Once theatre review: A budding romance
Stage adaptation of the acclaimed 2007 movie leans more into the comedy but keeps the tunes flowing
Many a busker has stood before an open case, guitar in hand, hoping someone will pass by and change their life. To be fair, that fantasy usually involves a record company exec with visions of hit singles, promo videos and tours. Once takes this notion but threads it into a tapestry far more homespun. When ‘Guy’ sets off for home after another soul-destroying day playing to disinterested parties on Dublin’s Grafton Street, he’s fresh out of ambition. Having heard him play, ‘Girl’ has other ideas and convinces him not to leave his dreams, or his guitar, on the pavement. And so begins their journey, from strangers to friends, to bandmates, and maybe something more.
Those familiar with John Carney’s original film will recognise the characters and storyline in Enda Walsh’s stage adaptation, but perhaps not the vibe. Both Walsh and director John Tiffany lean heavily into the show’s comic potential, looking for laughs in every corner. The excellent cast, too, helps whip up an atmosphere of conviviality, with all ten of them highly competent musicians as well as actors. And since the entire set is designed to look like a pub, we’re left in no doubt that good craic is on the menu.
In a show that’s dripping in chemistry between the musicians, however, the lead couple are strangely devoid of romantic connection. We know they care for each other because of the words they’re saying, but it’s hard to root for them when they themselves seem so low on investment. But that’s not the only thread to ply here, and Tiffany, along with movement director Steven Hoggett, give us much to enjoy. Witty dialogue aside, the way bodies are placed in the space, their subtle gestures and gentle choreography, makes for beautiful viewing.
The original songs by Glen Hansard and Markéta Irglová (who played Guy and Girl in the film) have a gentle purity that draws you in; in particular ‘Falling Slowly’, winner of the Academy Award for Best Original Song in 2008, which unsurprisingly was being sung, whistled or hummed by copious people in the foyer post-show. If the budding romance at the show’s heart beats a little too slowly, the importance of family, cultures colliding in the best possible way (Guy is Irish, Girl is Czech), and the love of music making shines through.
Once, Pitlochry Festival Theatre, until Saturday 27 June; picture: Tommy Ga-Ken Wan.