A struggling actress trying to make it in Hollywood isn’t exactly a new story, but Ambrosine Davies’ autobiographical LA Baby manages to inject some originality into a well-trodden plot. Davies is an awkward, very British character who is clearly in way over her head. In between auditions, she takes whatever work she can find while pursuing a relationship with former co-worker Fabian. What starts as a comedy poking fun at both herself and the hyper-consumerist Los Angeles culture takes a darker turn as Davies faces abuse from both her employer and Fabian.

There are plenty of absurd, vividly described moments to laugh at, and Davies brings each ridiculous character to life, holding herself in exaggerated poses and putting on grating American accents to good effect. Jay, her very short employer, is particularly funny. However, there’s also something a little aimless about LA Baby. The darker elements of the play often come out of nowhere or are told in a matter-of-fact way that prevents much emotional investment in the story. Though individual scenes are entertaining for the most part, the pacing drags as it’s never fully clear what LA Baby is moving towards.

LA Baby, Zoo Playground, until 24 August, 3.35pm; main picture: Noel Faucett.