Tribute triple-bill tour featuring The Kopycat Killers, Scam Fender, and the Subarctic Monkeys.

Tribute to the infamous Oasis.

Lucia & The Best Boys (previously known as LUCIA) are a four-piece alternative pop/rock band from Glasgow, Scotland.

Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums) have spent the last 4 years on an incessant world tour, winning the devotion of an enthusiastic and rapidly expanding audience. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era. Their first two back-to-back releases, Masterpiece (2016) and Capacity (2017), have been analyzed, wept to, danced to, critically applauded, imitated, hummed idly, and shouted out loud. They have soundtracked crowded restaurants, difficult conversations, cowboy bars, yoga classes, night drives, and lonely bedrooms.

Geese is a band that begins and ends in Brooklyn, as a project between friends to build a home studio out of a basement. Their songs are born from the same ambition: make music by any means necessary. They began recording together with sneakers as mic stands and blankets draped over the amps, all within the afternoon following a school day, up until they ran the risk of noise complaints. As of their recent signing with Partisan Records, they are thinking about moving on from sneaker-laden mics and blanketed amps, but their musical ethos has not changed a bit. Curiously alien, yet strangely familiar, the band’s new material is a product of five teenagers whose love of music touches every part of their lives: their restless anxiety about their futures, and their pent-up frustration with their present-a perspective all too familiar in today’s uncertain world.

Cabaret Voltaire was a British electronic music band formed in Sheffield, England in 1973 by Stephen Mallinder, Richard H. Kirk, and Chris Watson. Named after the Dada movement's founding nightclub in Zurich, Cabaret Voltaire pioneered industrial music, blending surrealist experimentation with DIY punk and Brian Eno's sonic tech geekery. Their early work involved DIY electronics and tape recorders, evolving into synthpop, dance, house, and funk styles.

MacBriare Samuel Lanyon DeMarco (born Vernor Winfield MacBriare Smith IV) is a Canadian singer-songwriter, multi-instrumentalist and producer.

Glen Hansard is an Irish singer-songwriter and musician. Since 1990, he has been the frontman of the Irish rock band The Frames, with whom he has released six studio albums, four of which have charted in the top ten of the Irish Album Charts.

Chan Marshall has dabbled in indie, rock, soul and blues. Here she presents some of her new work.

The Mountain Goats (stylized "the Mountain Goats") is an American indie rock band formed in Claremont, California by singer-songwriter John Darnielle. For many years, the sole member of the Mountain Goats was Darnielle himself, despite the plural moniker. Darnielle remains the sole core member of the band, but has worked with a variety of collaborators over the years, including bassist Peter Hughes, drummer Jon Wurster (of Superchunk), singer-songwriter Franklin Bruno, bassist and vocalist Rachel Ware, singer-songwriter/producer John Vanderslice, guitarist Kaki King, and Annie Clark (of St. Vincent). Throughout the 1990s, the Mountain Goats were known for producing "militantly lo-fi" home recordings (most famously, on a boom box) and releasing recordings in cassette or vinyl 7" formats. Since 2002, the Mountains Goats have transitioned to a more polished approach, recording studio albums with a full band. The Mountain Goats are currently based in Durham, North Carolina.

The members of Lake Street Dive met in 2004 as students at Boston's New England Conservatory of Music. Though they were all studying jazz, their work together was informed by their love of classic pop, particularly from the '60s, including The Beatles, The Supremes, Dusty Springfield, and The Beach Boys.

One tempestuous weekend in March 1979 was not only the date of the Three Mile Island nuclear incident, but also, in Birmingham, England, the very first show by a nascent band known as The Beat.

Sometimes you just have to rip it up and start again. Come early 2017, Fatherson – comprised of vocalist/guitarist Ross Leighton bassist Marc Strain and drummer Greg Walkinshaw – found themselves at a turning point. Digging up their roots and decanting to a new studio home in Glasgow, they longed for a change. Sum Of All Your Parts (out September 14th via Easy Life Records) is the result, and their most assured record to date. Forming in Kilmarnock, Scotland, in early 2010, Fatherson immediately captured hearts with their raw, honest alt-rock sound. Inspired by Scottish stoicism as much as their own personal turmoil, debut album I Am An Island and its 2016 follow-up Open Book were masterclasses in full-throttle rock songwriting, and garnered support from (and tours alongside) their north-of-the-border brethren in Biffy Clyro, Frightened Rabbit, Idlewild and Twin Atlantic, as well as further runs alongside the likes of Kings Of Leon, Augustines, Enter Shikari and more.

