Tribute triple-bill tour featuring The Kopycat Killers, Scam Fender, and the Subarctic Monkeys.

The Skids formed in 1977 in their home town of Dunfermline, Scotland by Richard Jobson, Stuart Adamson, Bill Simpson & Tom Kellichan. After releasing an independent single the band were played by John Peel, supported The Clash in concert and then were signed to Virgin Records in 1978. Their first singles were ‘Sweet Surburbia’, ‘The Saints are Coming’ and ‘Into the Valley’ - the latter reaching the UK Top Ten in early 1979. Their seminal debut album ‘Scared to Dance’; came out in 1979 and was quickly followed by two chart singles – ‘Masquerade’ and ‘Working for the Yankee Dollar’. Both singles were taken from the Bill Nelson (Be Bop Deluxe) produced second album ‘Days in Europa’. The album also featured new member Rusty Egan of Rich Kids & Visage fame after the departure of Tom Kellichan. The band released two more albums ‘The Absolute Game’ (1980) and ‘Joy’ (1981) before splitting. Stuart Adamson went on to have worldwide success with his new band Big Country. The Skids were at the heart of the punk scene in Scotland and took their music to London where they were signed by Virgin records. They made 4 albums and had numerous hit singles including Into the Valley, The Saints are Coming, Masquerade and Working for the Yankee Dollar.

Tribute to the infamous Oasis.

Lucia & The Best Boys (previously known as LUCIA) are a four-piece alternative pop/rock band from Glasgow, Scotland.

Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums) have spent the last 4 years on an incessant world tour, winning the devotion of an enthusiastic and rapidly expanding audience. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era. Their first two back-to-back releases, Masterpiece (2016) and Capacity (2017), have been analyzed, wept to, danced to, critically applauded, imitated, hummed idly, and shouted out loud. They have soundtracked crowded restaurants, difficult conversations, cowboy bars, yoga classes, night drives, and lonely bedrooms.

Legendary Manchester band Happy Mondays. The Happy Mondays’ classic line-up of front man Shaun Ryder, Bez (freaky dancing and percussion), Rowetta (vocals), Gary Whelan (drums), Paul Ryder (bass), Mark Day (guitar) and Dan Broad (MD/guitar/keys) will perform timeless hits such as Step On, Kinky Afro, Hallelujah, W.F.L., Loose Fit, Judge Fudge and 24 Hour Party People, amongst many others. After signing to Tony Wilson’s Factory Records, the late ‘80s saw the Happy Mondays become the pioneers of the Madchester sound, as they blended their love of funk, rock, psychedelia and house with the sounds of the UK’s emerging rave scene. The band’s third album, 1990’s platinum-selling ‘Pills 'n' Thrills And Bellyaches’, led to the Happy Mondays crossing over into the mainstream to become icons of Britain’s biggest cultural phenomenon for a generation. In 2016, the Happy Mondays won the Ivor Novello’s Inspiration Award, further cementing their reputation as one of Britain’s most influential and loved bands.

Geese is a band that begins and ends in Brooklyn, as a project between friends to build a home studio out of a basement. Their songs are born from the same ambition: make music by any means necessary. They began recording together with sneakers as mic stands and blankets draped over the amps, all within the afternoon following a school day, up until they ran the risk of noise complaints. As of their recent signing with Partisan Records, they are thinking about moving on from sneaker-laden mics and blanketed amps, but their musical ethos has not changed a bit. Curiously alien, yet strangely familiar, the band’s new material is a product of five teenagers whose love of music touches every part of their lives: their restless anxiety about their futures, and their pent-up frustration with their present-a perspective all too familiar in today’s uncertain world.

Formed in Cardiff, Wales, in 1993, Super Furry Animals' 1996 debut album, Fuzzy Logic, became a major English hit, charting in the Top 40 and placing in the Top Ten of many year-end critic's polls. They are known for their hit singles, Something 4 the Weekend and If You Don't Want Me to Destroy You.

DJ and Producer. Garage/Bassline/House/Grime.

Cabaret Voltaire was a British electronic music band formed in Sheffield, England in 1973 by Stephen Mallinder, Richard H. Kirk, and Chris Watson. Named after the Dada movement's founding nightclub in Zurich, Cabaret Voltaire pioneered industrial music, blending surrealist experimentation with DIY punk and Brian Eno's sonic tech geekery. Their early work involved DIY electronics and tape recorders, evolving into synthpop, dance, house, and funk styles.

