Offering gimmick free parties up and down the UK; Deptford Northern Soul Club is a new breed soul night for the next generation of party goers.

Need that gold streamer, pink bathroom, dancing-on-stage realness on a Saturday night? We've has got you covered. Smash through the glittered ceiling until 3am every other Saturday A bi-weekly pop night with a twist: all killer no filler pop hits with a no cringe guarantee Expect to hear: Britney Spears / Charli XCX / Beyoncé / PinkPantheress / Tate McRae / Chappell Roan / Lorde / Dua Lipa / Lady Gaga / Doja Cat / Doechii / Megan Thee Stallion / ROSALÍA / Billie Eilish / Amaarae / Tinashe / Kelis / Tems / Nick Minaj / Kylie Minogue / Addison Rae / Lola Young / Gracie Abrams / CMAT / Selena Gomez / Ariana Grande / Rihanna / Taylor Swift / Christina Aguilera / Justin Timberlake / SZA / Timbaland / The Weeknd / FLO / ROSÉ / Bruno Mars / Kanye West / Cardi B / Miley Cyrus / P!nk / Sugababes / JADE / Jungkook / Destiny’s Child / Harry Styles / Troye Sivan / Robyn / The 1975 / RAYE / JENNIE / Lily Allen / Madonna / Nelly Furtado / Gwen Stefani / Jamelia / Atomic Kitten / Black Eyed Peas / Azealia Banks + more Presented by LNZRT. This is an 18+ event

Southern California native Cory Hanson isn't the sort of musician to let the grass grow beneath him. The singer/guitarist played an auxiliary role in numerous bands before settling into a more stable gig making rugged psychedelia with Wand. In addition to his full-time work with Wand and occasional toned-down duo work with Ty Segall, Hanson released solo albums like 2021's bucolic Pale Horse Rider.

Support act(s): tbc Presented by Bad Vibrations 18+ only (photo ID required)

A whole night dedicated to killer female artists. It's a femininomenon. Expect to hear the likes of... Chappell Roan / Caroline Polacheck / Lana Del Rey / Charlie xcx / CMAT / Fiona Apple / Billie Eilish / girl in red / Lorde / Olivia Rodrigo / Phoebe Bridgers / Sabrina Carpenter / FKA Twigs / Lady Gaga / Bjork / Boygenius / Kate Bush / Weyes Blood / St Vincent / Soccor Mommy / Biig Piig / boygenius / Confidence Man / Fcukers / Magdalena Bay / Madonna / Rina Sawaraman / Hannah Diamond / Azelia Banks / SOPHIE / Grimes / Sky Ferreira / COBRAH / Yaeji / Kylie Minogue / Empress Of / BANKS / Gwen Stefani / Kim Petras / Slayyyter / Sophie Ellis-Bextor / Carly Rae Jepson and loads more

The '80s were a wild time, that most of you probably didn't get a chance to experience properly. Lucky for you here at Moth Club we're laying on a night dripping with nostalgia. Expect to hear: The Buggles / New Order / Echo and The Bunnymen / Whitney Houston / MJ / Bowie / Journey / A-Ha / Prince / Madonna / Bruce Springsteen / Tears for Fears / Rick James / Salt-N-Pepa / Soft Cell / Phil Collins / Roxy Music / Cyndi Lauper / The Cure / The Smiths / Fleetwood Mac / Rick Astley / Dexys Midnight Runners / Tina Turner / The Clash / George Michael / Lionel Richie / The Human League / Men at Work / Pet Shop Boys / Neneh Cherry / Joy Division / The Police etc etc For booth bookings and large parties email [email protected] Presented by Dancing In The Dark. This is an 18+ event

Kassi Valazza has a viscous, light gold voice. It swirls around in your head like whiskey in a snifter; vaporous, and intoxicating. For most of Dear Dead Days pedal steel and electric guitar lope along at half time, the in pocket rhythm section booming from deep in the low end. Its frequencies penetrate your flesh. The songs reverberate off your bones. Her lyrics drip down the inside of your skull. On the opening track "Cayuse": "cause they're hard runnin' critters, and wild-eyed quitters / kicking up all they can find / that fool hardy man of mine" Musicians with Southwest origins dependably bring a languorous relaxation -- the slow pace a defense against the oppressive heat of the high desert -- and a grim sense of gravitas, having walked among the bleached bones and arid landscapes. At times Valazza sings as if her lyrics are smoke she's exhaling. On "A Fine Colour" she sings every note clearly, and with force, on a surrealist-jealousy jawn.

Ella Raphael is blessed with an amazing voice; a woozy, bluesy, euphoric sound that’s filled with warmth and emotion. Brought up on Elvis, Ella Fitzgerald and Edith Piaf her travels in the UK, US, Australia and Spain have refined that eclectic mix, adding The Shirelles, Julee Cruise, Love, Serge Gainsbourg, Karen Dalton (to whom her lilting vocal occasionally recalls), ESG, Broadcast, Vashti Bunyan, Catherine Ribeiro + Alpes, the original masters of Tropicalia, exotic 50s guitars and the more esoteric sounds of The Beatles. Presented by LNZRT. This is an 18+ event.

Chris Brain emerged out of Leeds’ vibrant folk scene in 2022 with his debut, critically acclaimed and widely distributed album, Bound to Rise, reaching Number 22 in the UK Folk Charts. His much-anticipated second album, Steady Away, moves inward and takes on a more self-reflective quality, whilst retaining glimmers of soaring figures and pastoral imagery. Brain’s distinctive warm vocal and finger-picked guitar style are sustained alongside expansive strings and delicate piano arrangements, taking shape through evolving and introspective impressions on tenderness, loss, pain and awe in nature. Glancing off The Nave’s eaved ceilings with natural reverb, Steady Away’s 11 tracks, recorded by Tom Orrell, capture the intimacy of Chris’ songwriting. Steady Away further embeds Chris Brain within the contemporary folk scene, whilst gesturing towards the folk tradition. His commitment to folk is only deepened by the two folk clubs and folk festival in Leeds that Chris founded and runs, attracting a wide range of audiences and musicians alike.