Formed in Croydon in 1990 by music journalist Bob Stanley with childhood friend Pete Wiggs, and soon joined by singer Sarah Cracknell, Saint Etienne arose within the context of the indie-dance movement of that era but created a unique sound which – albeit accidentally – paved the way for what would later become known as Britpop.

The original line-up of The Almighty, are back together for the first time in 32 years. Glasgow’s finest hard and heavy home boys are drummer Stumpy Monroe, bassist Floyd London, guitarist Andy “Tantrum” McCafferty together with lead vocalist and guitarist Ricky Warwick.

Having already placed his indelible mark on the future direction of rock with Hüsker Dü, Bob Mould teamed with bassist David Barbe and drummer Malcolm Travis to found Sugar in late 1991, making their live debut early the next year at Athens, GA’s famed 40 Watt Club. Named by NME as its 1992 “Album of the Year,” Sugar’s now-classic debut album, Copper Blue, immediately proved a sensation, earning worldwide acclaim and landmark status for the melodic strength and intensely cathartic popcraft of songs like “A Good Idea,” “Helpless,” and the alternative rock radio hit and MTV favorite, “If I Can’t Change Your Mind.” The trio quickly found themselves performing on increasingly larger stages, including a legendary show-stealing set at London’s Great X-pectations Festival in Finsbury Park. With the wind at their back, Sugar unleashed Beaster in 1993, making a momentous debut at #3 on the UK’s Official Albums Chart as well as at #4 on Billboard’s “Heatseekers” chart in the US. Though recorded during the same sessions that yielded Copper Blue, the six-song mini-album evinced a more visceral energy and dark melancholy than its predecessor, highlighted by such pulverizing expressions of sacrilegious fury as “Judas Cradle” and “JC Auto.” 1994’s second full-length LP, File Under: Easy Listening once again made an explosive arrival among the top 10 on the UK Official Albums Chart, this time landing in the upper reaches of the overall Billboard 200. The album saw Sugar pushing boundaries yet again on songs like the country-flavored “Believe What You’re Saying” and the incendiary “Gee Angel,” tackling a wider range of musical approaches without sacrificing their signature intensity and unrestrained power. Despite their successes, Sugar called it a day following a Japanese tour in early 1995. A series of live recordings, reissues, and anthologies served to magnify the band’s legacy over the three decades since, confirming Sugar as incontrovertible masters of high-volume guitar-fueled rock for the ages. The original members of Sugar reconvened in June 2025. The first new song in over three decades, “House Of Dead Memories”, was released on October 15, 2025, with live shows to follow in 2026.

Embrace celebrate the 20th anniversary of their massive-selling, No.1 album, Out Of Nothing, playing their biggest selling record in full, along with their other greatest hits.

Band Of Horses have been a mainstay of indie rock for a decade, with five studio albums, including the Grammy-nominated Infinite Arms, to their name. This summer will see the band reign supreme at festivals across the globe, whilst also taking some time to play a few headline dates throughout the UK.

With her spellbinding voice and time-bending sensibilities, Sierra Ferrell makes music that's as fantastically vagabond as the artist herself. Growing up in small-town West Virginia, the singer/songwriter/multi-instrumentalist left home in her early 20s to journey across the country with a troupe of nomadic musicians, playing everywhere from truck stops to alleyways to freight-train boxcars speeding down the railroad tracks. After years of living in her van and busking on the streets of New Orleans and Seattle, she moved to Nashville and soon landed a deal with Rounder Records on the strength of her magnetic live show. Now, on her highly anticipated label debut Long Time Coming, Ferrell shares a dozen songs beautifully unbound by genre or era, instantly transporting her audience to an infinitely more enchanted world. Despite its endless wandering into new sonic terrain, Long Time Coming is indelibly rooted in Ferrell's ravishing vocal presence, revealing her extraordinary ability to draw enormous feeling from just one single note. A lifelong singer, she got her start performing covers in a local bar at the young age of seven. "There was this little dead-end bar nearby that my mom and I would go hang out at during the day, and I'd get up and sing Shania Twain songs," she recalls. "There'd be hardly anyone in there, so I'd have free rein of the place." Later on, while living in a trailer park, Ferrell had a chance encounter that would soon turn out to be life-changing. "I met all these homeless kids who were traveling all over the place and playing amazing old songs, and I wanted to be a part of that, "says Ferrell. "The music they were making was so honest, so pure. It seemed important to bring that kind of music back, and it's been with me ever since." Though her years of traveling proved immensely formative, Ferrell eventually settled in Nashville in her late 20s. Soon after her arrival, she began taking the stage at major festivals like The Avett Brothers at the Beach, AmericanaFest, and Out on The Weekend and touring with the likes of Parker Millsap and Charley Crockett.

