Jessica Barton is Mary Floppins, a character based on (you guessed it) everyone’s favourite Victorian nanny. But this version comes with a twist. Floppins has a darker side than her counterpart, which the audience will soon discover. Before that, though, it’s time for chores, like folding fitted sheets and sorting laundry. Almost all of those tasks are done with the help of male audience members (always willing: a safe word is given for anyone who doesn’t want to participate), and as the show progresses, they become increasingly on-the-nose as the underlying feminist message grows clearer. 

Barton barely utters a word throughout her entire performance, but like all good clowns can coax her volunteers into action with exaggerated facial expressions and a little gentle manhandling. At times, the skits start to drag, particularly as we’re left watching two men tidy up the stage for a good five minutes. Between the chores, glimpses of a darker Mary emerge. It’s hinted at why she’s behaving like this, but never fully explored, leaving the narrative structure a touch underdeveloped. Still, with charm in abundance and a magnetic stage presence, it’s a fun debut hour from an undeniable comic talent.

Dirty Work, Underbelly Cowgate, until 24 August, 5.25pm; main picture: Charlie Ashford.