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The Mystery Of Dracula theatre review: Fast-paced gothic drama

A twist of the occult gives this story about Stoker’s fanged creation an injection of dynamism

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The Mystery Of Dracula theatre review: Fast-paced gothic drama

Although the title evokes a Hammer Horror take on the character, David Alnwick’s show is not a dramatised staging of Bram Stoker’s classic. Instead, this occult illusionist takes us on a theatrical investigation into the real inspiration behind the most famous bloodsucker.

Alnwick’s enthusiasm for his subject is certainly infectious as he regales us with a story that led him to what he believes is the secret origin of Stoker’s character. His tale is told from first person as an investigation, drawing upon his knowledge of occultism and demonstrating some of the illusions he refers to. It has a fairly basic set-up, with red string across a black backdrop allowing him to pin up images. However, this actually provides a bit of dynamism, as it allows Alnwick to produce items from his leather satchel.

Key to this theatre piece’s success is Alnwick himself, who is charmingly nerdy about the whole thing. His passion for the subject matter keeps an audience attentive throughout and most of his jokes land. Although it is ultimately a bit meaningless, his deep dive into the myth of Stoker’s masterpiece is a fun and fast-paced gothic magic show.

The Mystery Of Dracula, PBH’s Free Fringe @ Voodoo Rooms, until 27 August, 9.05pm.

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