MacBriare Samuel Lanyon DeMarco (born Vernor Winfield MacBriare Smith IV) is a Canadian singer-songwriter, multi-instrumentalist and producer.

From their unassuming origins as a group of school friends drawn together by a shared passion for music to the global touring force they have quietly become, The Twilight Sad’s ascent has been forged the old way with grit, graft and four exceptional studio albums. Forged in Kilsyth and honed while touring with idols, The Cure, they describe their bold, dark sound as “folk with layers of noise” and their gigs have an electrifying, intensely moody vibe. Founded by vocalist James Graham and guitarist Andy MacFarlane, and now embracing Johnny Docherty (bass), Brendan Smith (keyboards) and Sebastien Schultz (drums), they describe fifth album It Won’t Be Like This All the Time as a “raw and dynamic take on the stuff of life”.

Glen Hansard is an Irish singer-songwriter and musician. Since 1990, he has been the frontman of the Irish rock band The Frames, with whom he has released six studio albums, four of which have charted in the top ten of the Irish Album Charts.

Chan Marshall has dabbled in indie, rock, soul and blues. Here she presents some of her new work.

Joey Valence & Brae are an American hip-hop duo from State College, Pennsylvania, consisting of rappers Joseph Bertolino and Braedan Lugue. They gained internet recognition thanks to their breakout song "Punk Tactics", the title track to their debut album.

The Mountain Goats (stylized "the Mountain Goats") is an American indie rock band formed in Claremont, California by singer-songwriter John Darnielle. For many years, the sole member of the Mountain Goats was Darnielle himself, despite the plural moniker. Darnielle remains the sole core member of the band, but has worked with a variety of collaborators over the years, including bassist Peter Hughes, drummer Jon Wurster (of Superchunk), singer-songwriter Franklin Bruno, bassist and vocalist Rachel Ware, singer-songwriter/producer John Vanderslice, guitarist Kaki King, and Annie Clark (of St. Vincent). Throughout the 1990s, the Mountain Goats were known for producing "militantly lo-fi" home recordings (most famously, on a boom box) and releasing recordings in cassette or vinyl 7" formats. Since 2002, the Mountains Goats have transitioned to a more polished approach, recording studio albums with a full band. The Mountain Goats are currently based in Durham, North Carolina.

The members of Lake Street Dive met in 2004 as students at Boston's New England Conservatory of Music. Though they were all studying jazz, their work together was informed by their love of classic pop, particularly from the '60s, including The Beatles, The Supremes, Dusty Springfield, and The Beach Boys.

For the uninitiated Glasvegas are James Allan (vocals), Rab Allan (lead guitar), Paul Donoghue (bass guitar) and Jonna Löfgren (drums). However one could argue they should need no introduction. One of the most successful Scottish musical exports in recent times, known globally for their unique sound and powerful lyrical content, they are a band that have never compromised; never conformed; commanding respect from their peers and critics alike and enjoy a fiercely loyal worldwide fan base. Glasvegas are a band who on their own terms are forging an undeniable legacy in terms of how many up-and-coming Scottish bands and even some established ones (who shall remain nameless) have been influenced by Glasvegas…especially Allan’s emotive Glaswegian vocal delivery. Looking ahead in 2019, the band expect to complete their (as yet untitled) fourth studio album interspersed with some one off tour dates with a view to planning a full tour and festival dates in 2020. Recording has already taken place in their native Glasgow, the Swedish capital Stockholm and Los Angeles and the new album release will ensure that the Glasvegas legacy continues…

One tempestuous weekend in March 1979 was not only the date of the Three Mile Island nuclear incident, but also, in Birmingham, England, the very first show by a nascent band known as The Beat.

Sometimes you just have to rip it up and start again. Come early 2017, Fatherson – comprised of vocalist/guitarist Ross Leighton bassist Marc Strain and drummer Greg Walkinshaw – found themselves at a turning point. Digging up their roots and decanting to a new studio home in Glasgow, they longed for a change. Sum Of All Your Parts (out September 14th via Easy Life Records) is the result, and their most assured record to date. Forming in Kilmarnock, Scotland, in early 2010, Fatherson immediately captured hearts with their raw, honest alt-rock sound. Inspired by Scottish stoicism as much as their own personal turmoil, debut album I Am An Island and its 2016 follow-up Open Book were masterclasses in full-throttle rock songwriting, and garnered support from (and tours alongside) their north-of-the-border brethren in Biffy Clyro, Frightened Rabbit, Idlewild and Twin Atlantic, as well as further runs alongside the likes of Kings Of Leon, Augustines, Enter Shikari and more.

