Bringing you all the best tracks from the greatest decade for music, think Blur vs Oasis, Fatboy Slim, Primal Scream, The Verve, The Chemical Brothers, Faithless, The Prodigy and a whole lot more. Undoubtedly the biggest night out you’ll have all year, whether you were living it large in the 90s, wish it was still the 90s, or can’t quite remember the decade… Hey girl, hey boy, Superstar DJ… here we go!

Eddi Reader, considered to be one of Scotland's all-time greatest female voices and performers, is returning to stages. Celebrating almost half a century of music, Eddi will bring her signature vocals to venues up and down the country. As Eddi Reader fans will know, no two performances are ever the same, but each concert promises to be a special evening with Eddi reminiscing and sharing the music of the past while looking forward to many more ahead.

The Beat formed in 1979 and released their debut single, an infectious cover of the Smokey Robinson classic Tears of A Clown on 2-Tone Records which went straight into the UK national charts at #6. Along with their contemporaries The Specials, Madness and The Selecter, The Beat became an overnight sensation. Bow Wow Wow were created by Sex Pistols manager Malcolm McLaren in 1980 from members of the Adam and the Ants group along with vocalist Annabella Lwin. Between 1980-1983 Bow Wow Wow had acclaimed singles such as I Want Candy, C-30 C60 C-90 Go, Go Wild In The Country, Fools Rush In, Afrodisiac, Do You Wanna Hold Me, Sexy Eiffel Towers, Louis Quatorze and more.

The Selecter is led by their iconic frontwoman Pauline Black and co-fronted by original member Arthur ‘Gaps’ Hendrickson. They are now re-united with original drummer Charley ‘Aitch’ Bainbridge who is back in the line-up. Pauline is one of very few women in the 2-Tone scene - often referred to as "the Queen of Ska" she was awarded an OBE in the in the 2022 New Year Honours. 2-Tone was a crucial multi-racial, multi-cultural explosion borne out of Coventry and the Midlands that remade British pop from 1979 onwards.

Formed in Birmingham in 1989, OCS spent six years fine-tuning their sound before lighting up the Britpop party with three Top 5 albums; 1996’s ‘Moseley Shoals’, 1997’s ‘Marchin’ Already’ and 1999’s ‘One From The Modern’. The band has also achieved seventeen Top 40 singles, including a staggering run of nine successive Top 20 singles and a mantelpiece full of awards. As with all the best groups, behind the swagger and style were great songs, with words and melodies that found their way into the public’s hearts. Honing their craft in the spirit of the soul, folk and blues greats who inspired them, Ocean Colour Scene’s celebrated live shows have cemented the relationship between the band and their fiercely loyal fanbase, with each concert serving as a communal outpouring of hope and joy, boasting the most life-affirming singalongs you’re likely to hear anywhere.

Kenny Thomas was one of the most popular UK soul dance vocalists of the early 1990s. His biggest UK hit came in 1991 with ‘Thinking About Your Love’ (number 4), while his debut album sold more than 600, 000 copies in the UK alone. Other hit singles spawned by that debut included ‘Outstanding’, ‘The Best Of You’ and ‘Tender Love’, and also resulted in a Brit Award nomination for Best British Male Vocalist and Best British Newcomer. The warm, relaxed dance grooves of that debut were replicated on a second album that continued Thomas’ massive commercial success. Guest musicians this time round included the Young Disciples, Nu Colours and the Reggae Philharmonic Orchestra. This time some of the bonhomie of the original set was more restrained, with a slightly more mature lyrical vision reflecting more real-life experiences.

The British pop band, who took the country by storm with their witty lyrics and catchy pop songs.

Following their hit BBC Radio 4 series, and many years of sell-out shows at the Edinburgh Fringe Festival and London’s West End, don’t miss everyone’s favourite Dictionary Corner regulars on 8 out of 10 Cats Does Countdown and the first band to ever host Never Mind The Buzzcocks. Expect a heady mix of spontaneous stand-up, spectacular performance and outlandish musical talent led by the brilliant comedian, and creator of Taskmaster, Alex Horne. The Horne Section are Joe Auckland (trumpet and banjo), Mark Brown (saxophone), Will Collier (bass), Ben Reynolds (percussion) and Ed Sheldrake (keyboards).

