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The Bhavan Centre

What's On @ The Bhavan Centre

Guru Vanashree Rao & students - KUCHIPUDI CONCERT | Summer School Teachers'Concert Series 2025
Guru Vanashree Rao & her students will present a Bharatanatyam performance at the Bhavan as part of the Summer School teachers' concert series 2025. About the Artist: A celebrated Kuchipudi dancer, choreographer, and guru, Guru Vanashree Rao has received over 600 national and international awards, including the Sangeet Natak Akademi Award. She has pioneered cross-disciplinary choreographic works, blending Kuchipudi, Bharatanatyam, and Chhau.
Summer School Finale - Day 2
Days out
Traditional & Heritage

Summer School Finale - Day 2

10 Aug 2025 - 10 Aug 2025

Celebrate the talents of all the students as they perform on the Bhavan stage as a part of the Summer School 2025 finale. TICKETS - 14 at the venue/12 if booked online. Use the code 'BVB2025' to get your discount while booking
Echoes of Tradition: Indian Slide Guitar, Tabla & Instrumental Duet
Something extraordinary is about to unfold. Three of Indias finest musical traditions will converge on a London stage for the first time in a dialogue that promises to be as historic as it is hypnotic. Pt. Debasis Chakroborty of Senia-Maihar tradition takes the stage first with his Indian Slide Guitar. There's magic in the way he plays - that it becomes more than an instrument in his hands. It breathes. It remembers. Each note hangs in the air just a heartbeat longer than you expect, pulling you forward in your seat. You don't just listen - you find yourself waiting to see where the next phrase will lead. Youll hear why few artists master its subtlety; its not about technique alone but about patience, about letting each note breathe. Alongside him, Pt. Sanju Sahai (tabla) needs no introduction. Hailing from the Benares gharana, where rhythm flows like the Gangessometimes serene, sometimes torrentialhis accompaniment will be more than percussion; itll be a conversation. Then, the moment Londons Indian classical community awaited: Pt. Sanju Sahai meets Ustad Akram Khan in a tabla duet for the ages. With its poetic fluidity, Sanju Jis Benares style dances with Akram Jis Farrukhabad approacha school where precision meets explosive creativity. When these two share a stage at the Bhavan in September, its not just a performance; its a rare glimpse into how tradition breathes and evolves. Why youll remember this night: - The first-ever London meeting of these tabla legendsgharana traditions colliding live. - The slide guitars elusive magic, played by a true inheritor of its secrets. - That electric moment when two masters listen, challenge, and uplift each other in real-time. So this is going to be one of those rare nights where music becomes more than performanceit turns into an experience you'll carry with you. When artists of this calibre share a stage, every moment feels fleeting and precious. Don't miss your chance to be part of it.
The Art of Classical Slide Guitar – A Workshop by Pt. Debasis Chakraborty
undit Debasis Chakroborty is an internationally renowned Indian Classical Slide Guitarist, deeply rooted in the Senia-Maihar Gharana and trained under the legendary Pandit Brij Bhushan Kabra. He has mastered both the Gayaki (vocal-inspired) and Tantrakari (instrumental) styles. An A-grade artist of all India Radio and Doordarshan, he has performed extensively. He continues across India, USA, UK, Australia, Europe, China, Malaysia, and Singapore, captivating global audiences with his unique blend of melody and rhythm. Apart from his international performances, His collaborations with Western jazz musicians have led to groundbreaking projects. Pandit Chakroborty is an Artist-in-Residence at leading institutions, including Monash University (Australia) and California State University, Fresno (USA). He has conducted masterclasses and research in world music, inspiring musicians worldwide. He has received prestigious awards, including the Gaurav Ratna Award (2023), the National Artist Award (2018), and the Gandharv Samman (2017). His contributions to music and academia are unparalleled. He has published extensively and continues to shape the future of Indian classical music through his research, mentorship, and spellbinding performances. About the Workshop This workshop provides a structured journey from fundamentals to advanced artistry, revealing hidden secrets like synchronisation techniques. Through live Q&A and interactive sessions, participants can engage directly with the maestro. Open to all passionate learners, it welcomes guitarists (acoustic/electric), slide guitar enthusiasts, sitar and violin players to explore slide techniques. Even music lovers curious about the fusion of ragas and slide guitar will find it enriching. (Intermediate skill recommended, but not mandatory.)
Tabla Tales: Unveiling the Secrets of Rhythm with Ustad Akram Khan
Join Ustad Akram Khan, one of the finest Tabla Players in India and the torchbearer of Ajrada Gharana, one of the 6 main Gharanas (Schools) of tabla. This exclusive workshop will put the limelight on the tabla's rich tradition and Intricacy, especially the Ajrada Style (Known for its precise execution and sophisticated techniques) — an Opportunity for Beginner, Intermediate, & Advanced Tabla Students to learn from the maestro. Workshop Highlights: An overview of the Mastery of the tabla 1. Understanding the Basics of Tabla • Tabla Structure: The tabla consists of two drums—the bayan (left drum) and the dayan (right drum). The dayan is usually made of wood, while the bayan is typically made of metal or clay. • Tunings: Learning to tune both drums to the correct pitch is fundamental. The dayan is tuned to the tonic note (Sa) of the raga or the piece being played. 2. Fundamental Techniques and Bol (Syllables) • At the core of tabla playing are the bols, distinct syllables corresponding to specific strokes on the drum. These bols, like dha, tin, na, and tu, form the basic vocabulary of tabla rhythms. A beginner learns to articulate these bols with clarity and precision, gradually combining them to form simple compositions called thekas. 3. Mastery of Taal (Rhythmic Cycles) • Indian classical music is structured around specific taals, or rhythmic cycles. Common taals include Teentaal (16 beats), Ektaal (12 beats), and Jhaptaal (10 beats). Mastery of the tabla requires an in-depth understanding of these cycles, as well as the ability to maintain the steady rhythm while navigating complex variations. 4. Developing Hand Techniques and Control Each hand and finger plays a vital role in creating different tonal qualities: • The dayan is struck with the index and middle fingers to produce bright, high-pitched sounds. • The bayan requires a more extensive use of the palm, thumb, and little fingers to generate resonant, bass tones. A skilled tabla player develops control over these techniques to produce a wide range of sounds, from delicate, soft notes to forceful, resonating ones. Precision in hand positioning, finger placement, and pressure control is essential for refining these skills. 5. Theory & Tradition Along with technical skills, a tabla master has in-depth Knowledge of Indian classical music theory, including the concept of “layakari” (timing) and the intricacies of taals. 6. Speed and Precision Progressing from basic strokes to more complex rhythms demands the ability to play faster sequences without sacrificing clarity. Speed and precision are cultivated over years of practice, starting from slow tempos and incrementally increasing the speed. The balance between speed and accuracy is a hallmark of tabla mastery. 7. Creative Improvisation and Expression One of the most distinctive aspects of tabla playing is the ability to improvise. Advanced players express their creativity through intricate variations and spontaneous compositions. The tabla solo (or tukda) expresses rhythmic virtuosity and innovation. Mastery in improvisation is achieved by understanding the nuances of rhythm, musicality, and the traditional framework within which the player operates. 8. Accompaniment In addition to solo performances, the tabla is often played in accompaniment to other instruments or vocalists. Accompanying artists require understanding the raga (melody) and taal (rhythm) of the piece being performed. A tabla player must adapt their playing to complement the melodic flow of the other musicians while maintaining rhythmic integrity. 9. The Guru-Shishya Tradition​ Learning the tabla is traditionally passed down through the guru-shishya (teacher-student) system, where knowledge is transmitted directly from master to disciple. This mentorship fosters technical skill and a deep emotional and spiritual connection to the music. The relationship with a guru is crucial in progressing from a student to a master of the instrument. 10. Mental Focus and Physical Endurance Becoming a tabla master requires not just physical dexterity but also mental focus. The intricate patterns of rhythm and melody require sustained concentration and mental discipline. In addition, the physical demands of long practice sessions help build endurance, enabling the tabla player to perform for extended periods with energy and clarity. 11. Practice and Discipline: Like any form of Mastery, becoming proficient on the tabla demands years of practice under the guidance of a guru (teacher). The discipline of consistent practice is crucial to refine technique and increase musical expression.
Aunty'- A Tribute To Our Guru

