Sound Clash: Death In The Arena theatre review – Musical where MCs have replaced MPs
Conceived by Levi Roots and delivered by an enthusiastic cast who help you forget its overriding flaws
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While the Fringe is overrunning with ambitious musicals of all shapes and sizes, few of them will be quite as unique as Sound Clash: Death In The Arena. Originally conceived by Levi Roots (yes, of Reggae Reggae Sauce fame), this show is steeped in sound-clash culture, where opposing crews blast out reggae and dance hall through sound systems until only one emerges victorious.
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Set in an undefined future where MPs have been replaced by MCs, the piece tells us that violence has been replaced by these sound-offs. Intriguing premise aside, the actual story is standard stuff, with a deceitful ruler, prodigal son and a dollop of Romeo And Juliet. Despite all this, the performers give it their everything, singing and skanking enough to make us forget about the clichéd story.
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The music is punchy and keeps the rhythm of the show flowing, whilst the staging is dynamic. Importantly, it builds to a great climax as the two crews finally go head-to-head in the fabled arena. It would be easy to dismiss this given the slightly ridiculous plotting. However, it brings to life a culture not often seen on stage with such enthusiasm that it’s hard to deny the joy in it.
Sound Clash: Death In The Arena, Pleasance Courtyard, until 28 August, 4.10pm.