Written in 1902, this classic Flemish play describes the struggles of the eponymous clan. Facing ruin thanks to rent rises, conscription, hunger, poverty, rape, illness and forced emigration, it’s safe to say not a lot is going right for the Van Paemels. Ground-breaking when first produced, the play highlights the differences between the have and have-nots; the rural indentured workers and city dwellers. And while that undoubtedly still holds relevance, its fable-like simplicity (and unrelenting misery) distances the story from a contemporary audience, not helped by a clunky translation that makes some dialogue feel formal and stilted.

Yet if the subject matter feels old-fashioned, Valentijn Dhaenens’ adaptation manages to feel modern, thanks to the use of technology that projects each character onto a backdrop: even though Dhaenens plays every part, this isn’t a monologue. Beautiful lighting and dramatic placement create a painterly feel, as if you’re watching an old master come to life, enhanced by Sara Salvérius’ gorgeous accordion music. It’s stunning, but unfortunately means characters only ever face outwards; a lack of connection that only adds to the distancing. Though clearly a labour of love and a phenomenal achievement by Dhaenens, ultimately this work is best approached as a historical curiosity.

The Van Paemel Family, ZOO Southside, until 27 August, 12.40pm.