Paradisum blurs the boundaries between dance, physical theatre and circus, and astonishes from the very start. Exploring the myth of rebirth through representations of purification, awakening and ritual, the human body is perceived in almost unimaginable ways, as a darkly complex soundscape fills the former chapel at the heart of Assembly Roxy (Edina Szirtes’ music is remarkable). There’s illusion with simplicity as a textured stage cloth rises, falls and drapes, becoming volcano, sea, landscape, mythical creature, even dinosaur; Bence Vági’s choreography and staging calls on our imagination so that we too become part of the ritual.  

Each performer has their moment to shine, and all are masters of their craft whether it’s a stunning opening on aerial pole or a hoop routine with plenty of jeopardy. However, this series of solos means few ensemble moments, and when the performers do come together, their split-second timing and combined energy leaves us yearning for more, while a solo ladder and juggling routine undoubtedly shows consummate skill but doesn’t advance the narrative. That said, this is an extraordinary and beautiful piece of work from a company pushing the limits of the human body as much as they blur the boundaries between performance styles. 

Recirquel: Paradisum, Assembly Roxy, until 24 August, 3.30pm; main picture: Balint Hirling.