Formed in Croydon in 1990 by music journalist Bob Stanley with childhood friend Pete Wiggs, and soon joined by singer Sarah Cracknell, Saint Etienne arose within the context of the indie-dance movement of that era but created a unique sound which – albeit accidentally – paved the way for what would later become known as Britpop.

The original line-up of The Almighty, are back together for the first time in 32 years. Glasgow’s finest hard and heavy home boys are drummer Stumpy Monroe, bassist Floyd London, guitarist Andy “Tantrum” McCafferty together with lead vocalist and guitarist Ricky Warwick.

Having already placed his indelible mark on the future direction of rock with Hüsker Dü, Bob Mould teamed with bassist David Barbe and drummer Malcolm Travis to found Sugar in late 1991, making their live debut early the next year at Athens, GA’s famed 40 Watt Club. Named by NME as its 1992 “Album of the Year,” Sugar’s now-classic debut album, Copper Blue, immediately proved a sensation, earning worldwide acclaim and landmark status for the melodic strength and intensely cathartic popcraft of songs like “A Good Idea,” “Helpless,” and the alternative rock radio hit and MTV favorite, “If I Can’t Change Your Mind.” The trio quickly found themselves performing on increasingly larger stages, including a legendary show-stealing set at London’s Great X-pectations Festival in Finsbury Park. With the wind at their back, Sugar unleashed Beaster in 1993, making a momentous debut at #3 on the UK’s Official Albums Chart as well as at #4 on Billboard’s “Heatseekers” chart in the US. Though recorded during the same sessions that yielded Copper Blue, the six-song mini-album evinced a more visceral energy and dark melancholy than its predecessor, highlighted by such pulverizing expressions of sacrilegious fury as “Judas Cradle” and “JC Auto.” 1994’s second full-length LP, File Under: Easy Listening once again made an explosive arrival among the top 10 on the UK Official Albums Chart, this time landing in the upper reaches of the overall Billboard 200. The album saw Sugar pushing boundaries yet again on songs like the country-flavored “Believe What You’re Saying” and the incendiary “Gee Angel,” tackling a wider range of musical approaches without sacrificing their signature intensity and unrestrained power. Despite their successes, Sugar called it a day following a Japanese tour in early 1995. A series of live recordings, reissues, and anthologies served to magnify the band’s legacy over the three decades since, confirming Sugar as incontrovertible masters of high-volume guitar-fueled rock for the ages. The original members of Sugar reconvened in June 2025. The first new song in over three decades, “House Of Dead Memories”, was released on October 15, 2025, with live shows to follow in 2026.

Embrace celebrate the 20th anniversary of their massive-selling, No.1 album, Out Of Nothing, playing their biggest selling record in full, along with their other greatest hits.

Kruder & Dorfmeister is an Austrian duo, known for their trip hop/downtempo remixes of pop, hip hop and drum and bass songs. This year, they’re celebrating the 25th anniversary, of iconic album ‘The K&D Sessions’, a defining soundtrack of the late ’90s. This timeless release, with its seamless blend of downtempo beats and ambient grooves, became a staple for afterparties, Sunday afternoons, and laid-back gatherings, selling over a million copies worldwide. The record includes K&D’s legendary 11-minute remix of Madonna’s ‘Nothing Really Matters’ plus their reimaginations of Roni Size’s ‘Heroes’ and U.F.O’s ‘L.O.V.E’ Additional gems include alternate remixes of Lewis Taylor’s “Lucky” and Count Basic’s “Speechless,” all integral to K&D’s live sets. K&D’s transformative approach to remixing has cemented ‘The K&D Sessions‘ as more than just a remix album—it’s an enduring masterpiece. This is a 14+ event

Band Of Horses have been a mainstay of indie rock for a decade, with five studio albums, including the Grammy-nominated Infinite Arms, to their name. This summer will see the band reign supreme at festivals across the globe, whilst also taking some time to play a few headline dates throughout the UK.