Born in the Kingdom of Fife, Scotland, Cammy Barnes has had success with multiple singles charting in the UK Top 20 and #1 entries on the Singer/Songwriter & Country/Alt iTunes Charts. He has supported Brit award winning artist Tom Walker and played several sell out shows including the prestigious King Tuts in Glasgow. Recently Cammy did a stunt to celebrate 26 nights at the prestigious Edinburgh Military Tattoo and was a Semi Finalist on Britain’s Got Talent, getting knocked out by a Japanese guy in his pants - go figure!

Bilmuri (John "Johnny" Franck) is an American artist known for a unique blend of post-hardcore, emo, and country-influenced rock.

You don’t need to look too hard to see or hear the multi-dimensional influence of The B-52s… For as loud as anthems like “Dance This Mess Around,” “Love Shack,” and “Rock Lobster” might resound, the group have quietly impacted alternative music, fashion, and culture over the course of four-plus decades. Selling over 20 million albums worldwide, the GRAMMY® Award-nominated quartet—Fred Schneider [vocals, toy piano], Kate Pierson [vocals, keyboards], Cindy Wilson [vocals, percussion], and Keith Strickland [guitar, drums, keys, programming]—ignited a legacy of innovation and inspiration that dates back to 1976. John Lennon famously professed his fandom in Rolling Stone, and the Washington Post chronicled the moment writing, “Forty years ago ‘Rock Lobster’ launched the B-52s career – and revived John Lennon’s.” Meanwhile, Madonna, James Murphy, Michael Stipe, Dave Grohl, and many others espoused similar adoration throughout the years. Casting a wide net, Panic! At The Disco, Blood Orange, The Offspring, Pitbull, Roger Sanchez, and DJ Shadow sampled classics from the band’s discography. Seth MacFarlane’s Family Guy, The Simpsons, and more offered up covers of their own, while Sugarland joined the legends for a rousing rendition of “Love Shack” at the CMT Awards. Known for intergalactic micro-dresses long before they became high fashion, Yahoo! dubbed Pierson, “The original Katy Perry,” while it certainly wouldn’t be a stretch to trace the “Beehive”—which Pierson and Wilson pioneered—to Nicki Minaj and other modern style icons. Countless music critics have lauded Schneider as having one of the most distinctive voices in rock. A 2017 piece in Salon posited they, “may be the most subversive band America ever gave us,” and it couldn’t be more on the mark. Agreeing with millions of rabid concertgoers, Pitchfork claimed, “From the very beginning, the B-52s were an undeniably great live act,” before adding that, “summoning up a proto-Riot Grrrl intensity at least a decade ahead of its time, Wilson sings as though her life depends on it.” Rolling Stone summed up Pierson’s voice as “Transcendent,” likening it to “a glitter bomb of joy.” After a 16-year hiatus, The B-52’s proved as bright, bold, and boundless as ever on 2008’s Funplex. Fitting comfortably among a truly iconic discography, it bowed at #11 on the Billboard Top 200. The renaissance continued in 2011 at the sold-out Classic Center in Athens, GA. Celebrating the 34th anniversary, fans dropped in from far and wide for what became a landmark gig chronicled on the live album and video release, With The Wild Crowd! Live in Athens, GA. The momentum only ramped up when they roamed on tour alongside Tears for Fears, Blondie, Simple Minds, The English Beat, and The Psychedelic Furs in 2015 through 2017. The 21st century takeover showed no signs of slowing or stopping with appearances on Portlandia and RuPaul’s Drag Race. Upholding a tradition of social activism, they stand in staunch support of numerous initiatives and causes such as AIDS service, LGBTQ Rights, PETA, the Student Conservation Association, Planned Parenthood, and more.