Roller Derby + guests This is an 18+ event

brat and it's the same but it's a birthday at MOTH Club.... Come and celebrate another year of brat! Expect to hear a full night of charli xcx plus... Chapelle roan, billie eilish, doechii, Sabrina Carpenter, Caroline polacheck, lady gaga, dua lipa, azaelia Banks, lorde, a.G. Cook, the dare, cobrah, rhianna, Sophie, Kim petras, shygirl, slayyyter, Ethel Cain, fka twigs, Hannah diamond, rina sawayama + more Presented by LNZRT. This is an 18+ event

Ten years ago, Frank Ocean dropped Blonde and changed everything. This August, we're celebrating a decade of the album that soundtracked heartbreak, summer nights, and quiet revelations. Expect deep cuts, the artists who inspired him, and the ones he inspired. Expect to also Hear 21 Savage, A$AP Rocky, Aaliyah, Baby Keem, Blood Orange, Bon Iver, Brent Faiyaz, Doja Cat, Dominic Fike, Don Toliver, Elliott Smith, Frank Ocean, Kali Uchis, Kendrick Lamar, Lana Del Rey, Marvin Gaye, Outkast, Pharrell / N.E.R.D, PinkPantheress, Playboi Carti, Radiohead, Solange, Steve Lacy, Stevie Wonder, SZA, Tame Impala, The Beach Boys, The Beatles, The Weeknd, Travis Scott, Tyler, The Creator, Vince Staples, Yung Lean, Yves Tumor Presented by LNZRT. This is an 18+ event.

The Bevis Frond (guitarist and songwriter extraordinaire Nick Saloman) have ultimately become the UK's leading underground psychedelic rock band. Their music is an iconoclastic collision of distinctly British psychedelia, space-rock, grunge, slow-burning soulful laments, even grizzled folk and more than occasional moments of sublime pop genius.

Parallel Lines Presents: 1000 Rabbits Plus Special Guests Presented by Parallel Lines. This is an 18+ event.

Lone Assembly are a Swiss quartet blending new wave, romantic synthpop and dark, melancholic post-punk. Formed by Raphaël Bressler (vocals, keyboards), Glenn Le Meur (guitar), Jim Bodeman (bass) and Romain Segu (drums), the band broke through in 2024 with their debut EP That Never Happened - a release rooted in themes of grief, emotional distance and vulnerability, pairing ’80s cold-wave textures with sharp modern production. Their forthcoming debut album Knots & Chains, due February 2026 via Irascible Records, expands on this world with thunderous basslines, hypnotic rhythms, reverb-soaked guitars and atmospheric synths underpinning Bressler’s deep, resonant vocals. Known for their striking gothic-inspired visuals and growing reputation for powerful live shows, Lone Assembly have quickly built a dedicated following across the new-wave and dark-wave scenes, while retaining undeniable pop appeal. Ro Nova is a London-based electropop artist and producer blending ’80s synth textures with ethereal vocals to create a sound that feels both nostalgic and forward-looking. Since the release of her debut single “do you think it’s fine?”, she has received support from BBC Radio 1, BBC London and Reprezent Radio, alongside tastemakers including Harriet Rose (KISS FM) and James Threlfall (BBC Introducing). This is an 18+ event

East London’s longest running underground freak out, The Cave Club plays a heavy selection of rare psychedelia, freakbeat and 60s garage punk with DJs Rhys Web (The Horrors) Keb Darge Jordan Cook Presented by Cave Club. This is an 18+ event.

Allah-Las' sound is cultivated from the annals of California culture; the perfect mixture of the sands, the seas, the streets and cities of the golden state. The garage rock revivalists combine the harmonies and pop hooks of the British Invasion, the trippy atmosphere of West Coast psychedelic bands, and the raw swagger of countless American garage rockers. See all this rise to the surface when they play live. This is a 14+ event.

DHP & FOOTSTEPS FESTIVAL Presents : Swordes Presented by DHP & FOOTSTEPS FESTIVAL. This is an 18+ event.

Come celebrate one of NYC's greatest exports, The Strokes and the 25th anniversary of their seminimal album Is This It. Expect to hear all things The Strokes + solo projects, plus their inspirations and 00s contemporaries: Arctic Monkeys / Beastie Boys / Bloc Party / The Cribs / Dirty Projectors / Franz Ferdinand / The Hives / Iggy Pop / Interpol / Jet / The Killers / Kings of Leon / LCD Soundsystem / The Libertines / Lou Reed / MGMT / The Modern Lovers / The Moldy Peaches / Parquet Courts / The Ramones / The Rapture Regina Spektor / TV on the Radio / The Vaccines / Vampire Weekend / The Velvet Underground / Yeah Yeah Yeahs + more Presented by LNZRT. This is an 18+ event.

Pop Mutations presents: infinite bisous + support Saturday 22nd October Stereo Soft-music maker, time-taker and jass-buster INFINITE BISOUS is bringing a group of young men on tour to celebrate the release of his third album ‘any-day-now’, joined by friends from Charnwood music-groupe TASTY MORSELS. Band-leader Rory McCarthy’s resumé includes the likes of Connan Mockasin, Beck, Flavien Berger, Mac Demarco, and has recorded albums under the names Column, Keyboard, R McCarthy and more.

Makthaverskan are a Swedish post-punk band from Gothenburg, formed in 2008. Led by vocalist Maja Milner, the band combines post-punk with elements of dream pop, jangle pop, gothic rock and shoegaze.

