G2 are currently celebrating their 21st anniversary year of playing classic 1970s Genesis. G2 pay tribute to a vintage period in Genesis’ long and colourful history, the four-man “Seconds Out” era, and earlier Gabriel years. With a repertoire extending from the 1970 Trespass album to 1980's Duke, G2 faithfully recreate some of the finest progressive rock ever written.

The Blues came calling first, but rock was always waiting around the corner. Well it would be, wouldn’t it? Coming from the deep south, it was inevitable, but living in the deep south of a major Yorkshire City, there’s a gritty hard edge to life! ​ A female guitar prodigy, Chantel was told by a major label that she had a "great voice, but girls don't play guitar like that!" Wisely ignoring their comments, she enrolled at the Leeds College of Music and became the first student in the college’s history, to achieve a 100% pass mark at BTEC, with 18 distinctions. Chantel then pursued further education and left with a First Class Honours degree in Popular Music and a coveted prize, the college’s musician of the year award. ​ Chantel released her highly anticipated second album, Lose Control, in October 2015 on her independent boutique label Tis Rock Music, this being the follow up to her critically acclaimed 2011 debut album, Like No Other.

The singer-songwriter performs his original material. Rolling Stone once declared Peter Bruntnell to be, “one of England's best kept musical secrets”. England has successfully managed to keep Peter Bruntnell a secret for all this time, even from itself. “Maybe this will be the album to finally give him the worldwide superstar recognition he deserves!”, enthused every other Peter Bruntnell album review from the last 20+ years, with an admirably unwavering optimism. “If we lived in a just world, Peter Bruntnell would by now be in the middle of his third or fourth global arena tour, his biggest worry working out how to courier his latest armful of Grammy awards back to the UK so his butler could have them installed in the west wing of mansion by the time he got home,” said a feature in The Guardian in 2016, intent on letting the cat out of the bag, but failing miserably. Needless to say, we don’t live in a just world and Peter Bruntnell is still having to get by without a butler. Rolling Stone once declared Peter Bruntnell to be, “one of England's best kept musical secrets”. England has successfully managed to keep Peter Bruntnell a secret for all this time, even from itself. “Maybe this will be the album to finally give him the worldwide superstar recognition he deserves!”, enthused every other Peter Bruntnell album review from the last 20+ years, with an admirably unwavering optimism. “If we lived in a just world, Peter Bruntnell would by now be in the middle of his third or fourth global arena tour, his biggest worry working out how to courier his latest armful of Grammy awards back to the UK so his butler could have them installed in the west wing of mansion by the time he got home,” said a feature in The Guardian in 2016, intent on letting the cat out of the bag, but failing miserably. Needless to say, we don’t live in a just world and Peter Bruntnell is still having to get by without a butler. Not even 2021’s primarily solo, slightly synthy lockdown album Journey To The Sun succeeded in putting an end to Peter's non-success, despite Mojo echoing the plea that, “Somehow, some way, this cult and infinitely class songwriter must get his due wider recognition”. The Scottish Daily Express with its 5 star review, slightly frustrated, said, or perhaps yelled, “I’m getting tired of saying this: He’s brilliant”. The Irish Times thoughtfully combined two quotes into one, saving us the trouble of going back and getting crushed under the sheer weight of Peter’s archive of press quotes: “With Journey To The Sun, the man whose songs NME once noted should be placed on school curriculums has done it again.” And he continues to do so. Peter’s forthcoming new album, Houdini And The Sucker Punch will do little to dispel this fantasy of world domination, but it remains unlikely to become in any way a reality. He will remain the secret singer-songwriter, lauded by the likes of Rumer, Son Volt/Uncle Tupelo's Jay Farrar, Kathleen Edwards, Richmond Fontaine/The Delines' Willy Vlautin, Kurt Wagner of Lampchop and various members of R.E.M.

Pygmy Twylyte bring the music of Frank Zappa back to MacArts! So prolific was Frank Zappa's output, that it is nearly impossible to present a representative sample of his work in just one concert. Over the course of his life, and since his death in 1993, over one hundred official Zappa albums have been released, alongside countless bootlegs. These range from 60s psychedelia with the Mothers of Invention, Jazz and Rock material tinged with Zappa's own inimitable spin, through to orchestral compositions performed by the London Symphony Orchestra, among others. Navigating the vast Zappa oeuvre then is no mean feat, but Scotlands Pygmy Twylyte have embraced the challenge with gusto. Since their inception in 2018, the band have selected a core body of classic material, complemented with a rotating offering of more obscure cuts, and blasted this to delighted audiences across the UK.