Since the release of their last CD, 'Into Your Heart' Hothouse Flowers have been playing steadily around Ireland, America, Great Britain, Japan and Europe. Their shows last between two and three hours depending on the level of fever in the room. Most recently their sound has been enhanced and reinvigorated by the return of Peter O’Toole on bass, bouzouki and vocals. Drumming with the band these last ten years is Dave Clarke. Dave has been a drummer in Dublin since the beginning. His commitment to the beat is mesmerizing. His style has been a force in the direction of Hothouse Flowers today. Also playing with the band these days is Dorset man Martin Brunsden on double bass and backing vocals. His musicality adds yet another dimension to the ever evolving sound of the band. There is an unpredictable energy in the band that harkens back to the 'Risk' days. They call upon their grand repertoire to create a show that is unique to the time and place. No two shows are the same. Improvisation can come at any point and allow the men express their brightest and their darkest influences. 'Rock and Roll is not about safety or politeness, it is not about perfection either. It is expression and it is spirit.' Humour is also never far from a Hothouse Flowers night. They do not take themselves seriously however, there is no mistaking the musical integrity among them as they open up to each other in musical dialogue. Fiachna, Liam and Peter are traditional musicians. This allows for moments of ancestral connection. What was a second before a Doors-like workout, becomes an earnest and a timeless offering to the memory of Currachaí na Tra Báine. A song inherited by Fiachna describing the blow inflicted upon a community and a family due to drowning. This moment and moments like these set the Flowers apart from almost any other band of their time and trade. They are carriers of Culture and all of what that entails. Hothouse Flowers came out of tough times. They played the streets and brought the streets to the stages of the world. Individually Fiachna and Liam are enjoying a broadening of their horizons. Fiachna has been producing and presenting radio and television programmes and working as a composer of music for television. Liam has been collaborating with the Fabulous Beast Dance Theatre Company. Still Hothouse Flowers has not yet fulfilled her destiny. The possibilities are endless. The will is there. Ni fada go bhfeicfear.

Sell-out tours and 25 years in the ‘business’ are powerful proof of the power of the underground and the power of great live music. Renowned for their energetic live show, longevity has not diminished the Levellers’ ability to put in a performance and get everyone in a room, or field, dancing. Brighton folk-rockers Levellers have long been and still are, one of the best live bands around. But, often overlooked is their impressive back catalogue of recorded music. The Levellers sold more platinum, gold, and silver albums in the 1990s than any other act.

Formed in the 1980s, Glasgow five-piece Del Amitri have enjoyed global chart success over the years with their hits “Always The Last to Know”, “Nothing Ever Happens”, “Roll To Me” and many more.

You asked for rock, now you get it - California riff titans Eagles of Death Metal are heading across the UK.

Coldplace are a tribute band whose quality and experience on the tribute scene are second to none. In 12 years the band have over 600 gigs under their belts across the length and breadth of the UK and abroad in over twenty different countries worldwide. The band are firmly established in many of the UK's top tribute venues with repeat bookings year after year. They regularly tour Europe and have played in 22 different countries worldwide. Their adventures have lead them to appear on Sky News, BBC Radio One and Two and The Gadget Show and to have played at major festivals alongside Bob Geldof, KT Tunstall, Ringo Starr, The Kaiser Chiefs, Razorlight and Roxette to name but a few. Coldplace know what is expected from a live tribute show - the accuracy, musicianship, dedication and passion for Coldplay's music. Their aim, as a tribute to one of the world's biggest bands, is to capture the feeling of a live Coldplay performance, the music, the visuals, the energy and the atmosphere. The band have extensive experience of all types of shows, from clubs to theatres, festivals to corporate functions and weddings to birthday parties. They have played for small and large crowds, from a handful of people to over 50,000. They are no strangers to main stages and headline spots at festivals and have played some of the largest tribute festivals in Europe such as Mathew Street Festival, Bospop (Netherlands), Glastonbudget and the legendary Fake Festivals.