There’s a natural magnetism to DUG’s folk brew. The duo, made up of Conor (Lorkin) O’Reilly and Jonny Pickett, are gearing up for the release of their debut album, having formed in 2023-but you’d be forgiven for believing that they’ve been writing together for a lifetime. Their music stems from roots in musical traditions spanning both sides of the pond. In one breath, echoing the great American folk troubadours, and in another, comfortably channelling the elder statesmen of Irish folk. This is no accident. DUG have a shared musical heritage, with members having been born in America and Scotland before arriving in Ireland. O’Reilly himself spent almost a decade making and releasing music in upstate New York, having picked up sticks from his native Edinburgh, (Irish mother and Scottish father) before moving to Ireland in 2022 to start a new musical chapter. And you can hear that lived musical experience in singles like ‘Big Sundown’ and ‘Jubilee’ (shortlisted for two Grammy nominations). Resonator guitar and banjo, the building blocks of DUG’s arrangements, lick and spin, with intricate finger-picking patterns whirling to a compelling whole. Their music breathes, vamping in sync. They’re damn funny too. DUG’s lyrics catch you off guard, eliciting an honest-to-goodness chuckle in a moment of levity. At their very best, as on their forthcoming album, there’s a bona fide warmth littered throughout their unique take on folk storytelling. Tracks like ‘Wheel of Fortune’ have an easy rapport. It’s catching up with an old friend, all mischief and smiles. There are allusions to darker moments there too; yearning and melancholy, to lessons learnt the hard way. Taking the heavy with the light, and being able to translate it into a foot-tapping, infectious contemporary folk sound is what DUG do best. They don’t need to posture; their music is naturally playful and honest, inviting you along on their musical journey. DUG’s love for the musicians that inspired them never steps too far into reverence. They’re an unapologetically modern band. You’ll hear plenty of Irish influence in their music, but you’ll not find any tweed coats or paddy caps here. Instead, the band opts to be themselves-completely natural and organic. It’s part of what gives the group’s work such a strong charisma, and helps establish DUG as having one of the most unique takes on contemporary folk music. In 2024, the duo signed to Claddagh Records, a label in which they find themselves in fine musical company. A subsidiary of Universal Records, Claddagh Records has spent the last few years becoming a hotbed for some of the most forward-thinking musicians in contemporary Irish folk, home to artists like Niamh Bury, Lemoncello, and ØXN, to name a few. It should come as no surprise that a group that delights in a touch of devilment and so ardently remains true to themselves has built a thriving community of fans, both at their live shows and through their often hilarious social media. On that note, beyond the release of their debut album, DUG will spend much of 2025 on the road with plans for an extensive international tour. Already announced are Summer dates in the US: Colorado (main stage at Telluride Blugrass Festival), Washington, Portland and Idaho, as well as a debut tour in Australia in October. Irish fans can expect a surely raucous performance at almost every major Irish festival this summer. There’s plenty more dates still to be announced, so it’s well worth keeping your eyes peeled. Presented by Broadside Hacks, Skinty Records. This is an 18+ event.

Austin TV is one of the most important rock bands in Latin America. Despite being a instrumental band they have a lot to say. Using masks according to the album concept, they give life to their motto ¨Tu Cara No Importa, Importas Tú¨ (Your face does not matter, you matter!). After a 10 year hiatus they decided to return in 2022 with new music and a strong comeback to the stage. Their message has marked more than one generation, they have performed more than 1,200 shows, released 5 albums and with 21 years of experience, they have managed to carry the flag of independence to new horizons. Their iconic concept album "Fontana Bella" was produced by Emmanuelle del Real (Café Tacvba´s Keyboardist and composer), released in 2007 at their Vive Latino Festival show. After a 10-year hiatus, they announced their first comeback show, Selling Out in just 3 minutes at Foro Indie Rocks. Currently they have already finished their new album, being one of the most anticipated albums of 2023 according to Rolling Stone Mexico magazine. 40,000 people witnessed Austin Tv's return to the stage as one of the main acts at Vive Latino 2023, the most important festival in Latin America. Austin TV surprised everyone with a live session for the cult radio station KEXP, in which they obtained more than 500,000 views in just one month. Austin TV will release their new full length album called "Rizoma" at the end of September 2023. It features 9 instrumental pieces recorded entirely live at Estudios Noviembre in Mexico City. They recently sold out Pepsi Center WTC with a 6,000 people capacity, consolidating themselves as the most important instrumental rock band in the country. Presented by CLUB.THE.MAMMOTH.. This is an 18+ event.

In 2004, Eric Rushton was cast in his primary school Nativity. Despite absolutely smashing it, he immediately retired from being a child actor. Now he’s found the correct antidepressants to give showbusiness another go.

Birmingham grunge-pop quartet Swim Deep's own brand of fuzzy grunge influenced pop has been making waves across the UK, putting them at the forefront of the blossoming West Midlands music scene.

Over the last five years of eclectic releases and impassioned live performances, The Slingers have cemented themselves as one of the most unique and hyped bands of the Australian alternative scene. The band signed to Flightless Records in 2020 (King Gizzard and the Lizard Wizard), releasing a double A-side immediately in collaboration with Melbourne icon Spike Fuck. Then 2023 saw the release of their debut LP, Sentimentalism, which peaked at #4 for ARIA’s Top Aus Albums and #5 on Top Vinyl Albums and instantly sold out of physical copies. The band opened 2025 with a sold-out double headline show in Melbourne with visiting Irish artist, Susan O’Neill. In September, the band will release, ‘Payphone Man’, along with a video clip shot with London filmmaker Archie Chew. This will be the first single of their incoming sophomore album, True Believers. The launch will be celebrated with an East Coast tour in Australia, followed by the band’s first foray into the UK and Ireland.

Thistle, with support from Daisy Chain. More TBA.

Fusing psychedelia, funk, and 90s electronica, common goldfish boast a sound that’s both nostalgic and modern. Spearheaded by Tottenham-based producer, songwriter, and multi-instrumentalist Jonty Lovell, the project delivers vibrant melodies, breakbeats, and funk-driven basslines, creating infectious grooves brimming with optimism.

Atomiser presents: Devon Rexi meets John T. Gast Gal Go Grey meets Dillon Harrison Rita P meets xmal “Following two EPs on the cult label South of North - Tambal (2022) and Biya Ba Man (2024) - Amsterdam-based interdimensional dub group Devon Rexi prepare to release their debut album, recorded by and featuring the elusive 5 Gate Temple devotee, musician and producer John T. Gast.” “Gal Go Grey is an electronica duo composed of Argentine saxophonist Ignacio Salvadores (Gal Go) and London-born producer Tom Grey. Performing for the first time in over a year, the pair are joined by Dillon Harrison on percussion and electronics.” “Rita P is the solo project of Emilie Palmelund, a Danish musician based in London. Her debut album Rita’s Purse was released in May 2025 on Jane Records. Several tracks from the album were recently remixed and dubbed out by xmal, New York-born experimentalist Malachy O’Neill (Mitsubishi Suicide, Most Things).” at MOTH Club Spring Bank Holiday - Monday 25 May Presented by Atomiser. This is an 18+ event.

Shady Nasty at MOTH Club Presented by Shady Nasty. This is an 18+ event.

CLUB.THE.MAMMOTH. and Outfit Presents This is The Deep plus special guests This Is The Deep combine orchestral folk, art pop, and garage rock, with giant painted sets, animations, and theatrical storytelling. The project was formed by visual artist and musician, Ranny Macdonald as a way to explore the space between music and painting. Hailing from across the UK, Brazil, and Japan, The line up of up to 10 musicians consists of a range of musical backgrounds from members of Glasgow/London’s Jazz scene: Mashu Harada and Angus Macdonald (Aristugi) on guitar and keys and Rachel Kitchlew (Alexis Taylor, Matthew Halsall) on harp, to classical/folk violinist Clementine Brown (Penguine Cafe) and featuring Psyche/Disco rhythm section Joao Gratzi and Rudy Melon (Particls) with Alex Sharples on Trumpet. Strong personal relationships are woven into the group not only through their decades long friendships but you are also likely to find at least two, possibly three, of Ranny’s siblings joining them, Alice Macdonald on vocals, and poet, and twin brother of aforementioned Angus: Hector Macdonald, on guitar. Presented by CLUB.THE.MAMMOTH & Outfit. This is an 18+ event.

