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Michael Griffiths: It’s A Sin cabaret review: Skilled, joyful and truthful

Michael Griffiths re-interprets Pet Shop Boys classics to movingly illustrate his life story 

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Michael Griffiths: It’s A Sin cabaret review: Skilled, joyful and truthful

When Michael Griffiths looks back upon his life (particularly coming of age and coming out in the Australia of the 80s and 90s), it's always with a sense of shame. It’s A Sin takes the audience on a journey through life, love, and the Pet Shop Boys’ discography. Trading in the synths and 80s percussion for strings and keyboard, accompanied by Julian Ferraretto on violin and Tasha Stevens on double bass (expertly filling in for Dylan Paul), Griffiths and his band work their way through favourites including ‘Rent,’ ‘Suburbia,’ and the titular ‘It’s a Sin.’ 

Let’s be absolutely clear: It’s A Sin is much more than a tribute show. The songs weave into Griffiths’ life as if they were written for him – which, in a way, they were. The unique arrangements, new harmonies, and one memorable slip into ‘The Rite of Spring’, allow him to make every moment his own. Combined with his skill and experience as vocalist and entertainer, this creates a seamless tapestry of life, music, and fantastic cabaret. 

Looking back now, Griffiths takes delight in the gay life he has built and will continue to build. A life no longer defined by shame, but full of love. And, although we’re still living in a world where queer people face significant challenges, It’s A Sin is a heartfelt reminder of where we’ve come from, and where a bit of love and queer joy can take us next. 

Michael Griffiths: It’s A Sin, The Garden Of Unearthly Delights, until 17 March, 7pm.

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