After years spent TV presenting, stage acting, podcast hosting, dog walking and decorating the spare room, John is getting back to the thing he loves most; standing on stage and making people laugh. John has achieved huge success with a number of his own comedy, entertainment and documentary shows including- John Bishop’s Australia (BBC1), John Bishop’s Britain (BBC1), John Bishop’s Only Joking (Sky1), The John Bishop Show (BBC1), The John Bishop Christmas Show (BBC1) and John Bishop’s Gorilla Adventure (ITV1). More recently John Bishop’s Ireland for ITV1 and four mammoth series of the critically acclaimed John Bishop: In Conversation With… which saw him chatting, one to one with some of the World’s biggest household names.

TV favourite Ed Byrne tours his Best Reviewed Show at the Edinburgh Festival, British Comedy Guide's No 1 Comedy show, and his most personal show to date. From the quote attributed to Mark Twain, humour is defined as Tragedy Plus Time. Come and join one of our leading laugh specialists as he tests that formula by mining the most tragic event in his life for laughs. With his TV career now in its third decade, Ed has regularly appeared on the likes of QI, Mock The Week, Alan Davies As Yet Untitled, and Live At The Apollo. With legions of fans both in the UK and abroad, Ed remains the observational stand-up to see.

From the Jam features Bruce Foxton from the original Jam line up. He also spent 15 years playing bass with Stiff Little Fingers. Bruce is joined by Russell Hastings on lead vocal and guitar. From The Jam have gained a reputation for the kind of incendiary ‘live’ performances that sealed the reputation of The Jam all those years ago. Audiences can expect to hear classic The Jam hits such as Down In The Tube Station At Midnight, Going Underground, Town Called Malice and The Modern World as well as some live favourites and songs from Bruce’s solo career.

Following an election year – with the country in turmoil – there’s only one comedian who can kill the mood even further… Nish Kumar – one of The Guardian and The Telegraph’s 50 Best Comedians of the 21st Century – is back on tour with his brand new politically-charged stand-up show, Nish, Don’t Kill My Vibe, with extra dates now added due to phenomenal demand. Expect jokes about climate collapse, income inequality and the emotional sensation of being a British Indian man who didn’t vote for a British Indian Prime Minister. Sweet, sweet vibe killing. As seen and heard on The Mash Report, Taskmaster, Pod Save the UK, Live at the Apollo, Hold the Front Page and your favourite tabloid newspaper. Presented by Plosive Live in association with PBJ Management.

Q The Music’s James Bond Concert Spectacular is the world’s finest and most critically acclaimed tribute to the music of James Bond. Celebrating more than 20 years as the first original and pioneering Bond concert, they are known for their stirring emotional and adrenaline-fueled performances, mixed in with superb musicianship and flair. Indeed, every fan club around the world recognises them as the best and finest performances of the songs since the originals.

Katherine Ryan is a Canadian stand-up comedian, actress, writer and presenter who has gained prominence in the UK. As a speaker, she is sought-after for her ability to engage and entertain audiences while dissecting the intricacies of dating, mental health, and life.

Born in 1981, it took only 17 years for comedian, writer, actor, television and radio presenter Jason Manford to make his mark on the live circuit. Working as a glass collector at the Buzz Comedy Club in Manchester's suburban area of Chorlton, Manford stepped in when a scheduled performer failed to turn up. Just six live gigs later he claimed The City Life North West Comedian Of The Year award, launching a career that would cement him as a household name across the United Kingdom. Jason’s been busy since his last smash-hit stand up show but fans of his Absolute Radio show will know this nationally acclaimed comedian hasn’t changed a bit.

This is not a musical. Milton Jones is tone deaf and has no sense of rhythm, but at least he doesn’t make a song and dance about it. He has more important things to discuss. Like giraffes... and there’s a bit about tomatoes. You might know him from Mock the Week, Live at the Apollo or Radio 4. Or that time he stood for the Scottish National Party, fought a hard campaign, but in the end had to respect the wishes of the people of Cardiff. A whole new show of daftness. You know it makes sense. Warning - contains jokes from the start.

Dara Ó Briain is an Irish comedian and television presenter based in the United Kingdom. He is noted for performing stand-up comedy shows all over the world and for hosting topical panel shows such as Mock the Week, The Panel, and The Apprentice: You're Fired!