Leo O'Kelly formed the duo Tir na nOg, along with Sonny Condell, in 1970 in Dublin. They saved £30 each, which they figured would last them a month, and took the boat train to London in May that year with a bagful of songs. Within weeks of arriving they had a recording contract with Chrysalis Records, and had already started to gain a strong reputation on the London folk scene. They soon started recording their first album, Tir na nOg, with the legendary Bill Leader producing. They toured extensively, headlining in concert halls, clubs and colleges as well as supporting bands like Jethro Tull, The Who and ELP to name just a very few. After touring Britain, Europe and America for four years, as well as releasing two more highly acclaimed albums, they decided to go their separate ways for a while, getting together occasionally to play as Tir na nOg. Leo, as well as playing live, produced several albums for EMI and Polydor Records, his very first being the highly sought after epic album, Loudest Whisper's Children Of Lir. In 2002 Leo released the first of three solo albums, Glare, which he followed with Proto and Will. The last album was RTE Radio 1 Album Of The Week, and got extensive play on Irish radio. Marc Almond has covered one of the songs, Kiki Of Montparnasse, on his live concerts. As well as his increasingly rare live outings, Leo continues his fortnightly online show on Facebook, ViViD Radio, which is still thriving after 6 years broadcasting. As well as his eclectic solo set, Leo sometimes plays a night of all Tir na nOg songs, covering his and Sonny's repertoire. This will be the basis of his MOTH Club performance and will doubtless include one of Leo's first compositions, Daisy Lady, which has recently had more than 12 million streams on Spotify. Presented by Broadside Hacks & Skinty Records. This is an 18+ event.

ARIA Award-winning indie-rock four-piece Teen Jesus and the Jean Teasers are bringing their high-energy live show to Moth Club on August 28. Following the breakout success of their debut album I Love You which debuted at #6 on the ARIA Charts and earned them the 2024 ARIA Award for Michael Gudinski Breakthrough Artist, the band have continued their rise with sophomore album GLORY, produced by 3 x GRAMMY Award-winning, London-based Catherine Marks (boygenius, Wolf Alice). The record debuted at #2 on the Australian Albums Chart and features singles ‘BALCONY’, ‘WONDERFUL’ and ‘MOTHER’. BALCONY also landed at #61 in triple j’s Hottest 100. Over the past two years, Teen Jesus have taken their live show from packed rooms to arenas and stadiums, supporting Pearl Jam across the United States and Australia, as well as sharing stages with Foo Fighters. Known for their sharp songwriting, driving hooks and undeniable onstage chemistry, the band have built a reputation as one of the most exciting live acts to emerge from Australia in recent years. Presented by AEG. This is an 18+ event.

CLUB.THE.MAMMOTH. presents SDH at Moth Club. \+ special guests TBA Presented by CLUB.THE.MAMMOTH. This is an 18+ event.

Eat Your Own Ears Presents Six by Seven Presented by Eat Your Own Ears. This is an 18+ event.

There is limited seating so please arrive early to avoid disappointment. The biggest names. The hottest new acts. The best mixed bills. Knock2bag Comedy Night, one of Time Out’s top 5 comedy clubs in London, weekly at MOTH Club, bringing you an eclectic mix of big names and handpicked ‘ones to watch’. Presented by Knock2Bag. This is an 18+ event.

There is limited seating so please arrive early to avoid disappointment. The biggest names. The hottest new acts. The best mixed bills. Knock2bag Comedy Night, one of Time Out’s top 5 comedy clubs in London, weekly at MOTH Club, bringing you an eclectic mix of big names and handpicked ‘ones to watch’. Presented by Knock2Bag. This is an 18+ event.

There is limited seating so please arrive early to avoid disappointment. The biggest names. The hottest new acts. The best mixed bills. Knock2bag Comedy Night, one of Time Out’s top 5 comedy clubs in London, weekly at MOTH Club, bringing you an eclectic mix of big names and handpicked ‘ones to watch’. Presented by Knock2Bag. This is an 18+ event.

There is limited seating so please arrive early to avoid disappointment. The biggest names. The hottest new acts. The best mixed bills. Knock2bag Comedy Night, one of Time Out’s top 5 comedy clubs in London, weekly at MOTH Club, bringing you an eclectic mix of big names and handpicked ‘ones to watch’. Presented by Knock2Bag. This is an 18+ event.

There is limited seating so please arrive early to avoid disappointment. The biggest names. The hottest new acts. The best mixed bills. Knock2bag Comedy Night, one of Time Out’s top 5 comedy clubs in London, weekly at MOTH Club, bringing you an eclectic mix of big names and handpicked ‘ones to watch’. Presented by Knock2Bag. This is an 18+ event.

There is limited seating so please arrive early to avoid disappointment. The biggest names. The hottest new acts. The best mixed bills. Knock2bag Comedy Night, one of Time Out’s top 5 comedy clubs in London, weekly at MOTH Club, bringing you an eclectic mix of big names and handpicked ‘ones to watch’. Presented by Knock2Bag. This is an 18+ event.

There is limited seating so please arrive early to avoid disappointment. The biggest names. The hottest new acts. The best mixed bills. Knock2bag Comedy Night, one of Time Out’s top 5 comedy clubs in London, weekly at MOTH Club, bringing you an eclectic mix of big names and handpicked ‘ones to watch’. Presented by Knock2Bag. This is an 18+ event.

Support acts: Shark School, Pons and Memory Of Speke Presented by Bad Vibrations 18+ only (photo ID required)

Crash of Rhinos return to the stage with their first album in 13 years: Logbook. Self-produced and recorded in an empty library and a remote Cumbrian barn, the album has taken the band years to shape after they quietly reformed four years ago. Crash of Rhinos broke up in 2014, shortly after releasing their second album Knots. Their first album, Distal, turned 10 in 2021 and the band got together in Derbyshire to run through the tunes to see if the chemistry was there for some possible anniversary shows. They had a great time. So good that they scrapped the anniversary show idea and started writing new songs. Their lives are very different than before. Their perspectives have widened and matured. Their appreciation of each other has deepened. And they sound more mellow and yet more intense at the same time. Presented by Diminishing Returns. This is an 18+ event.