With a mix of fiddle, accordions, pipes and whistles, alongside guitar and vocals, underpinned by driving bass, drums and keys, Skerryvore represent the best in contemporary Scottish traditional music. Their 6 studio albums demonstrate the wide range of influences the individual musicians bring to the mix – a unique fusion of folk, trad, rock and Americana, with even some jazz in there!

Known for their infectious energy & heartfelt performances, The Highstool Prophets bring audiences through a journey of foot stomping anthems & soulful ballads. Their live show takes you on journey of folk and country with an infectious Irish twist.

Bass-oriented alternative metal band, formed in California in the mid 1980s, under the original name 'Primate'.

Jalen N'gonda is one of the most captivating performers on today’s soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm. Most recently, Jalen thrilled audiences and garnered rave reviews with his powerful solo performance in support of Thee Sacred Souls’ US tour. Now with a pair of widely revered singles under his belt at his new home, Daptone Records, Jalen prepares for the release of his debut LP, Come Around and Love Me. 

The Vintage Explosion have skyrocketed from viral fame to international acclaim, racking up 4 No.1 Apple Music Blues Albums, breaking into the US Billboard Top 10, and the UK Top 40. Frontman Will Hitchell, praised by Rod Stewart as "the best white soul singer I've heard", recently won the International Songwriting Competition with Sweet Love, while their latest single I Can't Get Enough of Lovin' You has already hit No.1 on Apple Music worldwide. In 2025, the band were honoured as the Boisdale Xerjoff Band of the Year, presented by Jools Holland in London - a major recognition of their electrifying musicianship and growing influence.

Hard rocking New York quartet fronted by ex-Gossip Girl star Taylor Momsen The Pretty Reckless formed in NYC in 2009 under the guidance of former actress and model Taylor Momsen. Famed for her roles in Gossip Girl and How The Grinch Stole Christmas, Momsen turned her back on acting to focus on a music career. Specialising in a swaggering hard rock sound that drew on influences from Led Zeppelin to Hole, the band toured as opener for The Veronicas before releasing their first song ‘Make Me Wanna Die’ on the soundtrack to the film Kick-Ass. The Pretty Reckless’s first two albums saw their audience grow exponentially, with 2013’s Going To Hell landing at No.5 in the Billboard Top 200 off the back of singles ‘Messed Up World’ and ‘Follow Me Down’. The band’s third album Who You Selling For, landed them a slot opening for Soundgarden, whose drummer Matt Cameron went on to produce their fourth album Death By Rock And Roll. Rage Against The Machine guitarist Tom Morello guest appeared on the album, which was released in early 2021.

A co-headline showcase of two iconic indie bands, blending The Wonder Stuff’s anthemic charm with Inspiral Carpets’ Madchester groove.

Skindred is a Welsh rock band from Newport. The band was formed in 1998 following the disbandment of vocalist Benji Webbe's previous band, Dub War. Skindred's musical style mixes alternative rock, heavy metal, punk rock and reggae. The band also integrate elements of dancehall, jungle, hardcore, ska, hip hop, drum and bass, dubstep and various other influences into their music.

Relive the sights and sounds of the 60s with the most established Beatles tribute band.

Courtney Barnett takes on elements of country and anti folk and has become of this generations brightest Singer / Songwriters.

