The List

Gallery of Modern Art

Located on Royal Exchange Square, in William Cunninghame of Lainshaw's imposing 1778 townhouse, the Gallery of Modern Art's monumentalism is offset by the traffic cone that's usually perched on the head of the equestrian statue of the Duke of Wellington located out front. The Gallery hosts major exhibitions by 20th and 21st century artists, and is the most-visited modern art gallery in the country. Besides its major collection of modern art, the gallery has a lending library full of books on art and design. In 2016, a restoration project was undertaken which included cleaning, restoring, and reinstating the clock tower and weather vane. GoMA is conveniently located for both Queen Street and Central Stations, and Buchanan Street Underground is only a few minutes away. There are multiple bus stops on the near-adjacent Union Street.

What's On @ Gallery of Modern Art

Art for Baby at GoMA

Art for Baby at GoMA

12 May 2026 - 15 Dec 2026

A workshop for babies aged 0-walking and their carer, to experience contemporary art in a relaxed and welcoming environment. GoMA runs these free sessions every Tuesday 11am - 12pm. Our last session of the year will be on 16 December 2025 and we will return on 13th January 2026. Advance booking required - via Eventbrite only
Still Glasgow

Still Glasgow

12 May 2026 - 13 Jun 2027

An extensive new exhibition which has photography at its core and looks at Glasgow, past and present. Still Glasgow, comprising over 80 works, showcases well-known photographs of the city drawn from Glasgow Life Museums’ collection alongside other, lesser-known works, some of which explore how artists work with the photographic medium and the city of Glasgow within their practice. Some photographs on display have not been exhibited since their acquisition by Glasgow Life Museums, including Alan Dimmick’s portrait of rock band Franz Ferdinand, and David Eustace’s Buskers Portfolio from 1993. Fittingly, the exhibition opens in the closing months of Glasgow 850, the year-long celebration of the city’s 850th birthday, and ahead of GoMA’s 30th anniversary in 2026. Still Glasgow initially emerged from a conversation between GoMA Curator/Producer Katie Bruce and Malcolm Dickson, Director of Glasgow gallery Street Level Photoworks, after a visit to Glasgow Museums Resource Centre to look at works about the city in photographs held there. From this early list of key works, the exhibition has expanded - for instance, to include moving image, with Roderick Buchanan’s film Gobstopper (1999), which riffs on the Glaswegian childhood game of trying to hold your breath while going through the Clyde Tunnel. It also explores the way in which artists use the photographic medium, including work by Alasdair Gray, as well as photos of artists at work, such as Joanne Tatham and Tom O’Sullivan’s Easels, and Oscar Marzaroli’s portrait of painter Joan Eardley in her Glasgow Townhead studio. Alongside well-known names - including Linda McCartney, David Eustace, Bert Hardy, and Oscar Marzaroli - it gives space to other photographers and experiences, and other perspectives on the city, as documented through groups like Glendale Women’s Café, and Romano Lav in the Southside of Glasgow, and through Iseult Timmerman’s images of the Red Road Flats before they were demolished in 2015. It also highlights work by women artists, often over-shadowed by better-known images of Glasgow taken by male photographers. Notable amongst these is photographic panels from the groundbreaking installation What’s It to You? by video artists Stansfield/Hooykaas (1975). As it continues into 2026, Still Glasgow will be part of a public programme celebrating GoMA’s 30th anniversary. Still Glasgow includes work by: Khansa Aslam, Jane Evelyn Atwood, Khadija Aurangzeb, Zubaidah Azad, Sadia Azhar, Roderick Buchanan, Nick Danzinger, Alan Dimmick, David Eustace, Alasdair Gray, Bert Hardy, Rashida Hanif, Larry Herman, Shahida Imatiaz, Keith Ingham, Nikola Krugova, Patricia MacDonald, Khalida Majid, Oscar Marzaroli, Linda McCartney, Joseph McKenzie, Shazia Rani, Stansfield/Hooykaas, Nazia Soofi, Joanne Tatham and Tom O’Sullivan, Anetta Tancosova, Iseult Timmermans, John T Thomson, Eric Watt and Matthew Arthur Williams. Header image: From What’s It to You? by Stansfield/Hooykaas
Saturday Art Club

Saturday Art Club

16 May 2026 - 19 Dec 2026

PLEASE NOTE there will be no Saturday Art Club on 18 and 25 May due to staff absences. We'll return on Saturday 1 June. Come along to these fun and creative workshops for families up in our roof top studio. Take inspiration from the artworks on display while trying out different materials and techniques. Drawing, painting, sculptures, printing, collage, what will you be making this week? Recommended for families with children 5 - 12 years. On every Saturday, 10:30am-12:30pm, free and drop-in!
Jasmine Togo-Brisby - Liquid Land

Jasmine Togo-Brisby - Liquid Land

5 Jun 2026 - 6 Sept 2026

Part of Glasgow International Festival of Contemporary Art Liquid Land marks the debut European solo exhibition by Australian South Sea Islander artist Jasmine Togo-Brisby. Created in response to the architectural history of Glasgow’s Gallery of Modern Art, Liquid Land presents new site-specific installations and sculptural works. Exploring histories of enslavement and domestic labour whilst tracing relationships across the Pacific, Australia, and wider dialogues about the transatlantic slave trade, these works illuminate the global scope of industries and exploitation. Spanning sculpture, photography, installation, and video, Jasmine’s multidisciplinary practice is a profound exploration of “blackbirding”, the nineteenth century practice of deceiving or kidnapping Pacific Islanders for forced labour on Australian sugar plantations. Through the optical deception of mirrors, where flashes of light were perceived as signs from the spirit world or communication from ancestors, slave recruiters compelled people out into the water to investigate. In Liquid Land, Jasmine lures with beauty and intrigue, intentionally mimicking the trickery that once weaponised Pacific Islanders’ cultural and spiritual beliefs and curiosity. At the exhibition’s heart is a full-scale recreation of Jasmine’s ancestral home in Australia, originally built by her Ni-Vanuatu ancestors. The thatched hut, modelled after an archival family photograph, houses an oceanic, crow-feathered installation. Throughout Liquid Land, Jasmine addresses notions of home, belonging, and retreat within the contradictions of confinement and violence.

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