IN SEARCH OF THE DANCE This play is a fantasia about the life of the French composer Maurice Ravel as he struggles to compose “Bolero”, a melody popularised by Torvill and Dean. This play features music, dance, comedy, pathos and, of course, a performance of Bolero.

There's been a murder at the Manor! Whodunnit?! Was it the suspicious butler? The flirtatious French maid? Or perhaps Truffles the guinea pig?! Murder at the Manor is an original whodunnit comedy play. It's "Play Goes Wrong" meets "Clue". It would be a crime if you missed it!

A new play by Corrina O’Beirne

Marie Lloyd Stole My Life: scandal, stardom and suffrage – with songs! It’s 1886 and 15 year old Marie Lloyd is about to become the “Queen of the Music Hall” but at what cost, and to whom…? Meet Nelly Power - She's a big star with a life more dramatic offstage than on and she's about to lose everything thanks to her terrible taste in men and the machinations of an up and coming new teenage sensation. None other than Marie Lloyd herself! In the true spirit of all comedy based on tragedy, Nelly tells the story of her life and career with amusing anecdotes and a wry sense of humour. This is an hilarious and poignant real-life tale of female empowerment in a patriarchal society, along with ageism, sexism and many other factors that haven’t changed in 150 years. Let us take you back in time to tell, through the eyes of the now-forgotten Nelly Power, the story of how the Queen of the Music Hall came to fame. All together now…. “the audience…. witness the powerful presence of a star performer”, Mark Aspen Reviews “intricate, delicate dialogue, delivered with heart-breaking warmth”, Mumble Theatre Press” “a beautifully written play”, LouReviews Blog Running Time: 75 minutes Performer: Lottie Walker as Nelly Power Playwright: J. J. Leppink

Autobiographical One Person Show A man escapes an organised and controlling religion after it has claimed 30 years of his life and cost him his relationship with his family. Preaching the word to thousands in football stadiums and evangelising undercover in China, amidst 30 years of door-knocking, and all the while the sound of sexuality was knocking loudly upon his own door. Escaping from a high-control religious group is not as simple as walking away. It is a waking-up process that can take years. This one-man autobiographical show navigates such an exit and the subsequent delirium of walking into a forbidden world. Age Recommendation : 12+

Prepare for a hilarious and heartwarming journey into the great unknown with "Delightfully Dark, where laughter meets the afterlife in a cabaret that celebrates the absurdity of death! Whether you're a fan of the macabre or just looking for a good chuckle, "Delightfully Dark reminds us all to live life to the fullest - after all, we are just passing through! Age Suitability: 18+ Running Time: 60 mins

In the heart of chaos and conflict, against the backdrop of war, a couple embark on a seemingly ordinary task: assembling an IKEA wardrobe. Through the act of building their furniture, life, and relationship they discover that even in the darkest moments, there's hope. The audience, assuming the role of a supportive community, becomes integral to the couple's journey, and with new spatial sound technology, sound takes on a living presence in the story. RTFM investigates the juxtaposition of build and loss, offering a powerful exploration of humans' resilience in the face of adversity. RTFM is an original work devised by DNA Studio. Performed by: Helena Harrison and Philip Honeywell Reviews: 5 Stars (The Wee Review): "Perfectly-conceived immersive drama builds from the mundaneto the sublime" 5 Stars (Sinners Review): "A WOW piece of theatre" 4.5 Stars (A Young(ish) Perspective): "This immersive piece was both insightful and moving and is well worth a watch" 4 Stars (Broadway Baby): "The act of building goes beyond furniture to life, relationships and community" Age suitability: 14+ (Guideline) Babes in Arms policy: Under 2's are not allowed at this event. Content Warnings: [ Audience Interaction]Audience Interaction [ Loud Noises]Loud Noises [ Depictions and references to Violence]Depictions and references to Violence Additional Content Warning: References of war

LANTERN THEATRE - 7pm, 15th May; GRANIA DEAN STUDIO - 9pm, 16th, 17th, 18th May What do you do when your husband runs off with your teenage goddaughter? You write some songs, dye your wedding dress black and make a show. A soulful, steely-eyed storyteller. (Madeleine Peyroux) A beautiful, breathtakingly honest, alchemy. (Broadway World) New York-based Australian singer songwriter Tracey Yarad bares her soul in "All These Pretty Things, a compelling one-woman show taking audiences on an emotional journey through the life of a woman in middle age who finds herself facing a devastating double betrayal. Struggling with the realization that her husband of 23 years had an affair with their 18-year-old goddaughter, who had been an integral part of her life since the age of 7, Tracey embarks on a courageous quest for healing and self-discovery. Age Suitability: 18+ Music by Tracey Yarad Book by Tracey Yarad and Tessa Souter Directed by Tessa Souter

