The List

The Bell Inn

A historic free house and music pub on the edge of Bath city centre: it is owned by 536 of its customers, fans and workers under IPS CoOperative rules. We have live music three times a week ranging from jazz to blues to folk to other things, open mic nights on Thursday, plus vinyl DJ nights at the weekend -- always free. We stock seven real ales plus two guest ales. We are in The Guardian and The Observer guides to summer pubs as well as the Lonely Planet, Rough Guide, the Good Beer Guide and Le Guide du Routard. For your amusement we have table football, bar billiards, chess, backgammon, free wi-fi, a real fire and even a launderette. Bath Chronicle Pub of the Year 2013 Winner Bath Life Awards 2014 Winner CAMRA Bath and Borders Pub of the Year 2014 Independent Bath Awards Pub of the Year 2015 Top Three Pubs in Bath (threebestrated.com) 2015 Tripadvisor Certificate of Excellence 2016

What's On @ The Bell Inn

Nervous Twitch, Seizure Salad, Scare Bears
We have finally managed to nab the excellent Nervous Twitch from Leeds to play some hook filled fuzzy new wave pop songs Support from Seizure Salad an all-female Punk and Riot Grrrl band from Exeter and Scare Bears - a brand new, fresh-out-of-the-oven aggressive post-punk three piece from Bristol. Noisy melodies for fans of Petrol Girls, Illuminati Hotties & Gang of Four.
Salford Jets & Botox Play for Young Loud & Snotty
We saw Salford Jets at Rebellion and loved them and hassled them so much that eventually they came and played for us. And obviously we did not upset them too much cos now they're back! Hurray! Salford Jets were formed 1977, original members; Mike Sweeney (lead vocal); Diccon Hubbard (bass/vocal );Dave (Shakey) Morris (drums/vocal );Don McKintyre Botox played for us before too - they're great! Snotty London-based rock n' roll. 1,2,3,4!
Cave Music Studio present HILL FIGURES, VETNA, BEAR AT THE HOUSE
Cave Music Studios present HILL FIGURES as part of the Studios Present Series for Bath Fringe Festival. Hill Figures were born in a cave in Bath, UK. Indie-psych that slaps like a steel hand in a velvet glove. Heartfelt, songwriting wrapped in pulsating, mercurial rhythms and eclectic, erratic guitarwork. Vetna blend alt-rock grit, electronic pulse and 90s/00s ghosts into a genre-wrecking, psychedelic punch - earning praise for the 7-minute voyage "Marta," where experimentation "impresses in every way." Bear At The House are here for the raw entertainment of live music - passion, soaring vocals, screaming solos. Rock, metal, grunge and blues - come for the tunes you know, stay for the irrepressible live energy.
Crest Studios present MUTE TV, ERRANDS, FUTURE PLAN
Crest Studios present MUTE TV, ERRANDS and FUTURE PLAN as part of the Studios Present Series for Bath Fringe Festival. MUTE TV Post punk three piece MUTE TV hail from the South West, delivering noisy love songs about joy, despair and desperation. Formed in 2025, they channel sharp edged guitars, driving rhythms and emotionally direct songwriting into a sound that is both abrasive and anthemic. Their debut single, Drag Me Down; is scheduled for release on 8th May 2026 via Medical Grade Music, introducing a band unafraid to balance vulnerability with volume. ERRANDS Four piece. Loud. Emotive. Caring. Noise makers Formed in mid-2023 with members from Hoggs Bison, Karacal, and Evil Owl, this Bristol based four-piece ensemble brings intricate drumming, resonating bass, soaring vocals, and crafted guitar together to form Errands. With hundreds of hours of gig time under their belt from the O2 Arena in Hammersmith, Arctangent, Cambridge Rock Festival, and many more venues across the UK, Errands are gig-ready, great-sounding, and engaging Their recent EP, Hera, consists of four cleverly crafted songs recorded at Axe and Trap Studio and mixed at Black Bay Studio. These songs are stories, moments in time, relics of feelings New EP & vinyl due in spring 2026! FFO - Deftones, Slint, At The Drive In, Radiohead FUTURE PLAN are a noisy three piece pop punk band based in the West Country. Drawing comparisons to first wave punk acts such as The Damned and The Jam, they developed into their current form as a trio in 2025. While theyre no newcomers to the scene, the band draw upon their years of experience and fervent passion for music to create a fresh spin on punk, art rock and grunge. CREST STUDIOS has been operating from the same central location in Trowbridge since 2007. There are three well equipped rooms, each with full PA, back line cabs and drum shells. They also benefit from air handling units so its ideal for musicians of any level to come in, plug in and play. FFI see www.creststudios.co.uk
