The List

Elysium Gallery

What's On @ Elysium Gallery

Budgie in Conversation. Memoirs Of A Banshee Drummer
We're thrilled that Budgie is coming to Swansea as part of his book tour. As a member of Big in Japan, The Slits and, most famously, Siouxsie and The Banshees and The Creatures, Budgie became one of the era-defining drummers in the much-mythologised post punk scene of the late 1970s and early 1980s. Growing up in working class St Helens in the 1960s, Peter Clarke lost his mum as a young boy and its her absence that haunts the pages of this book. Disenchanted with art school in Liverpool, Peter became Budgie and befriended the likes of Jayne Casey, Holly Johnson, Pete Burns, Bill Drummond and other luminaries of the legendary Erics Club, before taking off for London and the big city heat of punk. Budgies unique technique and musical sensitivity endeared him to the all-female group The Slits, who asked him to play on their debut album Cut. Subsequent touring with former members of the Sex Pistols and others from the post punk aristocracy firmly established Budgies reputation for innovation. But the beating heart of this painfully honest and frank account of a life often sabotaged by substance abuse and alcohol is, of course, his long-term position as Siouxsie and The Banshees drummer and co-writer alongside ex-lover, and ex-wife, Siouxsie Sioux. In the Banshees and seminal side project The Creatures, their creative partnership produced some of the most seductive and celebrated pop music of the decade, from Juju, through A Kiss in the Dreamhouse to the valedictory album, Peepshow. Eventually, their personal relationship started to fall apart, with inevitable consequences for both bands. The Absence is brave and unflinching in its dissection of how and why this happened. Angels emerged, many of them female, to show Budgie that a mothers lost love can be replaced. A man and musician whose creativity and singular style came to define the goth-pop 1980s as much as any other individual, Budgies life is both fabulously glamorous and a tawdry cautionary tale. For the first time the story of this most exalted and mysterious of bands has been told by one who survived inside the belly of the beast. Budgie said: Damned if you do, denied if you dont. To remember, revisit and to write, was traumatic and cathartic. To be published? Terrifying! I prepared my apologies, and anticipated rejection. I received mostly love, understanding, and affection. To those still hurting from the way things were, I can only empathise and offer a prayer. I present my mistakes that I may learn and others may avoid". Publisher Lee Brackstone said: The postpunk period has bequeathed us some of the most interesting, moving and entertaining rock and roll stories over the past decade or so from Viv Albertine to the recent book by The Jesus and Mary Chain. The Absence is Budgies story: a native of St Helens, a crucial figure on the Liverpool scene, the only man in The Slits and then, of course, the beating heart of Siouxsie and the Banshees in their Imperial Phase in the Goth-Pop Eighties. An insiders account of life inside a band that left a legacy like no other, this is a book that hits as hard as its author did on their most celebrated tracks and required reading for anyone with an interest in the band and their extraordinary legacy". Peter Edward Clarke aka Budgie was born in 1957 in St. Helens in the Northwest of England. He studied Fine Art at the Gamble Institute and at Liverpool College of Art, before taking a sabbatical in 1977 to join a band... or two. As Budgie, he is known internationally for his unique style of drumming on The Slits debut album, Cut (1979), and as writer, arranger and multi-instrumentalist, with both Siouxsie And The Banshees (1979 - 1996) and The Creatures (1981 - 2004). Self-taught, his influences range from Ringo to Rothko (via Ravel). Budgie was described by John Cale of The Velvet Underground as a musicians musician He lives in Berlin, Germany with his wife, two children, three cats, and a Giant Schnauzer.
Lacross Club, Rainyday Rainbow, Hairdye and Jack City Rockers
Join us for a doubly belated big bash to mark the launch of the Too Flexi for My Hat ep and Rosey REPEAT's descent into senility starring Lacross Club Tenby's very own punky chops, Lacross Club are a teen-punk band who already have a cult following, owning any stage stage with their noise and social poetry. https://www.instagram.com/tenbylacrossclub/ Rainyday Rainbow Expansive, frantic, thoughtful, melodic, original and totally, totally weird, Rainyday Rainbow are doing something rather different and rather special. https://www.instagram.com/onlyrainydayrainbow/ Hairdye four-piece teen pop-punk detonation from Newport who stand out for being totally exciting, refreshing and brilliant. https://www.instagram.com/hairdye__band/ Jack City Rockers Swansea's answer to McBusted more TBC Proudly supporting Love Music Hate Racism
