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Megan Prescott: Really Good Exposure theatre review – Heavy and complex issues

Successful look at the shocking attitudes towards actresses from industry and public alike

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Megan Prescott: Really Good Exposure theatre review – Heavy and complex issues

Dubbed ‘a story about control’, Megan Prescott, the actress and bodybuilder who formerly starred in Skins, presents a raw account of the acting industry and the harsh pressures it places on young people. Drawing partly from her own experiences, amalgamated with incidents that have happened to others, Really Good Exposure unpacks attitudes towards women in the media, through the sole character of Molly, played by Prescott. Donning a sparkly bikini throughout, she takes the audience on a journey through Molly’s career, starting at age 11. 

It is clear that Prescott, who has starred in a multitude of television and short film roles since her debut in 2008, has impressive acting abilities. The show is captivating, drawing you into Molly’s story and pushing you to root for her, making the difficult scenarios she finds herself in all the more troubling. 

The show addresses issues such as the sexualisation of actors during casting and production, as well as the backlash women face after shows air. Continually, Molly is forced to go against her instincts due to the competitive nature of the industry; her desperation for work is seen as a vulnerability and preyed upon by decision-makers. Prescott traces this timeline vividly, though it feels slightly rushed towards the end. Fitting such heavy and complex topics into a one-hour slot is not an easy task, but Prescott mostly succeeds. 

Megan Prescott: Really Good Exposure, Underbelly Cowgate, until 25 August, 5.20pm; main picture: Damian Robertson.

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