Coming straight out of Newport The GLC are officially Britain’s biggest rap group. Known for classics like “Guns don’t kill people rappers do”, The GLC started almost by accident around the turn of the century with Eggsy’s impromptu rap about his tracksuit over a serious piece of music Rhys was working on in the studio. Adam Hussain, Billy Webb, Mystkal, the Maggot, 2hats and Mike Balls convinced Rhys to record the rap. Fuelled by Lambrini, fags, Chicken Tikka Massala and weed they all took to the mic and The GLC’s first album “Don’t Blame the Chain” was born. And so it began, the journey which has so far seen The GLC rise to the top of the charts, perform around the world and at every major festival in the Western Hemisphere and make millions of people laugh along the way. Now many years since that first rap about Eggsy’s tracksuit, the boys are still keeping it real in the rap game and hold the title of the most successful UK rap act ever. To date The GLC have released 18 albums… and amazingly none of them have died yet. You knows it! GLC (Live) plus special guests

Public Service Broadcasting have been “teaching the lessons of the past through the music of the future” for more than a decade now. 2013’s debut album Inform – Educate – Entertain used archival samples from the British Film Institute as audio-portals to the Battle of Britain, the summit of Everest and beyond. Two years later, The Race For Space used similar methods to laud the superpowers’ rivalry and heroism in orbit and on the moon. In 2017, joined by voices including Manic Street Preachers’ James Dean Bradfield, Every Valley was a moving exploration of community and memory via the rise and fall of the British coal industry. Pointedly topical in its analyses, it reached number four on the UK charts. For their fourth album, Bright Magic (2021), the band take inspiration from Berlin: “It’s become an album about moving to Berlin to write an album about people who move to Berlin to write an album…”. Heralded as the band’s most varied and cerebral record, Bright Magic is an impressionist portrait of the city from the ground up, less linear and narrative than previous works, combining PSB’s use of electronics and surging guitar rock with sound samples collected in the city itself to realise the dreams of Berlin they’d constructed in their minds.

Apparently caterpillars completely break down into goo before they become butterflies. Come join comedian Sara Pascoe as she reconsiders and reconstructs herself after having two babies and very little sleep.

UK country superstars The Shires first entered the history books in 2015, when their debut album, Brave, became the first ever British country album to enter the UK Top Ten. Their second album, My Universe, also broke new ground by becoming the fastest-selling British country album of all time and reached the top three in the UK chart. After an incredible two years, Ben Earle and Crissie Rhodes, hailing from Hertfordshire and Bedfordshire, have fast become a firm favourite in the UK country music scene. Now they’re making their mark in Nashville too. With two gold certified albums under their belt within 12 months of each other and nine playlisted tracks across BBC Music, The Shires are back and they’re raring to go.

Eighties funk pop band back on the road again, singing old favourites including 'Running in the Family' and 'Lessons in Love' as well as newer tracks.

We are delighted to bring you this exceptional & unique show: this, is The Amy Winehouse Band – Amy’s Original band led by her long term Musical Director/Bass player Dale Davis and Amy’s close friend from the very start of her career, celebrate her era defining global music and live performances, keeping her spirit and legacy and the Amy Winehouse sound alive in a true connection only possible by Amy ’s original band.

“Paul Merton and Suki Webster’s Improv Show” is a night of fast, and fabulously funny improvised games, scenes, stories, songs and laugh out loud surrealism. All deftly conjured up on the spot and based on suggestions by you: The Audience! These two masters of Comedy Improvisation are joined by two fabulous guests each week to create cascades of laughter and joyful silliness.

Heaven 17 are a British synthpop band originating in Sheffield, South Yorkshire, England that was formed in 1980, having much 80s success with their electronic sound. Taking their name from a fictional group mentioned in Anthony Burgess's novel A Clockwork Orange (where 'The Heaven Seventeen' are at number 4 in the charts with 'Inside'), Heaven 17 formed when Ian Craig Marsh and Martyn Ware split from their earlier group, The Human League, and devised the production company British Electric Foundation (B.E.F.).

Get up close and personal with Ocean Colour Scene’s Simon Fowler and Oscar Harrison. Intimate acoustic performances of big hits, anthems, deep cuts and choice picks from the Ocean Colour Scene song book.

