Overtone theatre review: Lingering notes of trauma
The light premise of a couple who met in choir practice quickly gives way to dark undercurrents, in a raw exploration of the lasting consequences of abuse
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‘It costs something to make a meaningful noise’ is the affirmation that never left Maggie and Paul, a couple of godparents finding out that meaningful love also costs something; in their case, confronting a past that’s easier to ignore.
Insecurely ambitious in their pursuit of validation, Maggie and Paul met as teenagers at the behest of their abusive choir master. They are each other’s first love, though second to the attachment that ties them irrevocably to their teacher. Later, when they are confronted with him in a chance meeting, amid the mundanities of middle age and the unfulfilled dreams of their younger selves, a troubling nostalgia threatens their future.
Overtone is a kind of Marriage Story that questions what it takes to devote yourself to someone else when that devotion is riddled with doubt from a life trailed by the spectre of abuse. Quick and surprising moments of humour grant the play some lightness that translates to faith in Maggie and Paul’s relationship. They know all there is to know about communication strategies and attachment styles, though less about how to be honest with themselves. In this desperate and moving hour, they begin to learn.
Overtone, Pleasance Dome, until 30 August, 2.40pm; picture: Geraint Lewis.