Brown Horse make twangy and thoughtful indie rock, delicately arranged, but unafraid of building a yowling wall of guitars, accordion, banjo and pedal steel. Distorted, teary-eyed and country-tinged, this is music for long lonely drives and late, late nights in strange places.

She's headlining Mighty Hoopla at the end of May, so we thought we'd warm you up nicely. East End Girl - our Lily Allen club night. A love letter to Lily, West End Girl, and mid noughties British indie pop. Expect deep cuts alongside the hits that defined an era. Looking at you 2006-2010 and everyone from the Arctics to Amy, Kate Nash to The Kooks ... EXPECT TO ALSO HEAR: Arctic Monkeys, Amy Winehouse, Bat For Lashes, Cajun Dance Party, Charli XCX, CSS, Dido, Duffy, Ellie Goulding, Florence and The Machine, Girls Aloud, Gossip, Gwen Stefani, Hot Chip, Jamie T, Jessie J, Kate Nash, Kylie Minogue, Ladyhawke, Late of the Pier, Lorde, Lykke Li, M.I.A., Maximo Park, Natasha Bedingfield, Nelly Furtado, Oh Land, Olivia Dean, P!nk, Pixie Lott, Razorlight, Robyn, Santigold, Sophie Ellis-Bextor, Sugababes, The Cribs, The Kooks, The Maccabees, The Streets, The Ting Tings Presented by LNZRT. This is an 18+ event.

Speed Dating and Speed Karaoke - a match made in heaven. Hosted by Ash Kenazi - come find a lover, a friend, or whatever! The event is open to people in their 20s and 30s of all genders and sexual orientations. Come solo or bring a single friend Proceedings as follows: 7pm - Doors 7.45pm - Short introduction 8pm - Speed Dating 9pm - Speed Karaoke Xxxxx Presented by MOTH Club This is an 18+ event

White Denim is an American four-piece rock band from Austin, Texas, United States. Their music is influenced by dub, psychedelic rock, blues, punk rock, progressive rock, soul, jazz, experimental rock with home-based recording, jamming approach, intense looping work and unusual song structures

Muireann Bradley is a 16 year old finger picking guitar player & singer from County Donegal. She performs Country Blues & Ragtime Blues from the 1920s & 30s, also Folk, Roots and Americana. Muireann grew up with her father listening to these old records and playing and singing the music himself. When she was nine years old she asked him to teach her to play and so her love of guitar began. During the covid lockdowns she decided to start posting videos on You Tube, the first of which was her rendition of Blind Blake's "Police Dog Blues". It received a lot of attention, it’s now had 80,000 views. She was soon contacted by Josh Rosenthal of Tompkins Square Records who suggested she record an album which is now due for release in December 2023 entitled "I kept these old blues". Presented by Bird On The Wire. All ages

Dancing Barefoot presents: Pzyk Gürls late night at Moth Club. Pzyk Gürls are the biggest name in lower Penryn. Blending aluminium proto reggae and whiz-pop kebab, their live sets have been known to include inspirational salad recipes and Spanish civil war quips. Apply cream to your guinea pigs and lock up your hutch. Presented by Dancing Barefoot / LNZRT. This is an 18+ event.

Life are at the crest of the current wave of UK guitar music alongside other scene champions such as IDLES and Fontaines D.C. they channel bands such as The Fall, Blur and Parquet Courts. Their focus on community and witty, off-centre social commentary underscores everything they do. The band hail from Hull in England's North East. Energetic frontman Mez jumps and dances around the stage with a death glare like Jarvis Cocker making love to Frank Sidebottom and the Sultans of Ping.

