Bill's 44th theatre review: Puppetry and poignancy merge seamlessly
By the finale, you’ll believe that Bill is real and that life is good once again
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The tragicomedy hit Bill's 44th returns to Edinburgh and if you missed it last year, make sure you don’t make the same mistake again. Following Bill as he waits for partygoers to arrive for his birthday bash, the show is delivered entirely through puppetry with zero dialogue. From the opening moments, it’s clear what a talented duo Andy Manjuck and Dorothy James are; both control the same puppet and have an indescribable connection that allows them to perfectly bounce off of one another, filling Bill with tiny character details in the process. These small details soon add up and before long you could truly believe that Bill is a living, breathing adult, patiently awaiting his friends to arrive.
For all its tragic elements, Bill’s 44th remains a playful rumination on life and the little time we have on this earth; it’s effectively a meditation on the human experience. With high-level production, wonderful puppetry and a beautiful script that reminds us what it means to be human, Bill’s 44th is a genuine treat. Prepare to be charmed by this show and to leave with a big smile on your face.
Bill’s 44th, Underbelly Cowgate, until 25 August, 6.55pm; main picture: Tristram Kenton.