Originally a vocal ensemble, Dunedin Consort has developed over the years to work with both singers and instrumentalists or, as in this instance, plays purely instrumental. Devoting the whole concert to the four orchestral suites by JS Bach gave us an opportunity to hear the infinite variety and freshness of music dating from 300 years ago and which Dunedin recorded to general acclaim on the Linn label last year.

Under the endlessly energetic direction of John Butt at the harpsichord, the Consort (whose players’ names/instruments were not made publicly known in the printed programme) faithfully followed his breakneck speed in ‘Suite No 3’. At times it was a bit too rushed to allow the sound to balance evenly and allow for a bit of air without a few rough edges. While its uber-famous melody later became known as ‘Air On The G String’, the other instantly familiar tune is the Badinerie for solo flute from ‘Suite No 2’. Beautifully played by early music specialist, Katy Bircher, it was favourably supported by the reassuring bounciness of the lower strings and harpsichord.  

Dunedin Consort reviewed at Queen’s Hall as part of Edinburgh International Festival.