With her spellbinding voice and time-bending sensibilities, Sierra Ferrell makes music that's as fantastically vagabond as the artist herself. Growing up in small-town West Virginia, the singer/songwriter/multi-instrumentalist left home in her early 20s to journey across the country with a troupe of nomadic musicians, playing everywhere from truck stops to alleyways to freight-train boxcars speeding down the railroad tracks. After years of living in her van and busking on the streets of New Orleans and Seattle, she moved to Nashville and soon landed a deal with Rounder Records on the strength of her magnetic live show. Now, on her highly anticipated label debut Long Time Coming, Ferrell shares a dozen songs beautifully unbound by genre or era, instantly transporting her audience to an infinitely more enchanted world. Despite its endless wandering into new sonic terrain, Long Time Coming is indelibly rooted in Ferrell's ravishing vocal presence, revealing her extraordinary ability to draw enormous feeling from just one single note. A lifelong singer, she got her start performing covers in a local bar at the young age of seven. "There was this little dead-end bar nearby that my mom and I would go hang out at during the day, and I'd get up and sing Shania Twain songs," she recalls. "There'd be hardly anyone in there, so I'd have free rein of the place." Later on, while living in a trailer park, Ferrell had a chance encounter that would soon turn out to be life-changing. "I met all these homeless kids who were traveling all over the place and playing amazing old songs, and I wanted to be a part of that, "says Ferrell. "The music they were making was so honest, so pure. It seemed important to bring that kind of music back, and it's been with me ever since." Though her years of traveling proved immensely formative, Ferrell eventually settled in Nashville in her late 20s. Soon after her arrival, she began taking the stage at major festivals like The Avett Brothers at the Beach, AmericanaFest, and Out on The Weekend and touring with the likes of Parker Millsap and Charley Crockett.

Born in the Kingdom of Fife, Scotland, Cammy Barnes has had success with multiple singles charting in the UK Top 20 and #1 entries on the Singer/Songwriter & Country/Alt iTunes Charts. He has supported Brit award winning artist Tom Walker and played several sell out shows including the prestigious King Tuts in Glasgow. Recently Cammy did a stunt to celebrate 26 nights at the prestigious Edinburgh Military Tattoo and was a Semi Finalist on Britain’s Got Talent, getting knocked out by a Japanese guy in his pants - go figure!

Bilmuri (John "Johnny" Franck) is an American artist known for a unique blend of post-hardcore, emo, and country-influenced rock.

You don’t need to look too hard to see or hear the multi-dimensional influence of The B-52s… For as loud as anthems like “Dance This Mess Around,” “Love Shack,” and “Rock Lobster” might resound, the group have quietly impacted alternative music, fashion, and culture over the course of four-plus decades. Selling over 20 million albums worldwide, the GRAMMY® Award-nominated quartet—Fred Schneider [vocals, toy piano], Kate Pierson [vocals, keyboards], Cindy Wilson [vocals, percussion], and Keith Strickland [guitar, drums, keys, programming]—ignited a legacy of innovation and inspiration that dates back to 1976. John Lennon famously professed his fandom in Rolling Stone, and the Washington Post chronicled the moment writing, “Forty years ago ‘Rock Lobster’ launched the B-52s career – and revived John Lennon’s.” Meanwhile, Madonna, James Murphy, Michael Stipe, Dave Grohl, and many others espoused similar adoration throughout the years. Casting a wide net, Panic! At The Disco, Blood Orange, The Offspring, Pitbull, Roger Sanchez, and DJ Shadow sampled classics from the band’s discography. Seth MacFarlane’s Family Guy, The Simpsons, and more offered up covers of their own, while Sugarland joined the legends for a rousing rendition of “Love Shack” at the CMT Awards. Known for intergalactic micro-dresses long before they became high fashion, Yahoo! dubbed Pierson, “The original Katy Perry,” while it certainly wouldn’t be a stretch to trace the “Beehive”—which Pierson and Wilson pioneered—to Nicki Minaj and other modern style icons. Countless music critics have lauded Schneider as having one of the most distinctive voices in rock. A 2017 piece in Salon posited they, “may be the most subversive band America ever gave us,” and it couldn’t be more on the mark. Agreeing with millions of rabid concertgoers, Pitchfork claimed, “From the very beginning, the B-52s were an undeniably great live act,” before adding that, “summoning up a proto-Riot Grrrl intensity at least a decade ahead of its time, Wilson sings as though her life depends on it.” Rolling Stone summed up Pierson’s voice as “Transcendent,” likening it to “a glitter bomb of joy.” After a 16-year hiatus, The B-52’s proved as bright, bold, and boundless as ever on 2008’s Funplex. Fitting comfortably among a truly iconic discography, it bowed at #11 on the Billboard Top 200. The renaissance continued in 2011 at the sold-out Classic Center in Athens, GA. Celebrating the 34th anniversary, fans dropped in from far and wide for what became a landmark gig chronicled on the live album and video release, With The Wild Crowd! Live in Athens, GA. The momentum only ramped up when they roamed on tour alongside Tears for Fears, Blondie, Simple Minds, The English Beat, and The Psychedelic Furs in 2015 through 2017. The 21st century takeover showed no signs of slowing or stopping with appearances on Portlandia and RuPaul’s Drag Race. Upholding a tradition of social activism, they stand in staunch support of numerous initiatives and causes such as AIDS service, LGBTQ Rights, PETA, the Student Conservation Association, Planned Parenthood, and more.

