On their Final Farewell Tour, this could be the last chance to catch the Dynamic Duo! With John's distinctive vocals and songwriting genius combined with Willy's incredible musicianship playing every instrument known to man and a few hybrids of his own making which have to be seen to be believed. Expect anything from bare-chested theremin playing to wah wah wheelie bin! They've been at it and each other for over 50 years and are still mesmerising audiences with their irreverent performances, unique humour and wonderful music! A totally unmissable show!!

Nick Harper is one the UK's best kept musical secrets. Those who have witnessed the spellbinding, one-man show will tell you this. A childhood growing up surrounded by the musical prowess of some of the 60's most revered songwriters & musicians, not to mention being son of Roy Harper, along with 20 years of crafting songs & touring the land has spawned a truly one-off, original guitarist & songwriter who stands alone as a UK great, to be cherished & revered. For over two decades, he has been dazzling audiences, reviewers & fellow artists alike with his heady mix of virtuosity, boyish charm, showmanship & sheer bravado. An imagination bursting with ideas has seen Nick release 11 solo albums to critical acclaim, earning a Number 1 spot in the charts with the seminal hit 'Blue Sky Thinking'.

The Haar combines the staggering musicianship of Molly Donnery (vocals), Adam Summerhayes (fiddle), Murray Grainger (accordion) and Cormac Byrne (bodhrán). The Lost Day is a coming-of-age album, bursting with the poetic storytelling, heartbreaking remorse and hopeful anticipation that has become synonymous with The Haar's authentic musical expression. Their honest, tender, yet epic iteration of traditional songs on this new album provides an extraordinary insight into the suffering, sorrow, hope and happiness of being a human. Remarkable music from a band that has gained a loyal grassroots following, and are becoming one of the most in-demand and unique live acts in the UK and Irish folk scenes today. A mesmerising impromptu arc of artistry Irish Music Magazine The spontaneity of this exciting quartet thrives on the trust they put in each other to create a spontaneous and: 'splendid balance of swirling instrumental magic and beautifully sung narratives, KLOF Mag. The band themselves say: We let our imaginations run free with these old favourites, and the result is breathtakingly beautiful and audaciously ambitious. Live videos: She Moved Through The Fair https://youtu.be/WiwMOsaHagk Wild Rover https://youtu.be/Db1BiWSS-vs Anachie Gordon https://youtu.be/bI34LIq42DQ The Parting Glass: https://youtu.be/TLD5KmgEhyw My Lagan Love: https://youtu.be/hfIP_OpwwxU What audiences are saying: Thanks for a canny night! Hope you come back sometime soon | Magical experience! | Thoroughly enjoyed your amazing performance last night | Hope to see you again! | We loved it! |What a brilliant gig! Devastatingly beautiful. Bristol 24/7 The Haar conjuring magic that had long been hidden in plain sight, responding melodically in a mesmerising impromptu arc of artistry Irish Music Magazine . A sweeping panorama of Irish traditional music and song Songlines Very rarely does an album appear unheralded and threaten to make a major impact. The Haar is one of those rarities Folking.com We need more music like this; spontaneous, alive and affecting, The Haar will take you on a journey and have you appreciating the purest of life's pleasures. Wonderful stuff. Folk Radio UK Molly, Adam, Cormac and Murray have daringly turned this oh-so-familiar repertoire completely on its head and produced what is an inspiring and delightfully bold work of art. Folk Wales Full of great traditional music, just sung and played brilliantly. Mike Harding The Haar conjuring magic that had long been hidden in plain sight, responding melodically in a mesmerising impromptu arc of artistry. Irish Music Magazine Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more!See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Ranagri produce an electrifying mix of virtuosic instrumentals, haunting melodies, vivid storytelling and their unique take on old and new folk songs.

NB This concert starts at 3pm. We are delighted once again to welcome three of the world's top early music specialists to Ashburton performing as solo, duo and as a trio. The three musicians have been friends and colleagues since the 1990s and have played hundreds of concerts together around the world in various period chamber ensembles and orchestras, notably the Academy of Ancient Music. Rodolfo Richter, Violin Pierre Joubert, Violin William Carter, Lute Programme I. Trio Sonata in F major RV.70 Antonio Vivaldi [1678-1741] Allegro, Larghetto, Allego Molto Tutti II. Prelude, Tombeau de Mezangeau, Chaccone ou Cascades Ennemond Gaultier [1575-1651] William Carter III. Folies dEspagne op.9 Jean-Pierre Guignon [1702- 1774] Tutti IV. Aires from The Division Violin Anon. pub. Henry Playford [1688] Tollets Ground, Greensleeves, A brisk March, A Ground by Mr Solomon Eccles, Old Simon the King Pierre Joubert William Carter V. Sonata in g minor RV.757 Antonio Vivaldi Preludio, Allemanda, Sarabanda, Corrente Rodolfo Richter William Carter VI. Trio Sonata in g minor Henry Purcell [1659-1695] Tutti Tutti is the Italian musical term which means everyone, ie the whole trio playing together Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more!See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

"When you do things from your soul, you feel a river moving in you, a joy. Rumi Sing glorious 4 part-harmony songs, chants and mantras from around the world with infectious djembe rhythms from Mahasukha. A joyful day guaranteed to put a smile on your face and uplift your heart and soul. Beautiful harmonies, beautifully simple, simply magic! The day ends at 4pm. Please bring your own lunch and a water bottle. Tea, coffee, tap water all available at the venue. "I think it was probably the most beautiful and uplifting thing I have ever sung, and I felt afterwards that I had had a deep spiritual experience. It was wonderful. Ashburton Arts Centre Always three prices please pay what you can. See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. This workshop will happen in the first floor studio. There are 20 steps up to this room, and no lift. Our apologies to anyone prevented by this from taking part. If that's you - please email us and let us know on [email protected].

2025 saw Tom Bright perform on BBC One's Sunday Morning Live and serenade a sea of thousands at his fifth Glastonbury. Tom's global touring has seen him appear at London Palladium, Shepherd's Bush Empire, on BBC's The One Show, Sky News, transmit countless live sessions and interviews for BBC Radio 2, 5Live, Radio X and support the likes of The Libertines, Mystery Jets, Tom Grennan, Reverend & The Makers, Katherine Priddy, Ed Harcourt and many more. He's worked with Matt Johnson of The The, earned the plaudits of esteemed music champions John Kennedy (Radio X) & Guy Garvey (BBC 6 Music), featured in CLASH Magazine and spent 2 years in Spotify's Most Beautiful Songs in the World with If I Met Your Shadow. In May '25, Tom released a collection of his early songs, titled Young Old Bloke, produced by The Clash legend Mick Jones & Dirty White. He has three previous albums out in the world (all produced by Ed Harcourt), was once the UK's youngest pub landlord and underwent a multitude of life-saving surgery as a child. Achingly beautiful Rev. Kate Bottley, BBC Radio 2 The excellent Tom Bright Guy Garvey, BBC 6 music One of the UK's most moving songwriters John Kennedy, Radio X Something special Gordon Smart, BBC 5 Live A fearless acoustic troubadour with a voice like sandpaper and a heart like gold unique and exceptional talents of one of our finest emerging singer songwriters Louder Than War Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more!See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Devon Song returns this April with a captivating programme of intimate recitals featuring internationally acclaimed singers and pianists. The festival, taking place at the Ashburton Arts Centre on 17th & 18th April, promises inspirational performances that invite audiences to explore storytelling through music. Devon Song celebrates art song, a form of music where expressive poetry meets classical music performance. While rooted in classical tradition, the festival's programme embraces diverse musical styles all united by the power of storytelling through voice and piano. This year's programme will feature world-class artists, including Gramophone-nominated tenor James Way and pianist Natalie Burch, performing Schubert's Winter's Journey, among other highlights. Audiences can also look forward to a reflective concert by Bethany Horak-Hallett, a semi-staged performance exploring the life and music of George Butterworth presented by Royal Opera House pianist Mark Packwood and singer-actor Richard Court, and a relaxed, accessible performance were the audience is free to move about and not worry about making noise. Devon Song Festival is more than a concert series, it's a community-building experience designed to make art song accessible to everyone. There are no dress codes and no preconceptions required; whether youre a seasoned classical fan or have never attended a recital before, the festival's welcoming atmosphere offers a perfect opportunity to discover something new and moving. Quote from Artistic Director, Natalie Burch Devon Song is about celebrating the human voice and the stories we tell through music. We aim to bring people together to hear exceptional performers and create moments that stay with our audiences forever. Detailed information, including full dates, ticket options and performer biographies, can be found at Devonsong.co.uk See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre: ashburtonarts.org.uk/access-booking-tickets-parking-finding-us

