Women In Revolt! Art And Activism In The UK 1970–1990 art review: Charting female empowerment
Highlighting the resolve of marginalised communities in recent history, there’s a lot to chew on in this wide-ranging exhibition

Boasting an impressive diversity of forms, Women in Revolt! is a collaboration between Tate Britain, National Galleries Of Scotland and The Whitworth gallery, showcasing the progression of female empowerment in the UK from 1970–1990. Like those who influenced this exhibition, the rooms encompass multiple social issues.
The first room introduces us to the idea of labour and enterprise under oppressive societal structures and the power of community. Filled with zines, videos and archival evidence, it is a treasure trove of endeavour and determination. After rifling through records, we move to the Gabrielle Keiller Library, where fascinating pieces are nestled in an array of feminine forms. Knitted pieces and comforting colours reflect the vulnerability of motherhood, contrasted with the strength it takes to bear the weight of household responsibility. The upstairs levels, however, are the antithesis of the lower rooms. From bodily autonomy to racism, ableism, nuclear protest and oppressive healthcare, this is a punk celebration of sisterhood and intersectionality, complete with screaming audio and BDSM. As we descend into the last section, the struggles of LGBT+ women throughout history are shown alongside the response to the AIDS epidemic and the repressive effect Section 28 legislation had on activist groups.
Women in Revolt! continually highlights the resolve of marginalised communities rising against systematic inequality, creating alternative spaces and questioning authority, leading to structural change in the UK for future generations. Dynamic, insightful and bold, this is an exhibition to spend hours in. Don’t be surprised if you spend a pretty patriarchy-free penny in the gift shop too.
Women In Revolt! Art And Activism In The UK 1970–1990, National Galleries Scotland: Modern Two, until 26 January: main picture: Gina Birch