Jake Bugg’s indie-pop sound has thrilled UK audiences for a decade, with poignant lyrics and catchy guitar riffs. Singer-songwriter Jake Bugg's Festival debut in 2023, bringing his ‘distinct no-nonsense charm to indie folk and indie pop music. His eponymous debut album took the UK Album Charts by storm in 2012, winning the Brit Award for Best Breakthrough Artist with sounds inspired by Oasis, the Arctic Monkeys, and Bob Dylan. After forays into acoustic and bluegrass sounds, his 2021 release Saturday Night, Sunday Morning brings back the beloved ‘infectious guitar riffs and clever introspective lyrics, which are perfectly paired with powerful atmospheric choruses.

Josh Widdicombe is back on tour, not again! By now he has almost certainly mastered the art of stand-up, either that or he has wasted the last 15 years of his life. Come along and decide for yourself.

Sell-out tours and 25 years in the ‘business’ are powerful proof of the power of the underground and the power of great live music. Renowned for their energetic live show, longevity has not diminished the Levellers’ ability to put in a performance and get everyone in a room, or field, dancing. Brighton folk-rockers Levellers have long been and still are, one of the best live bands around. But, often overlooked is their impressive back catalogue of recorded music. The Levellers sold more platinum, gold, and silver albums in the 1990s than any other act.

Doves are an English indie rock band, formed in Wilmslow, Cheshire in 1998. The band is composed of singer and bassist Jimi Goodwin and twin brothers, guitarist Jez and drummer Andy Williams. The band released six studio albums between 2000 and 2025, three of which reached no.1 on the UK album charts.

With hits like ‘Digging Your Scene’ and ‘It Doesn’t Have To Be This Way’, The Blow Monkeys epitomised the glamour of mid-80s pop at its most graceful and sophisticated. In the band’s frontman Robert Howard (aka Dr. Robert), they possessed a tall, charismatic singer who was both camera-friendly and clever, who appeared to be just as much at ease on the catwalk that is pop’s conveyor belt as he was penning witty, incisive songs. While quite clearly Robert’s band, though, the Blow Monkeys were also gifted three immensely talented musicians in bassist Mick Anker (he of the trademark bowler hat), saxophonist Neville Henry and drummer Tony Kiley. Behind the band’s stylish veneer lay something else, which became increasingly apparent from Robert’s lyrics. While some of the Smash Hits generation avoided politics with a capital P, The Blow Monkeys openly criticised the policies of the Conservative government, railing against social injustices and adopting an openly left-of-centre stance on issues of the day. From openly endorsing the gay community “Digging Your Scene” to an outright attack on Margaret Thatcher ‘Celebrate (The Day After You)’ – a duet with the late, great Curtis Mayfield, The Blow Monkeys were always the thinking person’s pop group. As the 1980s progressed, so too did the band’s musical style, from a sound once dubbed “jazz punk” by Robert to a more soulful, jazzy style and an ever-increasing adoption of dance music. The Blow Monkeys of their rare, indie debut single ‘Live Today Love Tomorrow’ (recorded on a shoestring in 1981) would be barely recognisable to those who bought the Balearic remix of ‘La Passionara’ from 1990. And yet a soulful, spiritually uplifting strain has continued to run through their music – and, indeed, that of Robert’s solo recordings – to this day.

Is this too good to be true?! The hottest 80s club night is coming to town - when actor, TV personality and star of Spandau Ballet Martin Kemp will be spinning the biggest and best hits of that decade.

Join two of the most revered female singer-songwriters for an evening of unparalleled music. Appearing together on stage for the first time to perform songs such as ‘Stay With Me Till Dawn’, ‘Sand and Water’, ‘Bring The Rain’, ‘This Kiss’ and their stunning collaboration, ‘Safe’. Alongside their musicians, this is set to be a beautiful night of lyric, song and harmony.

Born in Salford and raised on romance, The Lottery Winners combine momentous 90s inspired guitar pop melodies with a Morrissey-esque, humorous yet wistful lyricism.