Since the release of their last CD, 'Into Your Heart' Hothouse Flowers have been playing steadily around Ireland, America, Great Britain, Japan and Europe. Their shows last between two and three hours depending on the level of fever in the room. Most recently their sound has been enhanced and reinvigorated by the return of Peter O’Toole on bass, bouzouki and vocals. Drumming with the band these last ten years is Dave Clarke. Dave has been a drummer in Dublin since the beginning. His commitment to the beat is mesmerizing. His style has been a force in the direction of Hothouse Flowers today. Also playing with the band these days is Dorset man Martin Brunsden on double bass and backing vocals. His musicality adds yet another dimension to the ever evolving sound of the band. There is an unpredictable energy in the band that harkens back to the 'Risk' days. They call upon their grand repertoire to create a show that is unique to the time and place. No two shows are the same. Improvisation can come at any point and allow the men express their brightest and their darkest influences. 'Rock and Roll is not about safety or politeness, it is not about perfection either. It is expression and it is spirit.' Humour is also never far from a Hothouse Flowers night. They do not take themselves seriously however, there is no mistaking the musical integrity among them as they open up to each other in musical dialogue. Fiachna, Liam and Peter are traditional musicians. This allows for moments of ancestral connection. What was a second before a Doors-like workout, becomes an earnest and a timeless offering to the memory of Currachaí na Tra Báine. A song inherited by Fiachna describing the blow inflicted upon a community and a family due to drowning. This moment and moments like these set the Flowers apart from almost any other band of their time and trade. They are carriers of Culture and all of what that entails. Hothouse Flowers came out of tough times. They played the streets and brought the streets to the stages of the world. Individually Fiachna and Liam are enjoying a broadening of their horizons. Fiachna has been producing and presenting radio and television programmes and working as a composer of music for television. Liam has been collaborating with the Fabulous Beast Dance Theatre Company. Still Hothouse Flowers has not yet fulfilled her destiny. The possibilities are endless. The will is there. Ni fada go bhfeicfear.

Sell-out tours and 25 years in the ‘business’ are powerful proof of the power of the underground and the power of great live music. Renowned for their energetic live show, longevity has not diminished the Levellers’ ability to put in a performance and get everyone in a room, or field, dancing. Brighton folk-rockers Levellers have long been and still are, one of the best live bands around. But, often overlooked is their impressive back catalogue of recorded music. The Levellers sold more platinum, gold, and silver albums in the 1990s than any other act.

Formed in the 1980s, Glasgow five-piece Del Amitri have enjoyed global chart success over the years with their hits “Always The Last to Know”, “Nothing Ever Happens”, “Roll To Me” and many more.

You asked for rock, now you get it - California riff titans Eagles of Death Metal are heading across the UK.

Coldplace are a tribute band whose quality and experience on the tribute scene are second to none. In 12 years the band have over 600 gigs under their belts across the length and breadth of the UK and abroad in over twenty different countries worldwide. The band are firmly established in many of the UK's top tribute venues with repeat bookings year after year. They regularly tour Europe and have played in 22 different countries worldwide. Their adventures have lead them to appear on Sky News, BBC Radio One and Two and The Gadget Show and to have played at major festivals alongside Bob Geldof, KT Tunstall, Ringo Starr, The Kaiser Chiefs, Razorlight and Roxette to name but a few. Coldplace know what is expected from a live tribute show - the accuracy, musicianship, dedication and passion for Coldplay's music. Their aim, as a tribute to one of the world's biggest bands, is to capture the feeling of a live Coldplay performance, the music, the visuals, the energy and the atmosphere. The band have extensive experience of all types of shows, from clubs to theatres, festivals to corporate functions and weddings to birthday parties. They have played for small and large crowds, from a handful of people to over 50,000. They are no strangers to main stages and headline spots at festivals and have played some of the largest tribute festivals in Europe such as Mathew Street Festival, Bospop (Netherlands), Glastonbudget and the legendary Fake Festivals.