In a fundraising event for St Pancras Church, Widecombe (The Cathedral of the Moor) we're delighted to welcome Garfield Jackson and Winnie Wu to perform: BACH Cello Suite No1 in G Major (arranged for viola) PROKOFIEV From Romeo and Juliet Suite Introduction Julia the Young Girl Balcony Scene Dance of the Knights BRAHMS Clarinet Sonata Op 120 No2 in E flat Major (arranged for viola) ELGAR Chanson de Nuit ELGAR Chanson de Matin Garfield Jackson FRAM After early lessons with Beryl Morreau, (founding member of the Macnaughton String Quartet) herself a pupil of Lionel Tertis, Garfield Jackson attended the Yehudi Menuhin School. A scholarship to the Royal Academy of Music enabled him to study viola with Peter Schidlof and Stephen Shingles, alongside violin with Ralph Holmes, and chamber music with Sidney Griller. In 1978 he became a founding member of the Endellion String Quartet and remained with them for 42 years. The quartet toured extensively worldwide and recorded for EMI, Virgin Classics, and Warner Classics. The recording of their complete Beethoven cycle (including the viola quintets) was met with high acclaim. For over 28 years they were quartet in residence at Cambridge University where they coached chamber music as well as giving regular performances. During this time they were given the prestigious Royal Philharmonic Society Award. Garfield has also performed chamber music with many groups including the Alberni, Amadeus, Chillingirian, Maggini, Elias, Heath Quartets, and the Nash Ensemble. Since 1979 he has regularly attended Open Chamber Music at Prussia Cove including concerts with Sandor Vegh, Andras Schiff, Ferenc Rados, amongst others. He has enjoyed collaborating with many international artists including Maxim Vengerov, Joshua Bell, Norbert Brainin, Sir Stephen Hough, Steven Isserlis and Nigel Kennedy. As a soloist, Garfield has performed at the Wigmore Hall, Queen Elizabeth Hall, Barbican Centre, and has also broadcast several times for the BBC. Furthermore, he appears regularly as guest principal viola with many of Britains leading orchestra's. Teaching positions past and present include:- Royal Academy of Music, Cambridge University, Guildhall School of Music and Drama, Royal Northern College of Music, Chamber Studio and the Purcell School, as well as visiting teaching at the Yehudi Menuhin School, Yale, Bloomington, and MIT in the USA. From 2008-2018 he was Artistic Associate at the Lake District Summer Music School and Festival. Winnie Wu Winnie Wu took up residence in Britain aged 17 after being awarded a scholarship to the Royal Academy of Music, where she studied with Vivian Langrish, Gordon Green, Philip Fowke, and Christopher Elton. During her studies at the Academy she was awarded numerous prizes as a soloist and for chamber music. In 1981 she won a further scholarship to enable her studies as a post-graduate at the Academy. She was a winner of the Dudley Piano Competition and the Hong Kong Young Musician of the Year Award, she took part in master classes given by Vlado Perlemuter at the Fontainbleau Festival and has performed as concerto soloist with orchestras such as the City of Birmingham Symphony Orchestra, the Croydon Symphony Orchestra, and the Hong Kong Philharmonic Orchestra. Winnie has given broadcasts for radio and television in her native Hong Kong and has appeared as soloist at the South Bank Arts Complex, Fairfield Halls and the Wigmore Hall. After taking a 15year break from her career to concentrate on family responsibilities she has returned to the concert platform to give regular recitals all around Hertfordshire and London. She has performed Gershwin's Rhapsody in Blue, the Emperor concerto by Beethoven, as well as the Shostakovich second piano concerto, Tchaikovsky concerto, Brahms second concerto as well as second and third concertos by Rachmaninoff. Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more!See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Devon Song returns this April with a captivating programme of intimate recitals featuring internationally acclaimed singers and pianists. The festival, taking place at the Ashburton Arts Centre on 17th & 18th April, promises inspirational performances that invite audiences to explore storytelling through music. Friday: Winterreise: James Way and Natalie Burch perform Schubert's iconic song cycle to open Devon Song Festival https://www.jamesbernardway.com/ Devon Song celebrates art song, a form of music where expressive poetry meets classical music performance. While rooted in classical tradition, the festival's programme embraces diverse musical styles all united by the power of storytelling through voice and piano. This year's programme will feature world-class artists, including Gramophone-nominated tenor James Way and pianist Natalie Burch, performing Schubert's Winter's Journey, among other highlights. Audiences can also look forward to a reflective concert by Bethany Horak-Hallett, a semi-staged performance exploring the life and music of George Butterworth presented by Royal Opera House pianist Mark Packwood and singer-actor Richard Court, and a relaxed, accessible performance were the audience is free to move about and not worry about making noise. Devon Song Festival is more than a concert series, it's a community-building experience designed to make art song accessible to everyone. There are no dress codes and no preconceptions required; whether youre a seasoned classical fan or have never attended a recital before, the festival's welcoming atmosphere offers a perfect opportunity to discover something new and moving. Quote from Artistic Director, Natalie Burch Devon Song is about celebrating the human voice and the stories we tell through music. We aim to bring people together to hear exceptional performers and create moments that stay with our audiences forever. Detailed information, including full dates, ticket options and performer biographies, can be found at Devonsong.co.uk See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre: ashburtonarts.org.uk/access-booking-tickets-parking-finding-us

Devon Song returns this April with a captivating programme of intimate recitals featuring internationally acclaimed singers and pianists. The festival, taking place at the Ashburton Arts Centre on 17th & 18th April, promises inspirational performances that invite audiences to explore storytelling through music. This Cushion Concert on Saturday morning is open to all. There will be a small number of songs with longer introductions with people welcome to come and go, have a coffee, bring kids, everyone is welcome. Devon Song celebrates art song, a form of music where expressive poetry meets classical music performance. While rooted in classical tradition, the festival's programme embraces diverse musical styles all united by the power of storytelling through voice and piano. This year's programme will feature world-class artists, including Gramophone-nominated tenor James Way and pianist Natalie Burch, performing Schubert's Winter's Journey, among other highlights. Audiences can also look forward to a reflective concert by Bethany Horak-Hallett, a semi-staged performance exploring the life and music of George Butterworth presented by Royal Opera House pianist Mark Packwood and singer-actor Richard Court, and a relaxed, accessible performance were the audience is free to move about and not worry about making noise. Devon Song Festival is more than a concert series, it's a community-building experience designed to make art song accessible to everyone. There are no dress codes and no preconceptions required; whether youre a seasoned classical fan or have never attended a recital before, the festival's welcoming atmosphere offers a perfect opportunity to discover something new and moving. Quote from Artistic Director, Natalie Burch Devon Song is about celebrating the human voice and the stories we tell through music. We aim to bring people together to hear exceptional performers and create moments that stay with our audiences forever. Detailed information, including full dates, ticket options and performer biographies, can be found at Devonsong.co.uk See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre: ashburtonarts.org.uk/access-booking-tickets-parking-finding-us