Ward Thomas could tell that change was afoot from the moment they wrote Cartwheels, now the punch-to-the-stomach title track of their sensational second album. Straight away the sisters knew the song was special. What they didn’t know was that their second album ‘Cartwheels’ would sail to #1 on the UK Album Chart on release making them the first ever UK country act to do so. Cartwheels the album, as you might guess, contains a cartwheel of emotions and each song suggested its own sound. “Lyrically, it was much more grown-up than anything on our debut. Sonically, it was a move away from country to lots of other influences we grew up with – Fleetwood Mac, The Beatles, KT Tunstall, some Kelly Clarkson, Taylor Swift’s Red album. We’re still influenced by country, we still adore the Dixie Chicks and Kacey Musgraves, but this isn’t just a country album.” In fact, the title track is among several on the album to shrug off country entirely, although the 22 year old twins’ beguiling harmonies remain their calling card. Lose Me is a fast-paced pop song that rocks out. The glorious Almost Easy adds strings and electronics to the mix. Bewitching ballad Who I’m Not is set to shimmering orchestration. Boisterous lead single Carry You Home is simply a storming pop song. The biggest change, however, was that the teenagers became adults. With their co-writers, they were four young women, sitting in a room, pouring their hearts out. They didn’t think in terms of genre, but of stories, emotions and coping mechanisms. They wrote about situations they had either experienced themselves or seen their friends go through. In extraordinary couplets they captured everything from deep friendship to deep despair, from loneliness and heartbreak to the joy of moving on, from feeling like a failure to the pleasure of heading to the hills to de-stress.

Oh, it’s all there! All the trademarks are in evidence in Ardal’s latest show. Beautifully crafted stand-up comedy? Yes. Celebrated use of language? Tick. Lateral thinking, surreal flourishes, sharp observations? Of course. As for the occasional profundity? Maybe. Despite his best attempts over many decades to put the world to rights, it is still a colossal mess. And so, Ardal has no choice but to go out on the road again. Like the good comedy doctor he is, he fearlessly diagnoses the various pathologies and neuroses that are currently ravaging humanity. Disclaimer: No solutions provided. After an alarming experience at the supermarket, Ardal reflects on who he is as a man and a comedian. He examines his own ethnic and religious background, and thinks twice about the very core of his identity as a voice of reason. Is everything a big lie? With no major trauma of his own to draw on for material, apart from the drag of getting older, he also turns his gaze outwards at the joys and follies of contemporary life. Towel Animals? A.I.? Chair Yoga? Cauliflower as a main course? Yes. Yes. Yes. And Yes. No current idiocy is left unexamined. With a highly developed sense of the ridiculous, and proper comedy bones, NOT HIMSELF, is a testament to the healing power of humour. And the joy of jokes.

If you sit and talk to many of the alternative rock artists dominating today’s music, you’ll find that many of them pay homage to the The Psychedelic Furs. Led by front man and songwriter Richard Butler, the Furs won over fans and critics alike by combining poetic lyrics, innovative rhythms and melodies driven by an aggressive, punk desperation. Through it all, the band scored major hits with 'Love My Way', Pretty In Pink', 'Heaven', 'The Ghost In You' and 'Heartbreak Beat' in all releasing seven studio albums and spawning several compilations, a boxed set, and a live concert DVD. The Psychedelic Furs came together in England's emerging punk scene in 1977 initially consisting of Richard Butler (vocals), Tim Butler (bass guitar), Paul Wilson (drums), Duncan Kilburn (saxophone), and Roger Morris (guitars). By 1979, this line up had expanded to a sextet with Vince Ely replacing Wilson on drums and John Ashton being added on guitar. These days, the band continues to tour around the world. The current Psychedelic Furs touring lineup remains Richard Butler (vocals), Tim Butler (bass), Rich Good (guitar), Mars Williams (saxophone), Amanda Kramer (keyboards), and Paul Garisto (drums).

The object of cultish adoration for years, singer/songwriter Lucinda Williams was universally hailed as a major talent by both critics and fellow musicians, but it took quite some time for her to parlay that respect into a measure of attention from the general public. Part of the reason was her legendary perfectionism: Williams released records only infrequently, often taking years to hone both the material and the recordings thereof. Plus, her early catalogue was issued on smaller labels that agreed to her insistence on creative control but didn't have the resources or staying power to fully promote her music. Yet her meticulous attention to detail and staunch adherence to her own vision were exactly what helped build her reputation. When Williams was at her best (and she often was), even her simplest songs were rich in literary detail, from her poetic imagery to her flawed, conflicted characters. Her singing voice, whose limitations she readily acknowledged, nonetheless developed into an evocative instrument that seemed entirely appropriate to her material. So if some critics described Williams as "the female Bob Dylan," they may have been oversimplifying things (Townes Van Zandt might be more apt), but the parallels were certainly too strong to ignore.