It is fitting that Brown Wimpenny, a folk collective who mine the transcendent collective power of traditional music to the deepest extent possible, should have emerged from the most informal - and social - of places. One Sunday in the spring of 2023, sisters Anna and Jess Korbel, tenor banjoist Seth Lockwood and mandolin player Archie Barker, met up in Lockwood's south Manchester living room to explore a collective budding interest in folk music. Then, the Sunday after that, they met again - and once more the Sunday after that, attendance growing gradually each time. Before long it had sprawled into a weekly 25-strong get together and shared meal - as much a jam session as it was a chance to eat, drink, relax and catch up together at the end of the working week. The music they played was sprawling too - like all the best sessions. It was expansive, chaotic and constantly shifting, and unlike a regular jam in more ways than one. By taking traditional songs as their starting point, which have no true owners other than humanity itself, there was genuine creative decentralisation, “a true common understanding,” as banjoist Luke Morris puts it. Because the songs come with their own rich histories and meanings, it allowed them to delve deep in search of those that would resonate with them the most - “an addictive process,” says Lockwood - and then to focus purely on the act of channelling them into the present, allowing those ancient energies to mingle with their own. As Broadside Hacks, the powerhouse label and collective at the heart of England’s current folk resurgence, gear up to release Brown Wimpenny’s debut album, ‘Long Live Brown Wimpenny’, it’s worth pausing for a moment to take stock of just how magnificently that channelling is achieved. The northern industrial ballad ‘Sheffield Grinder’ for instance, sees the intensely charismatic singing of accordion and musical saw player James Brown placed front and centre, skipping restlessly above a simmering bassline. “It’s a song we found in Roy Palmer’s book Poverty Knock,” says Brown. “It’s about how workers in poverty, especially northerners, are often blamed and shamed by the rich and powerful for struggling to look after themselves. It was written as a protest song in Sheffield in the mid-19th century, when the Knife Grinders, notoriously poor artisans, were being publicly and unfairly blamed by MPs for their use of child labour, lack of education, and toxic working conditions. “We wanted to do it because the north has a strong socialist folk history, and these important, rare songs are often underperformed,” he continues. Here’s it’s paired with a Morris tune, ‘The Black Joak’, “to turn it into something danceable and channel the bitterness and resentment expressed in the song into something upbeat and radical.” This is evident in the song choice for their upcoming album. As violinist Chris Bright says “we found ourselves drawn to the human narratives that define traditional songs. Tales of hardened shepherdess’ and maligned steelworkers, lonely drunks and sailors nearing death. It’s these stranger, often forgotten folk characters that really captured our imagination.” As those early sessions went on, Brown Wimpenny’s membership eventually whittled down from 25 to 15. Though it had begun as a social event, says double bassist Ted Downer-Wills, “within a few months we were realising that it’d be quite nice to put a gig on.” The show was at Salford’s tiny Henrykk bar and naturally sold out given that a quarter of the venue’s capacity was filled by the band themselves. It was chaotic, recalls Anna Korbel, “none of us had any pickups, so there were so many microphones,” but also joyous, with lyrics provided for their audience so that the boundaries between performers and audience could be deconstructed. It was an early indication of the way that communal energy and non-heirarchical structure present in those first informal meetups could be transferred to a live setting too. The band’s membership has now been concentrated further into a fixed lineup of 11 - still a large number to navigate, not least given they’re based across three cities, Manchester, Liverpool and London. “The way an idea is arranged at the beginning is often dictated by who’s come to the rehearsal that week,” says Downer-Wills. It’s a point they use to their advantage, however; by letting the ever-shifting winds of practicality dictate their sound, Brown Wimpenny can maintain an edginess, a spryness, a lightness on their feet as they focus purely on the energy of the present. “Each iteration of a song is like a time capsule of that moment,” adds flautist Ella Evans, in the same way that the people who performed the same songs centuries ago were providing time capsules of theirs, “and how in 20 years, it will be different and reflect people then. There’s no ideology, no striving towards something that you’re not - just ‘here I am, hanging out and making music.’” Don’t underestimate the importance of that last point. More than anything else, says Anna Korbel, “we see the band as a shared social and creative endeavour. We love the sense of the everyday and the and the normal, and rejoicing in the collective and communal. I think that's the key to our process and our ethos. We're not over-egging anything. We're just seeing it and playing as it is.” Perhaps there’s something to be said for the fact that the band was born in the north. They’re not kitsch, they stress - theirs is a multi-faceted and complex northernness - but there’s an undeniable sense of the region’s identity rubbing off on them. “Seeing the good in the grimness, finding it funny whilst also appreciating it,” as Lockwood puts it. “Like when you hear Blackpool organ music and see old dancehalls - it’s not trendy, but it has a social utility. You get that all over the country, obviously, but there’s definitely a northern flavour of that too, and I think there are elements of that that we’ve captured.” Their deep connection to their immediate surroundings is also drawn on in the choice of music they perform - ‘Sheffield Grinder’, being the obvious example, given that “the industrial history we exist around has a really strong presence in our work,” as Korbel puts it - as well as the way in which they perform it, the way collective energy bursts through the cracks in these tales of grinding routine. On a literal level, too, the band stress how much kinship they feel with the wider Manchester musical community - the choirs that some of their members sing in, the public folk sessions they’ve hosted and attended, the simple encouragement of friends. “It’s not just the 11 of us, it’s everybody who’s ever been involved in our process and in our community,” says Korbel, “who’ve done us favours or have watched us. People always say that folk is the music of the people, but for us it’s not just the tunes that we play - it’s the sense of togetherness, the public ownership of the music, everyone being together.” The sheer thrill of Brown Wimpenny’s music - the connection to their surroundings, the constant push and pull between tradition and progression, the fraying at the edges, the shifts in direction - is undeniable. And yet this focus on the everyday, the ordinary, is equally central. It’s why the fact that they take their moniker directly from the unusual name of Lockwood’s great great great great uncle, should be viewed as more than a mere curiosity. The original Brown was a man from Linthwaite in West Yorkshire who grew up in the mid-1800s on a farm, then moved to Brooklyn to become a chauffeur, where he lived out the rest of his days. “I’d always heard this crazy name floating around in family stories,” Lockwood says. They named the band after him initially as a fun nod to their personal past, but Brown’s since developed into something more than that - as well as a band mascot. Korbel, also an illustrator, has used the only surviving photograph they have of him as the basis for the band’s visual identity across their gig posters and artwork. “It’s a nice memorial, like we’re keeping the name of this random relative alive,” says Korbel, “but there’s also something about bringing the past forward into the future.” “He’s almost taken on a life of his own as a sort of fictional character, who exists in our heads more than the guy he actually was,” adds Morris. In other words, you might call him a folk hero - albeit one whose life was distinctly un-heroic. By channelling their creative force into this everyman, the band have turned their namesake into a proxy for our entire shared humanity, a figure who symbolises the normal joys, hardships and mundanities we all experience can be found. “Brown Wimpenny is anyone really - he could be your mum, your dad, your mate,” says Lockwood. The band have tried to capture this in their debut album. It does not mark the birth of something new, nor the culmination of efforts passed. It is simply a celebration of something that has always been in motion. Long Live Brown Wimpenny. Bright highlights that “The people and places through which we discovered this music are central to the choice of tracks on the album.” From listening to source recordings of Frank Verrill and Jake Thackray during rehearsals, to picking up tunes at local pub sessions each track brings with it a little piece of the band's history. The music itself reflects the diversity of styles and influences within such a large band, and the spontaneous approach to arrangement they often take. Be it the punkish drive of Sheffield Grinder or the expansive soundscapes on Raglan Road, they filtered traditional songs through 11 different interpretations, altering their form to find their meaning. The most powerful traditional music is the kind that reaches this core humanity, the joys, hardships and mundanities that remain consistent through time, even as the world around them changes. There are few who know that better than Brown Wimpenny. Presented by Broadside Hacks. This is an 18+ event.

One of Bad Vibrations' oldest and dearest friends returns. We are so glad to be able to say those words. And we know you'll be so happy to see them back too. Cox says "See you in the Pit!". We love you CROWS!!! This one means everything! Support act(s) tbc. Presented by Bad Vibrations 18+ only (photo ID required)

Diles que no me maten Plus support Presented by Festival Republic by arrangement with Earth Agency Presented by Festival Republic by arrangement with Earth Agency. This is an 18+ event.

Sarah Julia are a Dutch indie-folk sister duo (Sarah and Julia Nauta) based in Amsterdam, known for intimate, harmony-driven songs exploring vulnerability, grief, and sisterhood.