Devon Song returns this April with a captivating programme of intimate recitals featuring internationally acclaimed singers and pianists. The festival, taking place at the Ashburton Arts Centre on 17th & 18th April, promises inspirational performances that invite audiences to explore storytelling through music. The Saturday afternoon will be 'Quiet Music' with Bethany Horak-Hallett. It's an hour of reflective music that is all about stepping away from the hustle and bustle of life to get back to oneself. Devon Song celebrates art song, a form of music where expressive poetry meets classical music performance. While rooted in classical tradition, the festival's programme embraces diverse musical styles all united by the power of storytelling through voice and piano. This year's programme will feature world-class artists, including Gramophone-nominated tenor James Way and pianist Natalie Burch, performing Schubert's Winter's Journey, among other highlights. Audiences can also look forward to a reflective concert by Bethany Horak-Hallett, a semi-staged performance exploring the life and music of George Butterworth presented by Royal Opera House pianist Mark Packwood and singer-actor Richard Court, and a relaxed, accessible performance were the audience is free to move about and not worry about making noise. Devon Song Festival is more than a concert series, it's a community-building experience designed to make art song accessible to everyone. There are no dress codes and no preconceptions required; whether youre a seasoned classical fan or have never attended a recital before, the festival's welcoming atmosphere offers a perfect opportunity to discover something new and moving. Quote from Artistic Director, Natalie Burch Devon Song is about celebrating the human voice and the stories we tell through music. We aim to bring people together to hear exceptional performers and create moments that stay with our audiences forever. Detailed information, including full dates, ticket options and performer biographies, can be found at Devonsong.co.uk See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre: ashburtonarts.org.uk/access-booking-tickets-parking-finding-us

"As an honorary New Orleans citizen, Pete will lead an outstanding eight-piece ensemble of talented musicians. They will deliver an electrifying performance bursting with joyful jazz, paying tribute to legendary figures like Louis Armstrong, Sidney Bechet and Duke Ellington, and beloved British talents such as Acker Bilk, Kenny Ball, Chris Barber, and Humphrey Lyttelton." Pete (clarinet/sax and vocals), Roger Marks (trombone), Chris Hodgkins (trumpet), Trevor Whiting (clarinet/sax), Max Brittain (banjo/guitar), Jim Newton (drums), Andrew Clancy (piano) and Andy Crowdy (bass). See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre: ashburtonarts.org.uk/access-booking-tickets-parking-finding-us

Presented by our friends at From The Whitehouse, who write: Raised in the East Yorkshire flatlands on the fringes of Hull, Katie Spencer's landscape has always been that of open skies and widening rivers. Industry still shapes the city here. The people, as with the land, are moulded by tides and stark horizons. Stand in the same place for long enough and you can watch the sun rise over the North Sea and then sink into crop fields, glowing auburn in late-summer sun. It is this sense of space and movement that flows through Katie Spencer's music, which you can listen to right here: katiespencerofficial.bandcamp.com The songwriting, and most notably her guitar playing stems from a time when the steel-stringed instrument was truly finding its voice. Artists like Joni Mitchell, James Taylor and perhaps most evidently Michael Chapman, flow into her sound, carrying with them the warmth and idealism of the early 70s folk and songwriter movements. Katie Spencer's widely celebrated new album, The Edge of the Land (2022), follows her debut release, Weather Beaten (2019) which was praised for its unique song-craft, spell-binding musicianship and crystal sonic clarity, as she brought together fans of music from all backgrounds and walks of life. Delicate and un-rushed, the ten songs on The Edge of the Land drift by like ships on the horizon, yet intimacy and introspection still remain. The inclusivity found in her recorded works is most apparent when on stage, with a personal connection and humour that allows the listener time to appreciate the emotion of the music. Her historical gig list is extensive, taking in the world-renowned Celtic Connections and Cambridge Folk Festival, whilst performances with Danny Thompson and Alan Thomson have left audiences in awe of her confidence and craftsmanship. As live music has returned to our world, we can expect to see Katie Spencer where she belongs once more, eyes closed, in the moment, performing. Her articulate picking, with suggestions of folk and jazz, frames intelligently written songs and is the backbone to her music. Guitarist Magazine One of the most satisfying and spellbinding singer-songwriter collections Ive encountered in some time. RnR Magazine ★★★★★ Imaginative imagery supported by compelling music that summons up the best of early 70s folk, fluently delivered here with its own contemporary power. This is a fine collection of memorable songs by an outstanding writer and musician. Record Collector A timeless English folk album, perfect for the still calm of a Sunday morning. Shindig! Katie Spencer sits gracefully in a vocal nook between Sandy Denny, Linda Thompson and, to conjure a name we hear less often these days, Bridget St John. Prog Magazine The way Katie plays is never contrived, showy or imitative; it sounds true a world-class folk guitarist fRoots Katie's guitar playing has echoes of my dear friend the late great Bert Jansch. Like a musical weaver she threads her poetic lyrics through the guitar's strings and produces little tapestries of song Ralph McTell katiespencer.net facebook.com/katiespencermusic twitter.com/KRSpencerMusic instagram.com/katiespencermusic Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more!See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Spellbinding, exquisitely detailed and darkly funny, this is shadow puppetry at its very best. Lose yourself in the woods and follow the scent of sugar in this classic tale by the Brothers Grimm. A Shadow Play for Adults and Children Shadow Puppetry + Storyteller and live music Running time: 40 minutes This production was commissioned by National Trust for Wray Castle (Halloween 2018). It's recommended for children aged 5+, but suitable for all ages and all are welcome.

The friendly ghost of a sailor haunts an old pub, meeting and talking with people through the centuries. the famous and infamous, observing the changing world with a smile and a quick wit, singing popular songs from times gone by. This new show of Pete's is a tour de force, it is honestly a revelation, and a real joy, to see a performer at the top of his already deeply impressive game. A happy mixture of music hall, pantomime, standup comedy, rowdy back room folk clubs, with moments of utter beauty and breathtaking audacity, it is a unique experience. It's full of laughter, singalongs, history, poetry, philosophy and life affirming fun. It's one of the very best things Ive ever seen. Rick Wakefield - Quorn Village Hall Absolutely astounding! Festival at the Edge Can't recommend this one-man show highly enough. Keith Donnelly Horrible Histories for grown ups singalong style! Cheshire Folk Utterly brilliant! Clonter Opera Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more!See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Adrien Brandeis's music presents a colorful and finely nuanced jazz, allowing the pianist to stage a display of his contrasting musical influences: jazz, classical music, french impressionist and latin music. Resurgence is his fourth album, released in May 2025. Here he is playing, and talking about the music:

After a decade touring with Midge Ure and India Electric Company and following his top 10 single, a reimagining of Fade To Grey, Cole Stacey shares his acclaimed solo album Postcards From Lost Places. Expect captivating stories, lyrical songwriting rooted in tradition, haunting melodies and a night of connection in a remarkable setting. A magnificent sound BBC Radio 5 Live Breathtaking, that incredible voice TradFolk Cole Stacey is a visceral and lyrical songwriter, singer and musician who has roamed the highest diverse echelons of British folk, 80s pop, spoken word and ambient electronics. From The Royal Albert Hall to The Westfalenhalle Arena, from 700-year-old castles in Gdansk to Glastonbury Festival. His unique debut album has at its heart a symbiosis of lost places and forgotten words, stretching as far back as the 13th century, paired with Cole's distinctive lyrical songwriting and remarkable field recordings. Bringing together his years of experience on stage, Cole's deeply personal solo shows are rooted in storytelling, directed by a love of popular song, folk traditions and have connection with people and places are their heart. Cole Stacey's album Postcards from Lost Places was recorded in atmospheric locations around Dartmoor. You can see Cole in this edition of Folk on Foot on YouTube retracing his steps, taking us back to some of those places and performing the songs inspired by them. We hear about his journey into folk music, his partnership with Joseph OKeefe in India Electric Co and his experiences of touring with Midge Ure. But most of all we enjoy a spectacular cold and sunny day on Dartmoor. Feast or Fire (live) Fade To Grey Hard Times (Come Again No More) This is part of the second Dartmoor Tors Festival, from 30 April 3 May at various venues around Ashburton, south Dartmoor.

Listen to Gwenno on Spotify Gwenno's 2025 single, Utopia on YouTube Gwenno will be performing solo. Spacey, strange and richly melodic The Guardian Gwenno Saunders is a visionary artist whose eclectic career spans more than 25 years as a musician, songwriter, producer, and performer. Starting out with solo Welsh, Cornish, and English language EPs in the early 2000s, Gwenno went on to front indie-pop group The Pipettes before forging her path as a solo artist. Rooted deeply in her Welsh and Cornish heritage, Gwenno's work champions minority languages and cultural identity. Singing in Cornish, Welsh, and English, she advocates passionately for language revival and community connection through music. Gwenno's artistic journey reflects a commitment to place, history, and collective voice using pop, experimental soundscapes, and performance to elevate languages and cultures at risk of being overlooked in a globalized world. She has released four acclaimed solo albums: Y Dydd Olaf (winner of The Welsh Music Prize), Le Kov, Tresor (shortlisted for the 2022 Mercury Music Prize), and her latest, Utopia (2025) alongside two full-length records with The Pipettes. Utopia marks a new chapter, Gwenno's first record sung predominantly in English exploring themes of self-determination, identity, and creative evolution. Recorded live with her band in her living room and produced with long-term collaborator Rhys Edwards, Utopia features lush, textured soundscapes and notable contributions from fellow Welsh musicians Cate Le Bon and H. Hawkline. In addition to her recording career, Gwenno has composed new scores for theatre and film, including work for The Caucasian Chalk Circle with Theatr Genedlaethol Cymru and a live score for Mark Jenkin's BAIT showcased at BFI Southbank. A dynamic creative force, she also curates festivals such as CAM 15 + 18 and Festival of Voice at the Wales Millennium Centre, blending artistic expression with cultural engagement. Prior to her solo work, Gwenno was a principal dancer in Lord of the Dance and a chorus line dancer in Riverdance, the former of which led to her taking on the lead role at the New York New York Hotel & Casino in Las Vegas between 1998-2000. This is part of the second Dartmoor Tors Festival, happening at various places around Dartmoor from 30 April 3 May 2026. Tickets for festival events at Ashburton Arts Centre are all available at wegottickets.com/dartmoortorsfestival2026. All of the festival goings on are listed at dartmoortorsfestival.co.uk. Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Martin Berteau (1691 1771) Sonata op n.3 in G major Allegro, Grave, Allegro This sonata in G major became one of the most popular Baroque works for cello and piano and was thought to be written by Giovanni Battista Sammartini (c.1698-1775) , however scholars now attribute this piece to the French cellist and composer Martin Berteau (1709-71), one of the founders of the French cello tradition. It was originally written for cello and bass continuo, this version for cello and piano was arranged by Leonard Rose . Beethoven (1770 1827) Sonata op. 5 no 1 in F major Adagio sostenuto Allegro, Rondo Allegro Vivace Written in 1796 while in Berlin for the great cellist Duport, the sonata is dedicated to the King of Prussia, Friedrich Wilhelm II, himself a keen cellist. It was premiered in court by Beethoven and Duport's brother Jean-Louis. INTERVAL Cesar Franck 1822/1890 Sonata in A major Allegretto ben moderato, Allegro :Recitativo-Fantasia (Ben moderato), Allegretto poco mosso. This sonata was written in 1886 for Ysaye and is considered one of the finest sonatas for violin and piano ever written. The setting for cello and piano was the only alternative version sanctioned by Franck. This was created by the renowned cellist Jules Delsart. After thorough historical study based on reliable documents, Delsart's transcription for cello where the piano part remains the same as in the violin sonata was published by G. Henle Verlag as an Urtext edition. Based on oral history by Pablo Casals and a letter written by Antoine Ysaye, Eugène Ysaÿe's son, it has often been speculated that the work was first conceived as a sonata for cello and piano, and only later reset for violin and piano when the commission from Eugène Ysaÿe arrived. Michael Kevin Jones The English cellist, Michael Kevin Jones was born in Watford and studied Music Performance Piano/Cello at the Royal College of Music in London. While a student there he was chosen to play for the royal family and awarded a German government scholarship for further study in Köln. He continued his studies at the Robert Schumann Hochschule Düsseldorf with Johnannes Goritzki His teachers included Pauline Ballard, Dulce Haigh Marshall, Michael Evans and Joan Dickson. Michael has found a unique place for himself among today's performers. After his studies he quickly became solo cellist and toured the world with top musical groups. He has developed a non-conventional career incorporating multi-musical activities and is also a teacher and coach. As member of 'the Jones Maruri cello guitar duo, Michael had his first top 10 selling CD 'Original music for cello and guitar' in Hong Kong and China and as a soloist his recording of the complete J.S. Bach' Cello Suites (BWV 1007) on a 1667 Stradivarius cello for the Metropolitan Museum of Art in New York has received international critical acclaim and several audio awards. He has recently started performing with John Bryden with whom he studied piano at Dartington College of Arts and they have just released their first album Cello Meditation together. John Bryden Pianist John Bryden was born in Edinburgh and went to Emmanuel College, Cambridge. He studied with Peter Katin in London and in master classes in Siena and in Bonn with Guido Agosti and Claudio Arrau. He also benefited greatly from the advice of Clifford Curzon and Hans Keller. John's concert career has taken him from California to Kathmandu via the Wigmore Hall and around the world on the MS Saga Rose and the MS Saga Pearl. For ACE Cultural Tours he has led over 150 tours within Europe , playing in houses or museums associated with Handel, Haydn, Beethoven, Mendelssohn, Smetana, Chopin, Liszt, Schumann, Dvorak, Grieg and Elgar. As a double bass player in the National Youth Orchestra he played at Bristol's Colston Hall and as pianist in the Dartington Trio in a series of lunchtime concerts in St George's, Brandon Hill. At Dartington International Summer School he played for master classes given by Jacqueline du Pre. He is now delighted to be giving concerts with his former piano student at Dartington, Michael Kevin Jones. See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street

