reincarnation of Last Of the Summer Wine, that’s because sometimes it does.

Working in similar territory is Electronically Yours With Martyn Ware, with former Human League and current Heaven 17 stalwart Ware opening up his extensive address book. Since chatting to Richard Hawley back in 2020, Ware has featured more than 200 conversations with assorted new and not-so-new pop stars and producers, including Frankie Goes To Hollywood’s Holly Johnson, Howard Jones and all four members of Propaganda. Closer to home, Mogwai’s Stuart Braithwaite and novelist Irvine Welsh have both made appearances. Best of all was Bob Last, the co-founder of Edinburgh’s Fast Product records and Human League manager, who once sacked Ware from his own band.

Coming out of the same late-1970s Sheffield scene as Ware and co was Roger Quail, the original drummer with Clock DVA, who, like Heaven 17, took their name from Anthony Burgess’ novel A Clockwork Orange. In My Life In The Mosh Of Ghosts, Quail charts his personal musical coming-of-age by way of bite-size episodes that move from him seeing The Runaways and 999 in 1977 through his own time playing as part of Sheffield’s fertile underground scene.

Finally, The C86 Show sees David Eastaugh in conversation with a host of parallel-universe indie-pop survivors, from The Nightingales’ Robert Lloyd and Swell Maps’ Jowe Head to Helen McCookerybook of The Chefs and Johny Brown of The Band Of Holy Joy. This isn’t nostalgia. It’s history. 

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