The List

Gallery of Modern Art

Located on Royal Exchange Square, in William Cunninghame of Lainshaw's imposing 1778 townhouse, the Gallery of Modern Art's monumentalism is offset by the traffic cone that's usually perched on the head of the equestrian statue of the Duke of Wellington located out front. The Gallery hosts major exhibitions by 20th and 21st century artists, and is the most-visited modern art gallery in the country. Besides its major collection of modern art, the gallery has a lending library full of books on art and design. In 2016, a restoration project was undertaken which included cleaning, restoring, and reinstating the clock tower and weather vane. GoMA is conveniently located for both Queen Street and Central Stations, and Buchanan Street Underground is only a few minutes away. There are multiple bus stops on the near-adjacent Union Street.

What's On @ Gallery of Modern Art

Art for Baby at GoMA

Art for Baby at GoMA

7 Apr 2026 - 15 Dec 2026

A workshop for babies aged 0-walking and their carer, to experience contemporary art in a relaxed and welcoming environment. GoMA runs these free sessions every Tuesday 11am - 12pm. Our last session of the year will be on 16 December 2025 and we will return on 13th January 2026. Advance booking required - via Eventbrite only
John Akomfrah - Mimesis: African Soldier
Mimesis: African Soldier is shown across three screens, which allow us to see different perspectives and narratives at the same time. The screens display archival footage and reimagined contemporary views of historical military experiences alongside still life [nature morte] scenes, with flowing water running over objects, flags and photographs related to the soldiers. Akomfrah uses montage techniques and bricolage, weaving together new footage with archival material and still photography. This poetic approach to history and archives draws attention to overlooked stories, Britain’s historical role in conflict across the colonies, and the impact on people of colour today. There is no spoken narrative in the work, instead poignant quotes, an emotive soundscape including song, and words (such as disenchantment, disgust, rude awakening) appear on the screen to function as pauses or titles interspersing the powerful images and archives that we are witness to. These words encapsulate what we are seeing unfold before us and echo the soldiers’ journey and conscription into a war that is not of their making.
Still Glasgow

Still Glasgow

1 Apr 2026 - 13 Jun 2027

An extensive new exhibition which has photography at its core and looks at Glasgow, past and present. Still Glasgow, comprising over 80 works, showcases well-known photographs of the city drawn from Glasgow Life Museums’ collection alongside other, lesser-known works, some of which explore how artists work with the photographic medium and the city of Glasgow within their practice. Some photographs on display have not been exhibited since their acquisition by Glasgow Life Museums, including Alan Dimmick’s portrait of rock band Franz Ferdinand, and David Eustace’s Buskers Portfolio from 1993. Fittingly, the exhibition opens in the closing months of Glasgow 850, the year-long celebration of the city’s 850th birthday, and ahead of GoMA’s 30th anniversary in 2026. Still Glasgow initially emerged from a conversation between GoMA Curator/Producer Katie Bruce and Malcolm Dickson, Director of Glasgow gallery Street Level Photoworks, after a visit to Glasgow Museums Resource Centre to look at works about the city in photographs held there. From this early list of key works, the exhibition has expanded - for instance, to include moving image, with Roderick Buchanan’s film Gobstopper (1999), which riffs on the Glaswegian childhood game of trying to hold your breath while going through the Clyde Tunnel. It also explores the way in which artists use the photographic medium, including work by Alasdair Gray, as well as photos of artists at work, such as Joanne Tatham and Tom O’Sullivan’s Easels, and Oscar Marzaroli’s portrait of painter Joan Eardley in her Glasgow Townhead studio. Alongside well-known names - including Linda McCartney, David Eustace, Bert Hardy, and Oscar Marzaroli - it gives space to other photographers and experiences, and other perspectives on the city, as documented through groups like Glendale Women’s Café, and Romano Lav in the Southside of Glasgow, and through Iseult Timmerman’s images of the Red Road Flats before they were demolished in 2015. It also highlights work by women artists, often over-shadowed by better-known images of Glasgow taken by male photographers. Notable amongst these is photographic panels from the groundbreaking installation What’s It to You? by video artists Stansfield/Hooykaas (1975). As it continues into 2026, Still Glasgow will be part of a public programme celebrating GoMA’s 30th anniversary. Still Glasgow includes work by: Khansa Aslam, Jane Evelyn Atwood, Khadija Aurangzeb, Zubaidah Azad, Sadia Azhar, Roderick Buchanan, Nick Danzinger, Alan Dimmick, David Eustace, Alasdair Gray, Bert Hardy, Rashida Hanif, Larry Herman, Shahida Imatiaz, Keith Ingham, Nikola Krugova, Patricia MacDonald, Khalida Majid, Oscar Marzaroli, Linda McCartney, Joseph McKenzie, Shazia Rani, Stansfield/Hooykaas, Nazia Soofi, Joanne Tatham and Tom O’Sullivan, Anetta Tancosova, Iseult Timmermans, John T Thomson, Eric Watt and Matthew Arthur Williams. Header image: From What’s It to You? by Stansfield/Hooykaas
Saturday Art Club