Gavin Fairhall Lever are a stunning explosion of colour in the wild and unruly garden of the folk scene. A tangle of roots from Northern Ireland, Cornwall and Norfolk gives exuberant life to a truly contemporary folk music, full of thorns and flowers. The trio bring together the exhilarating, joyful tumble of Celtic trad, a melodic warmth, vibrant rhythmic invention, and the subtle expressivity of jazz harmony. Tunes unfold like stories, with dynamic and textured arrangements keeping the pages turning, from chapters of luminous stillness into passages of unstoppable drive. All performed with a compelling combination of fire, precision and mongrel bite. The trio have become renowned for their captivating live performances, including at Caceres Irish Fleadh (Spain), Zilleghem Folk (Belgium), Broadstairs Folk Festival, and Celtic Connections Glasgow. Following on from the success of their debut record, their second album was recorded live to tape at Analogue Catalogue Studios in Northern Ireland with Julie McLarnon (Lankum, Alasdair Roberts, Brian Eno), and was released in February 2025. Known for his consistently strong collaborative work at the forefront of London’s thriving folk scene, with TEYR, Paddi Benson and Grace Lemon, The Rad Orchestra, and Jez Hellard, multi-instrumentalist and composer James Patrick Gavin creates music that dances a line between tradition and irreverence. This trio showcases Gavin’s mastery of the full expressive range of the violin. Adrian Lever’s clear tenor voice delivers the songs of the trio, while his seasoned and steady guitarist’s hand forms the rhythmic heart, complete with characteristic Balkan and flamenco stylings. He has played on stages from Lewes Guitar Festival to the Barbican. Past collaborations include Horses Brawl, with experimental early music composer/performer Laura Cannell; and Alma, with leading English folk fiddlers John Dipper and Emily Askew. Tim Fairhall contributes a distinctive style, coming from a background in contemporary jazz, improv and post-classical electronica. He has performed on stages as diverse as Cologne Philharmonic and Ronnie Scott’s Jazz Club, and with musicians ranging from Sephardic singer Yasmin Levy to the piano/laptop-led trio Piano Interrupted; he brings an improvisational alertness and sensitivity, jazz musicianship and an adventurous spirit to the trio.

Performing again as part of the Lyric Chamber Orchestra's Sunday afternoon series of concerts, acclaimed cellist Jeremy Capey will be joined by pianist Anne Willie to perform a delightful programme that celebrates the folk traditions of the British Isles including: Spiegel-im-Spiegel - Arvo Pärt video here Six studies in Folk Song - Vaughan Williams video here From the Land of Song - David Evan Thomas Clan - Joanna Borrett video here (the links above are to the pieces being played by other musicians)

Including David Diamond "Rounds", Bernard Herman "Psycho", Elliot Carter "Elegy" and Bloch Concerto Grosso. This is part of Tinners Moon Festival 2026, from 3 31 May. For more information, see the Tinners Moon 2026 page on ashburtonarts.org.uk. Tickets for all events are available here at wegottickets.com/tinnersmoon2026 Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

The John Hackett Band The John Hackett Band embodies the spirit of progressive rock. From John's pastoral flute textures, through the funky interplay between drummer Duncan Parsons and bassist Jeremy Richardson to the intricacies of Nick Fletcher's lead guitar the group embrace pop, rock, jazz, classical, funk and all stops in-between, from the tenderest of ballads to hair-raising instrumental workouts! John Hackett has been a much-loved and admired figure in the progressive rock scene since the mid-70's; best-known for his flute work with his brother, former Genesis guitarist, Steve Hackett on albums such as Voyage of The Acolyte, Please Dont Touch and Spectral Mornings alongside his own solo albums Checking Out Of London, Another Life and The Piper Plays His Tune 2025 saw the release of their acclaimed second album, Red Institution and a tour taking the band from Glasgow to Penzance, Colchester to Oswestry; thrilling audiences with brand new tracks alongside classic Hackett material from the heyday of progressive rock. The 2026 tour is equally extensive, concluding with a run of dates in Belgium, Germany and The Netherlands. The band is delighted to be sharing the stage with such diverse and imaginative talents as Heather Findlay, Olga Dikajee, Dorie Jackson and EBB. Heather Findlay Known for her magical, evocative voice and an ability to interpret and inhabit a range of styles with a mix of power and feeling, Heather Findlay is one of the finest vocalists working in music today. Prog magazine lauded her, Deliciously sultry vocals, whilst Maverick magazine hailed her, Pure, crystalline voice. She grabs your heart in an almost vice-like grip. At 19 Heather was asked to join up-and-coming rock band Mostly Autumn. In the thirteen extraordinary years that followed, Bryan Josh, Heather and company went on to enjoy creative success, winning the most devoted of fans, writing and recording many albums together. The band toured internationally throughout that time. In her subsequent solo career Heather has continued to learn and to develop. The boundless depth and dynamism of her stage presence, coupled with the richness, power and beauty of that instantly identifiable voice continues to captivate listeners. Her latest album, Wildflower, released in 2025, steps into a stripped-back, authentic, soul-led era of writing with songs she hopes will open hearts and bring awareness to us all. Ashburton Arts Centre Always three prices please pay what you can. See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

After releasing his debut album Empty Passenger Seat in 2023 to much acclaim, the Lancashire born singer-songwriter is due to release his much anticipated second album Alone In Valentine. The release in April 2026 will coincide with a band tour of the north of England, Isle of Man and Scotland and will be a showcase premiere of the whole album from start to finish. The album will be cut in the capital of country music, Nashville, with legendary names in the country music world working alongside Joe to bring the album to life. Cal Campbell and Cornelius Webb, sons of the legends Glen Campbell and Jimmy Webb will be producing Alone In Valentine. Joe is aiming for the album to be a bridge between musical generations, bringing something new and pushing boundaries, while having elements rooted in the classic country sound. Don't miss your chance to watch this outstanding talent.