Aunty'- A Tribute To Our Guru

9 Nov 2025 - 9 Nov 2025

Please join us in celebrating the life of our beloved Smt. Sivasakthi Sivanesan.This special event will honour her memory and lasting legacy through performances by Lalgudi G.J.R. Krishnan and Lalgudi Vijayalakshmi, with opening acts by students of Smt. Sivasakthi Sivanesan. The event also supports the Vani Fine Arts Society, a charity founded by Smt. Sivanesan to empower vulnerable communities in the Northern and Eastern regions of Sri Lanka.
The Bhavan present Mahalaya Celebrations
Ruby Bunker, in collaboration with The Bhavan, London, is bringing an extraordinary, hypnotic presentation of arts and music. The event will also feature dance presentations with mesmerising choreography by Smt. Monidipa Seal and students of Aashvee Dance Academy and Ragasudha Vinjamuri. The event will also feature musical presentation by Aritra Chakraborty disciple of Pt. Ajoy Chakrabarty. Artists: Dipu Roy - Chanting Savitri Roy, Aritra Chakraborty (disciple of Pt. Ajoy Chakrabarty), Ruby Bunker & Tunu Paul- Vocal Sandyman - Tabla Amit Dey - Keyboard/ Piano Mayukh Jit - Flute Monidipa Seal & Aashvee Dance Academy & Ragasudha Vinjamuri - Dance .
Durga Puja At The Bhavan
Religion

Durga Puja At The Bhavan

30 Sept 2025 - 30 Sept 2025

The Bhavan london warmly welcomes you to Durga Puja 2025. Join us for the puja celebrations followed by devotional songs, dance, and prasad. Celebrate the energy of the Goddess. THIS EVENT IS SPONSORED BY ALOK BHARADWAJ FAMILY

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