Saturday Art Club

4 Apr 2026 - 19 Dec 2026

PLEASE NOTE there will be no Saturday Art Club on 18 and 25 May due to staff absences. We'll return on Saturday 1 June. Come along to these fun and creative workshops for families up in our roof top studio. Take inspiration from the artworks on display while trying out different materials and techniques. Drawing, painting, sculptures, printing, collage, what will you be making this week? Recommended for families with children 5 - 12 years. On every Saturday, 10:30am-12:30pm, free and drop-in!
Jasmine Togo-Brisby - Liquid Land

Jasmine Togo-Brisby - Liquid Land

5 Jun 2026 - 6 Sept 2026

Part of Glasgow International Festival of Contemporary Art Liquid Land marks the debut European solo exhibition by Australian South Sea Islander artist Jasmine Togo-Brisby. Created in response to the architectural history of Glasgow’s Gallery of Modern Art, Liquid Land presents new site-specific installations and sculptural works. Exploring histories of enslavement and domestic labour whilst tracing relationships across the Pacific, Australia, and wider dialogues about the transatlantic slave trade, these works illuminate the global scope of industries and exploitation. Spanning sculpture, photography, installation, and video, Jasmine’s multidisciplinary practice is a profound exploration of “blackbirding”, the nineteenth century practice of deceiving or kidnapping Pacific Islanders for forced labour on Australian sugar plantations. Through the optical deception of mirrors, where flashes of light were perceived as signs from the spirit world or communication from ancestors, slave recruiters compelled people out into the water to investigate. In Liquid Land, Jasmine lures with beauty and intrigue, intentionally mimicking the trickery that once weaponised Pacific Islanders’ cultural and spiritual beliefs and curiosity. At the exhibition’s heart is a full-scale recreation of Jasmine’s ancestral home in Australia, originally built by her Ni-Vanuatu ancestors. The thatched hut, modelled after an archival family photograph, houses an oceanic, crow-feathered installation. Throughout Liquid Land, Jasmine addresses notions of home, belonging, and retreat within the contradictions of confinement and violence.
30 Years of Art - Autism friendly family workshop
Join us for a family workshops in a calmer, less crowded environment with access to a quiet space. On Wednesday 15th April, 10am-12noon, join us for a family workshops in a calmer, less crowded environment with access to a quiet space. This is drop-in and free, but please book a space to make sure we can keep the numbers manageable and the space as quiet as possible. This event is aimed at any person and family group who can benefit from a more quiet setting and numbers will be limited. You can download our visual storyboard here . Sensory kits are always available, free, to borrow from our front desk. We look forward to seeing you there.
Early opening and family workshop

Early opening and family workshop

15 Apr 2026 - 15 Apr 2026

This time slot is for visitors who prefer a calmer, less crowded environment. During a quiet opening we reduce noise levels, flashing lights and crowds as much as possible. In the same time slot, we’ll have a FAMILY-FRIENDLY WORKSHOP in our accessible, top floor studio. This will be in a calmer less crowded environment with access to a quiet safe space. We will celebrate the 30th anniversary of GoMA with a variety of simple art techniques. SENSORY BAGS which include ear defenders are available for visitors to use during their time in the museum. These can be collected from the reception. There will be a QUIET SAFE SPACE in the North Room. Please ask a member of staff for directions. We have created VISUAL STORYBOARDS, which help you see around our museum before your visit. The GoMA Visual Storyboard can be found here: https://www.glasgowlife.org.uk/media/4hahdrd2/goma-storyboard-2023.pdf The AccessAble guide can be found here: https://www.accessable.co.uk/glasgow-city-council/access-guides/goma-gallery-of-modern-art-glasgow Get your ticket for the workshop: https://autismfriendlygoma.eventbrite.co.uk
GoMA Late: performance, workshop, talks
Come join us at the Gallery of Modern Art for a late opening marking the end of John Akomfrah’s _Mimesis: African Soldier_ , a film installation shown across three screens. It reflects on the experience of soldiers from across the Commonwealth in World War 1, and aims to highlight the significant contribution of over six million African, Caribbean and South Asian people from across former colonies who fought, served, and died in the war. Activities will include a performance by Ruth Ese Ighorae, _"Between the Lines"_, and an accompanying exhibition of works in collaboration with Tyguepaulo Gacita. Across generations and form from Akomfrah's "Mimesis: African Soldier", "Between the Lines" asks similar questions. What happens to artists of colours still waiting to be seen? Who gets remembered, who is left out, and what does that do to us? In the top floor Studio, members of Glasgow Museums' Intercultural Youth Group will lead Our Glasgow, a workshop inspired by "Glasgow_ Past and Present_, 1975", by John T. Thomson in _Still Glasgow_ (Gallery 3). Participants will be invited to create their own reflection of the Glasgow they grew up in and know, including places that highlight our diverse cultural society and businesses that have flourished in our communities.

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