He isnt afraid of the RUFF questions! He wont ROLL OVER on the big issues! Vote for him to SIT in office! Max is the Mayor of Idyllwild, California. He's also a Golden Retriever Labrador. It might seem far-fetched, but this story is true! A charming and eccentric solo show, written and performed by Mayor Max's number one fan! Written and Performed by Alex Robins. Directed by Jon Nash. Meet Mayor Max was developed with support from Exeter Northcott Theatre's Elevate Programme. Audience Reviews at Elevate Festival Bonkers fun and really skillfully crafted. Charming, quirky, will stay with me. Incredible material, incredible writing. Such a secure performance. Audience Reviews at Plymouth Performance Mayfest A fever dream of a show! Did not expect that outcome at all! I now know what to do with my life! Audience Reviews at Idyllwild Town Hall Love was let loose like a butterfly plague. You've reminded me of who I am. True Art. Meet Mayor Max is a documentary-theatre solo show which uses found text, verbatim and personal experiences to tell the unbelievable true story of Mayor Max, the golden retriever labrador. Alex Robins writes: I started research for this play in 2023 and have since travelled to Idyllwild, California twice. On the first visit, I volunteered for Mayor Max and conducted interviews with the townspeople a year later I performed a version of this play in their town hall. Age Guidance: 12+ No Content Warnings Work-in-progress Alex Robins is a playwright, performer and game developer based in Exeter. He produced the Arts Council-funded tour of his play Fireworks (★★★★ "Sparkling" The Reviews Hub) across Devon and Cornwall, then to Vault Festival in London. He is a co-founder of The Narwhal Ensemble, devising and performing with the company for 2021: A Cornish Space Odyssey (★★★★ Inspiring and quietly devastating ReviewsGate) and Whey Down South ("Brie-lliant" British Theatre Guide), supported by Theatre Royal Plymouth. He received a distinction in MA Creative Writing from the University of Exeter. More at alex-robins.com The play is directed by Jon Nash, a director and playwright based in Plymouth. Through Down Stage Write downstagewrite.uk, he supports the development and production of new writing across the region from teaching to script support to producing playwriting projects and new plays. He is currently a mentored writer for Paines Plough's Tour The Writer project and is touring the interactive one person show Is Anybody There with Open Plan Theatre. More at jonnash.uk. Developed with support from Exeter Northcott Theatre; Elevate Seeds (R&D) in the spring to Elevate Festival in the autumn. Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! ashburtonarts.org.uk/access-booking-tickets-parking-finding-us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Drawing from their mutual love of classic rock, pop, country, jazz and blues, Christine and Dave dive head long and full throttle into the songs they love. Their combined passion, talent and fun-loving personalities bring a natural warmth and great charm to their performances. Dave Kelly is a founder member of The Blues Band and a stalwart of the British blues scene. He cut his teeth in the backing bands of Howlin Wolf and John Lee Hooker, and has played with Buddy Guy, Son House and Muddy Waters. The Blues Band have released about 20 albums, and Dave has 15 either solo or with his own Dave Kelly Band. Christine Collister came to prominence in the UK folk scene in the eighties, singing the title song for the BBC drama series Life & Loves Of A She Devil. She was in Richard Thompson's touring band as vocalist and acoustic guitarist, and has released five acclaimed albums with Clive Gregson. She's collaborated with many varied artists, and released a further 15 albums of solo and duo work. Ashburton Arts Centre Always three prices please pay what you can. See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Tannahill Weavers is one of Scotland's premier traditional bands. Now in their 51st year, their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, original ballads and lullabies, and humorous tales of life in Scotland. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can't get better...yet continue to do just that. Born at a session in Paisley, Scotland, and named for the town's historic weaving industry and local poet laureate Robert Tannahill, Tannahill Weavers have made an international name for their special brand of Celtic music, blending the beauty of traditional melodies with the power of modern rhythms. As one of the world's premier traditional Celtic bands, their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, original ballads and lullabies, and humorous tales of life in Scotland. As the band celebrates the nomination of their 18th recording, Òrach (Golden in Gaelic) as album of the year, and themselves as band of the year, they are firmly established as one of the premier groups on the concert stage. From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits. Formed from a Paisley pub session in 1968, seminal trailblazers the Tannahill Weavers now also rank as national treasures. Glasgow Celtic Connections 2018 Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Liz Simcock has been called one of the country's finest female singer songwriters. Her songs often autobiographical and highly personal are immediately accessible to audiences and injected with poetry, emotion and splashes of humour. In 1999 she featured on the Playpen Album of New Acoustic Music alongside Eliza Carthy, Billy Bragg, Eddi Reader and Kathryn Williams. Since then she has trodden an independent path, gaining a growing reputation as a performer and songwriter. Liz counts Richard Thompson, Clive Gregson, Boo Hewerdine and Joni Mitchell amongst her songwriting influences. In 2015 and 2017 Liz toured with Clive Gregson but her main focus has always been on her own songwriting and live performances. Liz's sixth album is in the making, working title "Into The Light". Downeast Folk & Roots ...Remember when you found those Vashti Bunyan and Karen Dalton records Remember how you thought "I wish I could have been there" Well, Simcock is right here, right now. People will rediscover her albums in thirty years' time, lavishly compile sleeve notes and wish that they were there too. She's that good. ... Armed with an acoustic guitar, a brilliant voice and a sharp, songwriterly eye, Simcock is the precious stone glinting on a pebble beach. www.downendfolkandroots.com Folk and Roots ...In this world of pop idols and celebrity worship, a quiet revolution is indeed taking place! There are those of us out there looking for the real thing - if that's you, close your eyes, turn off the mobile and prepare for a treat! www.folkandroots.co.uk AcoustiCity: ...one of the country's finest female singer songwriters. Put simply, Liz Simcock is a class act. Her understated songwriting style & performances are always faultless, cliché free & moving. www.acousticity.co.uk Acoustic Routes: Liz Simcock is one of the finest singer/songwriters around. With a strong, expressive voice and high quality songs her music is fresh, original and very entertaining. www.acousticroutes.co.uk Clive Gregson: Liz Simcock did a great job opening for me at Hitchin. She has a fine album available so check it out. www.clivegregson.com Hitchin Folk Club: Liz is a great songwriter and gorgeous singer with a relaxed and very endearing stage presence. We have seen her grow from strength to strength as a performer, and now stand easily alongside any of the female singer/songwriters working on the acoustic/folk music scene. www.hitchinfolkclub.org.uk Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

The first Monday of each month starting at 7.30pm. Each session will open with a couple numbers from the house rhythm section before they invite guests to join them, and the jam session begins. Admission is £8 or £5 or £3 (or free if you need it to be). This goes towards paying the professional musicians in the house band. This month these are: Jesse Molins, guitar Tom Ball, piano/organ Joshua Rose, drums Players and listeners are equally welcome. Everyone is welcome to come and play or sing at the session. If youd like to, please introduce yourself to the host, Jesse Molins, wholl decide on a running order. You should have at least one tune prepared that you know well. If it's not a standard, or if you need to do it in a different key from the original, please bring lead sheets or chord charts in the right key for the rhythm section and other players who might join you. Poster and banner design: Tony Follano creative-t.co.uk Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Talking Spirits is a unique group of musicians with diverse backgrounds and influences. They blend world music, folk music, jazz and Anglo-Caribbean rhythms, inspired by different musical traditions. James Lascelles, keys, dulcimer, melodica and assorted percussion Richard Bailey, drums Tim Herniman, sax and violin Michael Bailey, bass The band's 2023 album Hands is here on Bandcamp. https://talkingspirits.bandcamp.com/album/hands Reviews of it have said: A record that mixes folk, world music, jazz and Anglo-Caribbean music and which makes life sing. Le Soir Each song flows quietly on tribal beats and a theme that Lascelles then fills with special sounds from his keyboard. Luminous Dash Youre dealing with a group of very talented musicians who, seasoned as they are, know almost perfect music to make. Rootstime Talking spirits, hands that are ready for a levitation with sometimes a South American rhythmic touch and you have a few defining ingredients of this very melodic disc, which still surprises with the sparkling elaboration of the themes. Jazz & Mo Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Otherworldly enchantment and musical theatre inspired offerings, with the ethereal troubadour himself, the much lauded and critically acclaimed live performer and composer, Captain Of The Lost Waves.