Ispíní na hÉireann are a feral Folk-Alternative Irish music collective from Dublin, Ireland. They formed in 2018 and are fronted by Tomás Mulligan, Paahto Cummins, and Declan Gillen. Steeped in Dublin's rich traditional music scene, the band brings together some of Ireland's most exciting and talented contemporary musicians, cultivating a sound that is fiercely original and unmistakably Irish. Their music blends virtuosic original compositions with bold re-imaginings of classic tunes, fusing technical mastery with sharp wit, storytelling, and social commentary - creating performances that are as thought-provoking as they are electrifying. Following the success of their debut album The Hard Working Men, the band released their critically acclaimed second record Poxtail Soup, showcasing their trademark mix of energy, irreverence, and heart. With a growing audience across Ireland, the UK, and Europe, and a reputation for exhilarating live shows, Ispíní na hÉireann continue to redefine what contemporary Irish music can be. Hailing from the Comeragh Mountains of County Waterford, The Wran are four brothers: Tommy, Danny, Seán and Stephen Dunford. They bring a fresh voice to Irish music, blending trad with punk and a hint of psychedelia to create music that feels both timeless and new. Drawing inspiration from Planxty, The Pogues and Lankum, The Wran combines traditional and modern instrumentation, including banjo, harmonium, acoustic guitar, bass VI and drums. They are dedicated to keeping the Irish language, traditional songs and storytelling alive while continuing to push it forward in their own way. After an explosive live debut in 2025, including accoladed performances at Glastonbury, Green Man, All Together Now, and Electric Picnic, the band went on to support The Scratch and Kíla, play Dublin’s Notable NYD festival, and sell out their first Irish tour. Beginning 2026 with a sold-out UK tour, The Wran are fast establishing themselves as one of Ireland’s most vital new bands. Dr. Doireann Ní Ghlacáin is a fiddle player, sean nós singer, academic and broadcaster from the north side of Dublin. From her father's family she inherited a love for traditional music and under the tutelage of her father Kevin Glackin began a life long journey of learning the fiddle at just 3 years of age. From her mother's family, the Ó Riada's of Cúil Aodha she inherited a passion for the Irish language, traditional arts and sean nós song. In 2024 she completed a PhD at the University of Galway on oral poetry under the supervision of Lillis Ó Laoire. She works full time as a broadcast on TG4 and RTÉ and is 1/3 of the hugely popular How To Gael podcast. Presented by Broadside Hacks, Skinty Records. This is an 18+ event.

Support act: Chimers Presented by Bad Vibrations 18+ only (photo ID required)

Anysia Kym and Tony Seltzer bring their incredible productions to life as they bring their live show to London for a special show at Moth Club on July 17th... Presented by LNZRT. This is an 18+ event.

Support act(s): tbc Presented by Bad Vibrations 18+ only (photo ID required)

rodeo fever: We're back! Thanks to our friends Strap In Line Dancing teaching beginner-friendly routines to country and disco classics with no experience required! Line dancing is for everyone, whether it’s your first rodeo or you’re a seasoned pro - they'l be leading beginner level dances set to the songs you know and love so get ready to grapevine, shuffle and weave and leave it all on the dance floor. Then it’s a full night of country gold, disco dreams, and glam western bangers with a festive touch, featuring: Beyoncé / Brenda Lee / Carrie Underwood / Chappell Roan / CMAT / Dolly Parton / Donna Summer / Elvis / Faith Hill / Fleetwood Mac / George Strait / Glen Campbell / Sabrina Carpenter / John Denver / Johnny Cash / Kacey Musgraves / Kim Carnes / Leann Rimes / Loretta Lynn / Miley Cyrus / Olivia Newton-John / Orville Peck / Patsy Cline / Shania Twain / Sheryl Crow / The Chicks / The Ronettes / Tom Waits / Trixie Mattel / Willie Nelson and more. ★★Strap In Line Dancing will be leading dances for the first hour so get down early! Presented by LNZRT. This is an 18+ event

Carlow’s bi-lingual, mutli-instrumentalist maverick SexyTadhg announces their 14-date, community binding, culturally defining ‘SLUTTRAD’ UK & IRE Tour for October / November / December 2026. In tandem with the release of their genre blurring “TADHG” EP which demonstrates a unique vision of Traditional Irish music, that is intrinsically entwined with queer culture, resulting in total redefinition of the modern Irish identity. The SexyTadhg live show has been described as a “euphoric blend of big band jazz, theatrical soul, and dazzling pop, bursting with brass, keys, layered harmonies, and a groove-rich rhythm section, that channels the grandiosity of the SexyTadhg personna, while showcasing their magnetic, commanding vocal presence.” (1883 Magazine), with Hotpress remarking that the live show is “theatrical disco music at its finest, Tadhg's performances are an exhilarating blend of musicianship and creativity.” Tadhg's commanding vocals and virtuoso piano skills have mesmerized audiences internationally, as their big band extravaganza elevates Irish musicianship to unprecedented heights. Their performances often draw comparisons to legendary icons like David Bowie, Elton John, Lady Gaga, and Freddie Mercury, yet SexyTadhg artfully intertwines this majestic persona with the uplifting joy of Traditional Irish folk and intimate narratives that explore themes of gender, sexuality, and mental health. Presented by 432 Presents. This is an 18+ event.

We were raised on cattle ranches where we learned how to play traditional country music because that's what everyone wanted to hear. The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people you'd find in Wood Mountain, Saskatchewan (population very few). The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home. Kacy Anderson and Clayton Linthicum's new album Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, A beautiful album that nudges a classic past into a brave future.) and 2017's The Siren's Song described by Uncut as Ageless and beguiling. A classic record for this or any other time. Their sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentry's The Delta Sweete, Hoyt Axton's My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs; Kacy enjoys telling people that they live 250km from the mental hospital that coined the term 'psychedelic'. Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada, mostly as live takes with the minimum of overdubs the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago. The result is a sharpening of what Mojo magazine summed up as A beautiful mix of Kacy's crystalline vocals and Clayton's inventive, deep-groove country guitar. And a greater attention to detail in their songwriting; with narrative tales of loss, regret and yearning alongside vivid portraits of the Northern Great Plains and its isolated inhabitants. The songs The Forty-Ninth Parallel, The South Saskatchewan River, Providence Place and That Sweet Orchestra Sound were all written with local settings in mind - with the latter a tribute to the rural dance bands of the area, who referred to themselves as 'orchestras.' One such band, the Romansky Orchestra from Fir Mountain featured Kacy's Grandpa Carl in their line-up when he was in his teens. Of Carrying On, Jeff Tweedy said "When I first heard Kacy and Clayton, I was struck by how much detail and nuance they had absorbed from what sounded like a large swath of my record collection. When I told them that they were as good as the artists they were drawing from, I'm not sure they believed me. On this record I don't hear those influences as much as I hear them taking the things they love so intimately and telling their own story. I think they're a truly great band. Our songs for this album are inspired by rural living of the past and present, highlighting the toll that urban dwelling can take on first generation kids moving out of the country into the city.