With a mix of fiddle, accordions, pipes and whistles, alongside guitar and vocals, underpinned by driving bass, drums and keys, Skerryvore represent the best in contemporary Scottish traditional music. Their 6 studio albums demonstrate the wide range of influences the individual musicians bring to the mix – a unique fusion of folk, trad, rock and Americana, with even some jazz in there!

Known for their infectious energy & heartfelt performances, The Highstool Prophets bring audiences through a journey of foot stomping anthems & soulful ballads. Their live show takes you on journey of folk and country with an infectious Irish twist.

Bass-oriented alternative metal band, formed in California in the mid 1980s, under the original name 'Primate'.

Jalen N'gonda is one of the most captivating performers on today’s soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm. Most recently, Jalen thrilled audiences and garnered rave reviews with his powerful solo performance in support of Thee Sacred Souls’ US tour. Now with a pair of widely revered singles under his belt at his new home, Daptone Records, Jalen prepares for the release of his debut LP, Come Around and Love Me. 

Get yourself down for a night of astonishing Rock n roll, Soul & Rhythm and Blues from the amazing Vintage Explosion. Don't take our word for it; here is what Sir Rod Stewart had to say: 'This guy....The Vintage Explosion, is the best white soul singer i've ever heard'. The band have already achieved 3 No.1 Albums on iTunes Worldwide Blues Chart as well as reaching the top ten on the US Billboard Blues Charts. The band made their first television appearance in March when they were specially invited to perform at the BBC Big Birthday Bash as the house band and followed that with their national TV debut on ITV's This Morning. Get your tickets now to see what all the fuss is about and party like it's 1959!

Hard rocking New York quartet fronted by ex-Gossip Girl star Taylor Momsen The Pretty Reckless formed in NYC in 2009 under the guidance of former actress and model Taylor Momsen. Famed for her roles in Gossip Girl and How The Grinch Stole Christmas, Momsen turned her back on acting to focus on a music career. Specialising in a swaggering hard rock sound that drew on influences from Led Zeppelin to Hole, the band toured as opener for The Veronicas before releasing their first song ‘Make Me Wanna Die’ on the soundtrack to the film Kick-Ass. The Pretty Reckless’s first two albums saw their audience grow exponentially, with 2013’s Going To Hell landing at No.5 in the Billboard Top 200 off the back of singles ‘Messed Up World’ and ‘Follow Me Down’. The band’s third album Who You Selling For, landed them a slot opening for Soundgarden, whose drummer Matt Cameron went on to produce their fourth album Death By Rock And Roll. Rage Against The Machine guitarist Tom Morello guest appeared on the album, which was released in early 2021.

A co-headline showcase of two iconic indie bands, blending The Wonder Stuff’s anthemic charm with Inspiral Carpets’ Madchester groove.

Skindred is a Welsh rock band from Newport. The band was formed in 1998 following the disbandment of vocalist Benji Webbe's previous band, Dub War. Skindred's musical style mixes alternative rock, heavy metal, punk rock and reggae. The band also integrate elements of dancehall, jungle, hardcore, ska, hip hop, drum and bass, dubstep and various other influences into their music.

‘One Day At A Time’ is Kodaline's fourth album, and adds a new chapter to a career that has already encompassed three #1 albums in Ireland, two Top 5 albums in the UK, and more than a billion streams at Spotify. Kodaline approached the album with a streamlined process that took them back to their roots. The majority of the sessions revolved around the four band members alone in their modest recording space in Dublin, with bassist Jason Boland leading the production side of things. The band’s primary objective was to focus on the emotion that has informed many Kodaline fan favourites. As we’ve seen from the two recent singles, they’re playing to their strengths: insistent melodies and captivating hooks exploring stories that are revealing, unguarded and immediately relatable. “The main thing this time was to capture those emotions through everything,” says frontman Steve Garrigan. “We also wanted to use a lot of harmonies and play to our strengths.” In 2019, Kodaline played some of the biggest shows of their career. At home in Dublin they sold-out two huge outdoor shows at St. Anne’s Park, while a ten-date UK tour culminated with a packed show in London. Further afield, they hit festivals including Lollapalooza, Benicàssim and Open’er before becoming the first Irish band to headline the massive NH7 Weekender in Pune, India. Their extensive touring throughout Asia also included a headline set at Monsoon Music Festival in Vietnam plus dates in China, Japan, South Korea, the Philippines, Malaysia, Indonesia, Thailand, Taiwan and Singapore.

Relive the sights and sounds of the 60s with the most established Beatles tribute band.