Stepping into a dimly lit room, flickering candles encircle the stage. Above, a skylight reveals the darkening night over the city. There is a gentle romance to the space as virtuoso violinist Christopher Vuk, better known as Blue Violin, steps onto the stage carrying a striking peacock-blue instrument. The first notes from the bow are rich and melancholic, creating a nostalgic sound that fills the room. Soon, pre-recorded beats join in, blending poetic melancholy with the energy of rock’n’roll. 

Using a mix of live playing, looping and recorded tracks, the performance explores rock classics (like AC/DC’s ‘Thunderstruck’) but extends far beyond the genre. Movie soundtracks, country, pop, classical ballet and a contemporary worship tune are woven together, mapping Vuk’s journey from classical training to exhilarating covers. Beyond the music, the performance becomes a personal and vulnerable trip down memory lane, tracing moments of Vuk’s life through music. 

Accompanying Vuk’s playing is a dancer whose costume and style shifts to match each piece, transitioning from commercial-leaning choreography to contemporary and ballet. Vuk’s delivery matches the dancer as he uses his entire body, physically interpreting the music, incorporating choreographed footwork, sweeping movements and occasional vocals. 

Among the candles, colourful lights cast the shadows of both performers onto the walls of the room, the striking image matching the sound filling the space. In the interplay of light and motion, mystery is created, inviting the audience into a performance that is visually layered and musically powerful.

Candlelight: Classic Rock In The Round, Assembly Dance Base, until 24 August, 9.15pm.