Bingo games sound tracked by Screamo bands, hosted by Tegan Chinogurei. Presented by Far From. This is an 18+ event.

brat and it's the same but it's a birthday at MOTH Club.... Come and celebrate another year of brat! Expect to hear a full night of charli xcx plus... Chapelle roan, billie eilish, doechii, Sabrina Carpenter, Caroline polacheck, lady gaga, dua lipa, azaelia Banks, lorde, a.G. Cook, the dare, cobrah, rhianna, Sophie, Kim petras, shygirl, slayyyter, Ethel Cain, fka twigs, Hannah diamond, rina sawayama + more Presented by LNZRT. This is an 18+ event

Eve Babitz didn’t just write about Los Angeles-she lived it in a way that made everyone else seem like they were doing it wrong. Parties, bad decisions, better anecdotes, and a kind of literary brilliance that felt so casual and effortless. Too L.A.: Letters Never Sent (But Some Were), edited by Lili Anolik and published by the New York Review of Books, pulls back the curtain on that life through the letters Babitz fired off over decades highlighting Babitz’s irrepressible appetite for people, places, and the particular glamour of fleeting moments.-funny, messy, cutting, and often a little too honest. Letters include Joan Didion, Joseph Heller, Annie Leibovitz, Paul Ruscha, Anne Rice, Steve Martin, and many others appear in this first-of-its-kind collection. We’re hosting an evening dedicated to those letters, read live by a rotating cast of special guests. Expect stories about love, art, money, sex, fame, boredom, literary feuds and the strange mechanics of being young and interesting in a city built on illusion. Come for the gossip, stay for the sentences. Presented by LNZRT. This is an 18+ event.

Lydia Lunch has crossed paths with Alan Vega and Martin Rev of Suicide upon arrival in New York at age 16, late 70 SUICIDE The first show of which she attended was a real shock, a revelation on a new form of a concert, a total show, theatrical, free, violent. Since then, a close relationship, as much artistic than friendly, united them , Lydia Lunch performed on stage and on a record "Frankie Teardrop" by Suicide and she sang a duet with Alan Vega in the album SNIPER by Alan Vega and Marc Hurtado in 2010. Marc Hurtado, had already met Alan Vega and Lydia Lunch on his Etant Donnés ‘s RE-UP album Be in 1999 and he formed the project My Lover The Killer in 2013 with Lydia Lunch, with whom they recorded an album and play on stage. Since 2014 Lydia Lunch and Marc Hurtado join forces for this event around Suicide and Alan Vega songs , it will be a kind of sonic "Blitzkrieg" and a visual shamanic ceremony, where both artists will burn their souls in the volcanic heart of the music of Alan Vega and Suicide, concentrated to melt their performance in kaleidoscopic film INFINITE DREAMERS directed by Marc Hurtado dedicated to Alan Vega and Martin Rev. Lydia Lunch is a nomadic gypsy in eternal metamorphosis that almost lost her life for her art dozens of times in 35 years. Musician, writer, photographer and performance artist, she appeared in the New York music scene in 1977 with the project founder No Wave, Teenage Jesus and the Jerks. In search of inspiration and cooperation she worked with Karen Finley, Hubert Selby Jr, Nick Cave, William Burroughs or Virginie Despentes, she lived in New York, Brooklyn, New Orleans, San Francisco, Pittsburgh, Los Angeles, London. She has visited 656 cities to perform on stage for concerts, spoken word, installations in clubs, theaters and museums. Marc Hurtado is a musician, performer, poet, painter, producer and filmmaker who co-founded the French duo ETANT DONNES with his brother Eric in 1977. He has made more than 20 albums and concerts around the world in places like Kitchen ( New York), the Fondation Cartier (Paris), the Centre Pompidou (Paris), the Sonar Festival (Barcelona), the Atonal Festival (Berlin), or Transmusicales (Rennes). Apart from this duo and solo project Sol Ixent, he has collaborated with many cult figures including Alan Vega, Genesis P.Orridge, Michael Gira (Swans), Gabi Delgado (DAF), Craig Walker ( Archive) , Pascal Comelade, Z'ev, Philippe Grandrieux, Christophe, Saba Komossa (Delkom), Mark Cunningham (MARS), Bachir Attar and the Master Musicians of Jajouka. His films were screened in Beaubourg Paris , FID Marseille, the French Cinematheque in Paris, the Locarno Film Festival, BAFICI Festival Buenos Aires, Mostra de Valencia and recently at the MoMA in New York, which also acquired his latest feature film "Jajouka, something good comes to you" in his collection. Presented by Bad Vibrations 18+ only (photo ID required)

Greg Freeman thrives on finding emotional catharsis and present-day resonance in the eccentric ugliness of the past. His songs all have a palpable sense of place thanks to his urgent delivery and evocative lyricism, which mines history for character-driven tales of violence, loss, and epiphany.

Support act(s): tbc Presented by Bad Vibrations 18+ only (photo ID required)

London-based Lauren Auder is a British-French singer-songwriter, record producer and composer who stitches together elements of classical, experimental, emo, and rap music into her own strange and hypnotic form of orchestral pop music. With the likes of Celeste, Vegyn, Caroline Polachek, Mura Masa, Boris and Jeshi all on her credits list, as well as composing music for Virgil Abloh's Louis Vuitton campaigns, and modelling for Marni, Mui Mui, Gucci and Celine, Auder has cemented herself as an auteur across the worlds of music and fashion.

There is limited seating so please arrive early to avoid disappointment. The biggest names. The hottest new acts. The best mixed bills. Knock2bag Comedy Night, one of Time Out’s top 5 comedy clubs in London, weekly at MOTH Club, bringing you an eclectic mix of big names and handpicked ‘ones to watch’. Presented by Knock2Bag. This is an 18+ event.

Post Party 1st Anniversary Ohmien Beaks Restless Taxis Green Star Lux Gilliespie King Charles \+ Special Guests Presented by Post Party. This is an 18+ event.

Support acts: Bobby Lee and DJ Sunday Girl Presented by Bad Vibrations 18+ only (photo ID required)

FORM Presents Knats \+ Special Guests Presented by FORM. This is an 18+ event.

A Geordie jazz quintet led by two lifelong best mates from Newcastle, Knats are bringing their sophisticated arrangements, strong melodies and danceable grooves to the stage.