Award-winning author and psychologist Sharon Blackie discusses her new book Ripening, a powerful exploration of fairy tales, transformation and the stories women need for uncertain times. Drawing on mythology, folklore and psychology, Blackie reclaims the old tales as guides to courage, confidence and personal renewal. Followed by audience Q&A and book signing. More about Dr Sharon Blackie at sharonblackie.net author of the bestselling If Women Rose Rooted, The Enchanted Life, Foxfire, Wolfskin and Hagitude. Presented in collaboration with Ashburton Craftmongers, 32 North Street, Ashburton: craftmongers.com and facebook.com/AshburtonCraftmonger. Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

British New Orleans style piano legend, Diz Watson leads this star-studded band Rick Rockin' Worthy guitar | Dick Jude drums | Dave Hatfield double bass | with guests: Charlie Hart accordion (Kilburn & the high roads, Ronnie Lane) Andy Williamson tenor saxophone

Swing from Paris are an all-string jazz quartet of violin (Fenner Curtis), guitars (Andy Bowen and Sam Hughes) and double bass (Tomasz Williams), inspired by the music of the 1930s, 40s and 50s: from the cafés and cabarets of Montmartre to Artie Shaw, Django Reinhardt, Stéphane Grappelli and the master of tango Astor Piazzolla. Known for their tight ensemble sound and virtuosic performances, the group brings a distinctive Parisian flair to vintage jazz and stylish swing. They have performed at major UK and European festivals including the renowned Django Reinhardt Festival in Samois-sur-Seine, and appearances range from BBC TV and radio to the French Embassy at Kensington Palace. their arrangements are consistently intelligent, interesting and inventivea band that has managed to put its own stamp on the genre The Jazz Mann adept at creating new arrangements'successful partnering of acoustic with electric guitar distinguishes the band's sound'symphonious violin, soulful guitar and heart-rending bass Jazz Journal https://www.youtube.com/watchv=qkWJ7F5OMmc Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more!See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

This performance is curated by Yolande Snaith who writes: Fieldwork is an exploration of what arises out of the empty field of awareness within which we are all present - listening, sensing, seeing, choice making, moment by moment - composing collectively in real time. This diverse ensemble of highly experienced dancers and musicians have come together through several years of open weekly practice at Ashburton Arts Centre, collaboratively excavating the field of possibilities of interdisciplinary improvisation. Fieldwork is our first more-focussed project, aiming to structure an intentional journey through different atmospheric, dynamic, emotional and qualitative fields of sound and movement. The structure serves as a kind of map for the performers to navigate - feeling their way through and making moment to moment relational choices within their respective dance vocabularies and musical instrumentations. Each individual contributes to the creation of the collective whole. Nothing is fixed. The door into new exploration and discovery is always open. Dance: Helen MacPhee Emma Roberts Klara ucznik Yolande Snaith Amb Lucy Chenery Music: Ric White - Saxophone and synth, Steve Day - percussion, Roger Hall - bass and percussion, Eliza Jacobs - cello, Ali Waterman - multiple instruments, Glyn Jackson - piano and accordion, Amb Lucy Chenery - voice. Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Just East of Jazz has arrived at an extraordinary synthesis of sound, colour, light and imagery the apotheosis of a musical idea whose roots go back to 1993. Back then JEOJ gained a reputation as one of the first and best groups to explore the connections between jazz and klezmer, but quickly developed a sound and approach all their own, and over time took in a much wider range of influences. Their writing embodies their personal and idiosyncratic concept and compositional style, a collective voice which fans recognise and love. Joining the core line-up of saxophonist Jeremy Shoham, percussionist Rick Finlay and bassist Phil Scragg, in their latest incarnation the band welcomes keyboard wizard Danny Manners. Manners's musical background includes a lengthy period with award-winning prog rock band Big Big Train, as well as many collaborations with French singer-songwriter Louis Philippe as bassist, keyboardist and arranger, and work with alternative socialist big band The Happy End. The band has a uniquely off-beam take on contemporary music, incorporating world, folk, prog and classical influences in their impressionistic style. Composition and improvisation are seamlessly linked, an approach that has led to favourable comparisons with fusion pioneers Weather Report and prog rock innovators Gong. a restlessly virtuosic display of exceptionally punchy rhythmic precision and tight but flighty improvisation Jazzwise Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

When Cuban Music & Latin Jazz meets in SE, London. Sergio Marciano was born in Santiago de Cuba in August 1965; in his adolescence he began to actively participate in the cultural life of his hometown. Member of the Nueva Trova since 1983 and the well know Grupo Muralla with which he made his first international tour in 1985.After moving to Havana in 1989 he studied at the Ignacio Cervantes conservatory - his specialty, percussion. He lived in Spain for more than 12 years playing, touring and recording and moved to the U.K in 2014. He hasperformed in groups such as: Kandela mi Son, Son de Cuba, Son Yambú, Los Amigos, Cuban Combination and others. Since 2016 he has led his own band The Latin Bridge based in London. From Brasilia, the capital of Brazil, the self-taught Cristiano Rocha first picked up a trumpet when he was 14. In 2002 he traveled to Europe where he performed for 3 years as lead trumpeter in Lidia Togni. In 2006 he moved to London and has performed with fellow Brazilian composers Caco Barros, and Aleh Ferreira, along with Angolan performer Carlos Burity, and London based, Brazilian maestro, Gui Tavares. Cristiano plays a wide range of musical styles including Mariachi and is a member of UK bands - Mariachi Rey, Mariachi Ole, Mexican Way and Mariachi Amigo. and he regularly performs with Cuban musician Sergio Marciano. A vibrant fusion of heritage and modernity, this quartet radiates warmth, precision and sheer musical joy. Their performance glows with sun-drenched lyricism, effortless interplay and a deep sense of Cuban soul. Brilliantly balanced dazzling technique meets emotional depth; these musicians draw you in and keep you entranced. From intimate whispers to full-throttle rhythm, they deliver a journey through sound that is both thrilling and heartfelt. When tradition meets innovation in their hands, the result is electric: a radiant tribute to Cuba's musical legacy. Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Starring Philip Robinson and Sarah White. Philip has performed several times at Ashburton Arts Centre (Krapp's Last Tape and The Washing Machine of Destiny) and is always brilliantly funny, poignant and entertaining. Here's what he has to say about this show: You're coming toa brush with Beckett, his characters and their words. In this intimate 80 minute 2-hander performance, our approach to both the comic and the tragic sides of Beckett's work will give audiences a compelling new way to experience his language. Whether youre exploring this Nobel Prize winner's writing for the first time, or building on a body of Beckett knowledge, this theatrical showcase is an encounter not to be missed. Expect a bicycle, a giant mouth, old boots, audience up on stage, a bevvy of bananas, a mystery phone call, frantic clowning, beguiling stillness, all encased in hilarious, poignant, confusing and compelling drama, ie the usual stuff you might get with yours truly! Welcome to this remix of 13 of Samuel Beckett's plays, prose and poems. Here's Philip Robinson of Living Room Theatre who'll be on stage, talking about the production. See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre: ashburtonarts.org.uk/access-booking-tickets-parking-finding-us

