Putting The Ass In Brass is the story of writer David Molyneux pursuing his queer identity, from the hometown brass band he played with to the digital age. It’s a first-person narrative, told on stage with musical interludes that include some really charming moments of northern humour, nostalgia and an interesting viewpoint from a gay man in a world very far from understanding the LGBTQ+ community. Tasha Fish and Joshua Norman offer a delightful sense of energy, playing multiple instruments and characters with skill. Unfortunately, they are required to lift the piece up, with a real lack of vitality in Molyneux’s performance.

The musical numbers, despite having capable musicians, are dragged down by the lyrics and dearth of stage presence; it feels like there is too much on Molyneux’s plate to keep up. The writing often becomes confusing, as the narrative switches characters and subject with no warning or explanation, then dives into a rant about AI or (ironically after a failed attempt at playing the trumpet from Molyneux) a bad saxophone player. With a lot more practice and a writing refresh, this could be a lovely piece, but it currently lacks shine. 

Putting The Ass In Brass, Space Surgeons’ Hall, until 29 August, 1.05pm.