Over the past three and a half decades, Primal Scream have embraced everything from psychedelic pop to degenerate rock’n’roll; euphoric rave to industrial gloom. They have made records with George Clinton and Kate Moss, invited Mani of the Stone Roses and Kevin Shields of My Bloody Valentine into the fold, survived narcotic oblivion, personal trauma and the death of beloved guitarist Robert “Throb” Young, and captured the mood of the nation several times over. Throughout it all, they have always sounded like Primal Scream. And they have always made great singles. From their psychedelic roots to the era-defining hedonism of ‘Screamadelica’ through to the sonic attack of ‘XTRMNTR’ and beyond, the eclectic nature of Primal Scream has been matched by the sheer consistency of their singles and they have become part of Britain’s musical heritage. Now Primal Scream compile one of the great singles discographies into one expansive collection with ‘Maximum Rock ‘N’ Roll: The Singles’, which will be released on May 24th via Sony. “Right from our 1985 debut All Fall Down onward we’ve approached singles as an aesthetic choice, a statement of where we are as a band,” says Bobby Gillespie. “We grew up with Suffragette City and Metal Guru flying out of the radio. The four Sex Pistols singles were great. Public Image by PiL sounded like nothing else. Prince and Madonna made amazing hits. That has been our approach. I’ve always loved Top 40 pop radio, I love greatest hits albums like The Who’s Meaty, Beaty, Big & Bouncy. I remember Alan McGee saying of Higher Than The Sun: it won’t be a hit, but it will be a statement. Great singles can get out into the world and show people an alternative way of thinking. They make you feel less alone.” Opening with the jangly melodic rush of ‘Velocity Girl’, ‘Maximum Rock ‘N’ Roll: The Singles’ is a celebration of a vital catalogue of songs from a band who have always pushed the boundaries of their sound. There’s rock ‘n’ roll infused with gospel and soul in ‘Movin’ On Up’, the Stonesy strut of ‘Rocks’ and industrial-funk in the shape of ‘Kill All Hippies’. And that freewheeling attitude never stopped, as evidenced by the anthemic garage-rock meets vintage R&B of ‘Country Girl’ and the creativity of the songs taken from their most recent album, 2016’s ‘Chaosmosis’.

The Temperance Movement are a British blues rock band formed in 2011 by Glasgow-born vocalist Phil Campbell and guitarists Luke Potashnick and Paul Sayer. The band released their Pride EP in 2012, and their eponymous debut studio album was released in 2013. Collectively the band have a rich history of experience, having previously played with Rooster, Ben’s Brother, Jamiroquai, Ray Davies, The Waterboys and Feeder.

Yard Act formed in Leeds in September 2019 when Ryan Needham found himself temporarily living in James Smith's spare bedroom. The two had been pub associates for years, but their new living circumstances served as a catalyst for their friendship and creative partnership which saw them fuse James' interest in spoken word with Ryan's primitive proto-punk demos using an ancient drum machine and borrowed bass guitar. They released their first material in March 2020, coinciding with you-know-what, and with just three singles (The Trapper's Pelts, Fixer Upper and Peanuts) and three gigs to date, Yard Act have staked out a territory all their own. Setting up their own imprint Zen F.C. they released their debut 7 which can now only be found for exorbitant sums on Discogs, they've scored two 6music playlists, and they've won a growing fanbase with their coruscating, narrative driven, spoken word dance-punk. Now girding their loins for a 2021 filled with new music, new recordings, debut novels, and (fingers crossed) plenty of live shows, Yard Act have most definitely marked our cards as one of UK's most exciting prospects.

The View exploded out of Dundee, a rag-tag teenage mob of guitar-scorching rock 'n' rollers, buoyed by a brace of instantly anthemic tunes.

Echo & the Bunnymen's dark, swirling fusion of gloomy post-punk and Doors-inspired psychedelia brought the group a handful of British hits in the early '80s, while attracting a cult following in the United States.

Scottish composer, producer and multi-instrumentalist Liam Shortall, aka corto.alto has had an incredible couple of years: his debut album Bad With Names was shortlisted for the iconic Mercury Prize (2024), won 'Best Album' at the Scottish Jazz Awards. In 2025, he won 'Act Of The Year' at the Jazz FM Awards, public vote with Ezra Collective and Nubya Garcia the other two nominees, as well as UK Independent Breakthrough at the Aim Awards. Now signed to Ninja Tune, he's released singles DON'T LISTEN, VANDAL and APRIL feat. anaiis which continue to showcase his natural ear for cross-pollination of styles. The tracks have received enormous radio support with over 3000 plays globally in less than 6 weeks as well as being on BBC 6 Music's A-Playlist. DON'T LISTEN was also included in the iconic 'FC26' soundtrack. This is music on his own terms. Music that speaks not just to his time spent as part of the burgeoning and fertile music scene in Glasgow; but equally to an eclectic mix of influences that draw as much on his affinity with club-culture and all its forms of Electronic Music, or to his love of classic Hip-Hop, Soul and Funk. Support TBA. This is a 14+ event, under 16s must be accompanied by an adult.