NVL present DREAMWAVE, BITE THE BUFFALO, KILL MIRROR IMAGE
Nine Volt Leap Recording Studio presents DREAMWAVE, BITE THE BUFFALO & KILL MIRROR IMAGE as part of the Studio Presents Series for Bath Fringe Festival. DREAMWAVE return to the West Country for a rare show in Bath. Fresh from a sold out show at The Garage in London supporting Frankie & The Witch Fingers, the band's latest EP 'Drifter' via Stolen Body Records is set to be their most expansive yet. The effort doubles-down on their exploration into 'Neo-Psychedelia'; pushing and pulling between Garage-Rock and Dream-Pop. The EP has received praise across BBC 6 Music, and has earned a fan in Danger Mouse (Gnarls Barkley). They have shared stages with The Bug Club, Wine Lips, Ghostwoman & Wombo. A must-see FFO early Osees and B-52's BITE THE BUFFALO is a Bath-based garage-rock duo renowned for their raw, uncompromising sound and dynamic live performances. Combining monstrous riffs, stomping drums and macabre melodies, they deliver music that is both visceral and powerful. KILL MIRROR IMAGE - fat, loose and fast post-punk trio from Bath. One of the city's most exciting live bands. NINE VOLT LEAP has been run by Dominic Bailey for over 15 years. The studio's aim is to work closely with bands and to record a true representation of the music the bands are delivering, enhancing the sonic character of their live performances and adding the extra glitter the songs require.
Weird Bloom Play Young Loud and Snotty
«I just want to play. I have a rock record, let me play anywhere and everywhere». This is the clear statement of intent with which Luca Di Cataldo, mastermind of WEIRD BLOOM project, refers to the new and long-awaited album Stargate, out on April 19th via WWNBB Collective; a tribute to the imagery that, at the turn of the late '60s and the first half of the '70s, accompanied the evolution of rock up to the multifaceted glam universe, in this case its most glitzy, fun and irreverent strand of glitter rock. The "gateway to the stars" passes through galaxies of sequins and vitriolic refrains made to order for «cosmic dancers», quoting T. Rex. If in the acclaimed previous record, Blisstonia, to predominate was the all-around exploration and reworking of the psychedelia of the old times, playfully remastered and twisted in the footsteps of Flaming Lips and Ariel Pink, here Weird Bloom leaves out the post-hippie aesthetic to embrace also on the strength of the valuable and consolidated advice of Don Bolles, former The Germs an idea of hard and raw rock, more material, fuzzy, without frills and thoughts. Leopard jackets and washed-out jeans take the place of lysergic freak tunics in a 10-track journey into the most visceral glam, made of timeless riffs and iconic titles like I'm a Razorblade, Saturday Night Is Breaking and Dum Dum Boogie. Behind the scenes of the album is an almost philological desire to exactly recreate that mood: «We used to make the first takes, I'd send them to Don Bolles and to some maniacal vinyl-finding friends to get feedback on the veracity of the sound. Because the sound didn't convince me, it was always too contemporary. It took a long time to find that balance point, and when you find it, you have to hold on to it very tightly. Rock'n'roll is rather a state of mind to maintain, a different level of consciousness». So forget the arty, intellectual and decadent side of Bowie and Roxy Music, Stargate's style is massively animated by Marc Bolan's boogie, The Glitter Band's kitschy poses, the glittering hard rock of the Sweet and the proto-garage of the Troggs, in a triumph of references pervaded with pure love for an era that no longer exists, but whose immortal and carefree attitude we can still, fortunately, enjoy in a little rock gem like this.

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