"Sarah Harris is a professional singer currently living in South Devon. She carved out a successful, full-time, performing career in Brighton over the last 14 years, singing at private events, recording sessions and being a firm resident on the Brighton Jazz scene. Sarah has worked with nationally recognised groups such as, Urban Voices Collective and The Dap Kings (backing band for Amy Winehouse and Sharon Jones) She has also received vocal training with renowned vocalists, Kim Chandler, Dane Chalfin and Mobo award-winning Artist Claire Martin. Taking influence from Je Buckley, Etta James, Chet Baker, Carmen McRae and Aretha Franklin, she brings a fresh and Soulful approach to jazz. Will Butterworth grew up in Devon playing classical music on the cello and improvising on the piano, and in 2002 he started playing Jazz professionally in Edinburgh. He has worked with many of the UK's finest musicians, including ; Martin Speake, Bill Brufford, Dylan Howe, Asaf Sirkis, Jeff Williams. He has played on many albums as a side man released 5 albums as leader, which have achieved great critical acclaim. Notable collaborations include The Stravinsky Duo with Dylan Howe on drums, reinterpreting the works of Stravinsky, and more recently Aurelius - a conversational piano trio led by bassist/composer Marcus Penrose. He has also recently made a duo album with British jazz legend Martin Speake called 'Love and Freedom', recorded in January 2024. His music has regularly been played on jazz fm, radio 3 and classic fm. Marcus Vergette is a sculptor and Musician. He has been a featured composer and band leader on Radio 3, and regular Bass Player for Mike Westbrook Based in Devon since 2005 - drummer Ronnie Jones was taught drums at high school by Tubby Hayes/Jazz Couriers drummer, Bill Eyden. Ronnie runs a quartet/trio (featuring: Joss Kidd/Jim Rintoul/Marcus Vergette/Andy Richards/David George) which performs at well-known West Country jazz venues; and has appeared at jazz festivals including: Ealing; Plymouth; Teignmouth; Marlborough and Cheltenham (fringe - main stage).Ronnie's musical collaborations have also included performances and tours with The John Horler Trio, in a special project celebrating the musical legacy of Bill Evans (featuring Ron Phelan/Alec Dankworth/Tim Wells on bass).This trio (feat. Alec Dankworth) recently performed two sold out shows at Ronnie Scott's (Oct 24 and March '25), and played live on BBC Radio 3's In Tune. The project also received two 5 star Jazz Mann reviews - the most recent in May this year. Pizza Amoré is open in front of the Arts Centre from 5 8.30pm on Thursday, Friday and Saturday. See https://www.facebook.com/profile.phpid=100063918673793 This is part of Tinners Moon Festival 2026, from 3 31 May. For more information, see the Tinners Moon 2026 page on ashburtonarts.org.uk. Tickets for all events are available here at wegottickets.com/tinnersmoon2026 Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Georgian folk ensemble, Lalkhori, are coming to Ashburton as part of a UK wide tour. Created in 2021 by its director, Lika Liparteliani a highly experienced conductor and performer. Lalkhori's members are young people and students from Svaneti, currently living in Tbilisi. They specialise in the distinctive songs and round dances of Svaneti, and they research and perform a wide variety of different examples, featuring all Svan dialects. This is part of Tinners Moon Festival 2026, from 3 31 May. For more information, see the Tinners Moon 2026 page on ashburtonarts.org.uk. Tickets for all events are available here at wegottickets.com/tinnersmoon2026 Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Two actors, probably no set, one bar of chocolate. A comedy for curious people, exploring connection and chaos theory through truths, dares and plenty of lies. Performed by Rose Reynolds & Philip Robinson, directed by Pippa Marriott. The play has frequent swearing, with some sexual references. Suitable for over 15's. Simon Stephens (The Curious Incident Of The Dog In The Nighttime) performed by Rose Reynolds (RSC, Netflix, BBC) and Philip Robinson (The End Is In The Beginning, Every Brilliant Thing) Directed by Pippa Marriott (Word Kitchen, Washing Machine Of Destiny) "I wanted to write characters that had the capacity to take themselves and each other by surprise. I wrote them often not knowing what they were going to say next. Simon Stephens Reviews from previous productions: a must see marvel - New York Times playwright Stephens loves surpriseswatch romance and physics collide - The Guardian through quiet poetry the play captures with poignant intimacy the delicate and often comical dance of connection - The Arts Dispatch through their words the characters can inspire you to want to leave the theatre and make the most of what time you have left - London Theatre warm, funny, unexpecteda play that actually feels good to watch Theatre Full Stop This is part of Tinners Moon Festival 2026, from 3 31 May. For more information, see the Tinners Moon 2026 page on ashburtonarts.org.uk. Tickets for all events are available here at wegottickets.com/tinnersmoon2026 Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Exeter Opera Group will perform Rossini's La Cenerentola - a variation on Cinderella First staged in 1817, La Cenerentola switches the folk tale's familiar wicked stepmother for a stepfather, the fairy godmother for a philosopher and the glass slipper for a silver bracelet. It also adds a case of mistaken identity. This production is performed in Italian and Angelina known as Cenerentola by her stepfamily will be played by Iryna Ilnytska with Wendi Zhang as Don Ramiro, the prince. Supporting roles will be performed by players including HoWang Yuen, Ian Spackman, Nick Young, Clare Northcott and Isobel Hughes. The production, directed by Nick Lawrence with music by Stephen Moseley, will be accompanied by Tim Laurence-Othen on piano. Exeter Opera Group was founded by Iryna Ilnytska, a mezzo-soprano from Ukraine, who began studying music aged eight before performing at Kyiv Opera Studio in her teens. In the UK, she has worked with companies including Red Earth Opera, Staircase Opera and Opera in a Box, and has performed with the Stella Maris Trio at venues in Devon and Oxfordshire. She has given several charity concerts to raise funds for volunteers who are supporting victims of the Russian invasion of Ukraine. Performers IRYNA ILNYTSKA Angelina WENDI ZHANG Don Ramiro EDWIN DIZER Dandini IAN SPACKMAN Don Magnifico NICK YOUNG - Alidoro CLARE NORTHCOTT - Clorinda ISOBEL HUGHES - Tisbe CHORUS OF EOG - Courtiers from Prince Ramiro's palace TIM LAURENCE OTHEN Piano NICK LAWRENCE Director STEPHEN MOSELEY Music Director This is part of Tinners Moon Festival 2026, from 3 31 May. For more information, see the Tinners Moon 2026 page on ashburtonarts.org.uk. Tickets for all events are available here at wegottickets.com/tinnersmoon2026 Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

From the outskirts of Toronto, Canada, David Celia is an innovative singer/songwriter and astonishing guitar player, known for his spontaneously driven live performances. He tours frequently across Canada and Europe (Glastonbury Festival x7) and is quoted as "One of Toronto's best guitar players by CBC Radio. David's music has consistently appeared on the CBC, BBC and WNYC in New York. Even the late Gordon Lightfoot was a fan. David's reputation as a guitarist has led him to play with many local Canadian artists in their bands, including legendary Alt-Country/folk singers Ian & Sylvia Tyson and acts diverse as Icelandic alt/pop star Emiliana Torrini. He's supported shows for Elvis Costello, Badly Drawn Boy, Fairport Convention, Ron Sexsmith, Martha Wainwright, Kiefer Sutherland + more. He's also had the pleasure of meeting and playing music with the late great Pete Seeger. Some career Highlights include mega jam with Cristophe Lindemann of Kadavar at Duna Jam, Performing at Trafalgar Square, London for Canada Day (2025) and many more. His latest single is entitled Wake Up Again came out recently and he's currently in the process of recording the next album at a studio in Wales (Penylan) and Toronto (Revolution). David and drummer Clifford Rutherford will be joined by David's two sons Marcus and Lucas on Bass and second Guitar for their next tour this spring throughout Europe/UK, including shows at England's Small World & Great Escape festivals. Together, they sing catchy, Feel good but think Canadiana style songs with 3-part Beatlesque/Byrds style harmonies plus open musical improvisations. This is part of Tinners Moon Festival 2026, from 3 31 May. For more information, see the Tinners Moon 2026 page on ashburtonarts.org.uk. Tickets for all events are available here at wegottickets.com/tinnersmoon2026 Ashburton Arts Centre Always three prices please pay what you can. Pay less, come to more! See Access, Tickets & Finding Us for more about why there are three ticket prices, plus other useful info about coming to events at Ashburton Arts Centre. Level access from street please contact us on [email protected] if a wheelchair space is needed, or if you have any other special requirements.

Martha has constantly experimented with her musical parameters. In the early days this meant singing the folk songs she had know since childhood one week and recording electronica and trip-hop the next. Her new tour is a sparky union of folk, acoustic, trip-hop and electronica. With her longtime collaborators and musicians Matt Tweed and Matt Kelly, among others they entwine raw vocals, sparkling melodies and thought provoking lyrics with filmic movements and earthy baselines. To see them live is to connect with longed-for parts of ourselves.