Nick Revell - Portrait Of The Dog As A Young Artist
Come and join the amazing Nick Revell for his new stand up show/book launch - Portrait Of The Dog As A Young Artist. "Hello, I have a book out. Its an illustrated version of a new solo show, with cartoons by the marvellousMartin Rowson. Its called Portrait of the Dog as a Young Artist. I wrote it for the weird and wonderful Laugharne Literary Festival, which I do every year. As you probably know, Laugharne is where Dylan Thomas lived and worked and largely based Under Milk Wood on. The story was conceived as a love-letter to the festival, but despite a few in-jokes, its written to appeal to anyone who likes my stuff. Martins illustrations are fantastic, and as you can see below, Ive had some good feedback" I enjoyed this hugely- very funny and inventivea brilliant mystery tour through the back-alleys of a great comic mind.Andy Hamilton A surreal, fantastical and joyous love letter to Laugharne, Wales via China, Japan, Afghanistan & the V&A. It's as if Nick has written his loving and belly rattling funny genius onto walls which have never stopped echoing the works of Dylan Thomas - and I am here for this time-bent symphony of utter madness.Carys Eleri An utterly beguiling little volume. Brilliant, beautiful and not a little bonkers. The collaboration by the ghosts of Saki, Flann OBrien and Eric Morecambe that the world didnt know it needed. This is just lovely. Unapologetically erudite, unfailingly hilarious and ridiculously charming.James OBrien Nick Revell was the first stand up I saw at the Comedy Store - he was sharp and funny and had wonderful hair- he still does - it looks as good as the day he bought it - he still has remarkable energy for his age - it always delights me to see him about to go on stage, bent over and receiving his energising injection from Dr Buck in his Elixir Van - that elixir is why you have this wonderful piece of work in front of you - it is like an out of body experience of extreme Bibliomania celebrated - it is not a full out of body experience as the last time Nick did that his soul refused to go back into his wretched frame until coaxed in by a cheese triangle - let us celebrate the eccentric ingenuity of the words within and let us raise a glass to Dr Buck for making it all possible. Robin Ince Nick Revell started writing satirical and topical material for BBC Radio and TV in the late 70s on satirical shows like Weekending, The News Huddlines and Not the Nine OClock News. He began his career as stand-up comedian at The Comedy Store in 1980. TV and Radio work as a writer and performer of sitcoms, sketch shows and stand-up includes The Nick Revell Show, Drop the Dead Donkey, The Million Pound Radio Show and most recently BrokenDreamCatcher - sublimely surreal - Gillian Reynolds, Sunday Times so gooduplifting stuff. Miranda Sawyer, Observer He has published two novels, House of the Spirit Levels and Night of the Toxic Ostrich. Credits as a playwright include Love and Other Fairytales, Maybe Some Other Time, and Better than Dead. Solo shows include The Ghost of John Belushi Flushed My Toilet and Liberal Psychotic, which both ran at Hampstead Theatre. He has written material for many other performers including Dave Allen, Rory Bremner, and most recently Tom Walkers alter ego, Jonathan Pie, with whom he has worked on live shows and two series of the award-winning BBC Radio sitcom Call Jonathan Pie in which he plays regular cast member Roger. His third book, Portrait of the Dog as a Young Artist is illustrated by the Guardian cartoonist Martin Rowson and will was published in March 2025. Awards include International Emmys and BAFTAs for Drop the Dead Donkey, Sony Radio, British Comedy, Writers Guild awards and a Silver Rose of Montreux for various other programmes, and a Perrier Award nomination. He is one of two people who have twice been voted Favourite Act at the Laugharne Literary Festival. (The other one is Patti Smith). He also co-created and produced the topical podcast No Pressure to be Funny, hosted by James OBrien. satirically brilliant Guardian They say you slow down as you get older, but not Revell. Ideas, jokes and endless absurdist flights of fancy seem to pour out of his restless minda master storyteller. Bruce Dessau, Beyond the Joke One of Revells most accomplished skills is his ability to blend reality and fantasy, so that as you hurtle through the verbal rapids you will suddenly ricochet off something and realise that a brilliant political point has just been made, or spin around only to find that you have just been hit with a smart socio-political insight. The hour is a real head rush (no drugs necessary). A master of his craft. Kate Copstick, Scotsman

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