Roofman film review: Quirky yet true story
A real-life story of good intentions and bad decisions successfully pairs the always great Kirsten Dunst and an increasingly excellent Channing Tatum

Known for his exquisitely crafted yet dour dramas (Blue Valentine, The Place Beyond The Pines, The Light Between Oceans), director Derek Cianfrance returns with something a little lighter: a stranger-than-fiction tale that assembles a crack cast for hapless criminal antics, romance and religion. Channing Tatum steps into the sneakers of nice-guy crook and former military man Jeffrey Manchester, the ‘Roofman’ of the title.
Following his incarceration for robbing one too many McDonalds, Jeffrey devises a cunning plan for escape and, once free, he takes up residence in a boarded-up area of the local Toys ‘R’ Us. There he survives on snacks, and spies on the staff, including mean-spirited manager Mitch (Peter Dinklage) and sweet single mum Leigh (Kirsten Dunst). When he takes some stolen toys to Leigh’s church as a donation, Jeffrey (now going by the name John) proves a hit and the pair start dating, with Leigh oblivious to her new fella’s status as a wanted man. LaKeith Stanfield is Jeffrey’s friend and criminal associate, while Ben Mendelsohn and Uzo Aduba play a pastor and his wife.
It’s astonishing how much of Roofman is based on fact, something that’s confirmed by closing credits which interview some of the real-life players. Shot on grainy, subdued 35mm, it’s an aesthetic which grounds the quirky story in grittiness. The actors, too, keep things credible. Tatum turns in a lovely, entirely natural performance as the eagle-eyed yet recklessly impulsive Jeffrey; he’s become really relaxed as an actor over the years and is more than matched by the always sensational Dunst. The end product is a thoroughly charming, if slightly insubstantial story of good intentions and disastrous decisions.
Roofman is shown at BFI London Film Festival, Wednesday 15 October; in cinemas from Friday 17 October.