昭兰 (Zhao Lan), a Chinese exchange student in an American high school, often finds herself lost in thoughts of Frankenstein’s monster. Like him, she feels out of place, unseen, unworthy, stitched together in a world that doesn’t quite fit her. When her school’s theatre club is casting for "Cinderella", a Grimm Brothers fairytale, she sees the perfect opportunity to prove her worth. It was the first story she ever read in English. No one knows it better than she does. Yet even after booking the role, she's still unhappy. Foreign stories glitch into nightmares. She misses the Mandarin rhyme she once proudly sang. It doesn’t take long for her to realize: Both Cinderella and Frankenstein's monster are dead. She's neither of them. After receiving rave audience reviews for their debut show "Tide" at the Edinburgh Fringe, The Beachcombers Actors Ensemble brings their brand new one-woman performance to Brighton Fringe. Written, Directed, and Produced by Langyue “Petunia” Hu Performed by Lan Jiang Prop and Scenic Designed by Paige Meegan Composed and Sound Designed by Lily Barron Costume Designed by Seo Yun Lighting Programmed by Erin Burbridge Stage Managed by Diana "Xilu" Xiong Assistant Produced by Chava Klayman

Duty By A Little Twisted When a Nigerian family moves to London, it's a far cry from the life they'd hoped for. 'Duty' explores how detachment, discontent, gender and racial constructs play out for a young black woman, both in society and intimate relationships. Plus, the bittersweet hope of finding life's purpose in the midst of it all!

Delve into the dysfunctional lives of the employees of... Weve not got that far yet! After sold-out shows in Cambridge, London and Brighton Fringe 2024, The Workplace are back! Join us for your new favourite workplace sitcom. Based on suggestions from the audience, a new cast of eclectic characters live out the every day of working the 9 to 5, with ego clashes, office politics and all sorts of absurd workplace situations. If youre a fan of The Office, Parks and Recreation, or comedy in general, this is a show you dont want to miss. The cast of The Workplace have performed with Cambridge Improv Factory, Comediasians, The Shambles, The Cambridge Impronauts and The Southend 48 Hour Improvathon. Age suitability: 12+ (Guideline) Babes in Arms policy: Under 2's are not allowed at this event. Content Warnings: [ Audience Interaction]Audience Interaction Additional Content Warning: As it is improv it is hard to give specific content warnings but there may be some strong language and sexual references.

Why do you hurt yourself? Jade has all the answers, that is until some unexpected news provokes overwhelming questions and resurrects painful memories. Suddenly thrust into an existentialist journey of self-discovery, Jade finds himself at loggerheads with his most trusted voice of reason... himself. Written and performed by Hassan Govia, Because is an explosive solo show that explores the long-term impact of bullying, engaging with issues of mortality, masculinity, privilege, and (undiagnosed) mental illness.

Hobgoblin Theatre Company presents Puck in Epilogue, a new play by Amber Elby. Puck finally gets the last word in Puck, in Epilogue, a one-mortal play touching on love, and visibility, in a sequel to A Midsummer Nights Dream. Yes, Puck is a hobgoblin, but he still fears, hopes, and even doubts. When Puck considers what transpired between him and an Athenian youth, he wonders if he gave the young man the autonomy that everyone hobgoblin and mortal alike craves. As Puck reflects on his prior mistakes, he charts his own path into an uncertain future. The difference between his past and what lies in store? This time, Puck is in charge. Age Suitability: 13+ Running Time: 40 minutes

Dangerous To Know Trailer [https://www.youtube.com/watch?v=tSfOKt314jU] July 1841, St Mary Magdalene Church, Hucknall Torkard (Lord Byrons final resting place) Claire Clairmont, Lord Byrons former mistress, has just laid her mother to rest before heading back to Europe. However, a secret passed to Claire at the funeral has raked up painful memories about their scandalous affair and a nagging conviction that she must uncover the truth. Resolving she cannot do this alone, Claire co-opts her stepsister, Mary Shelley, author of Frankenstein to help. After all, Mary was part of the Byron set; shell know what to do. But the past is sordid, murky and digging for answers requires getting your hands dirty. And are they prepared for what will be unearthed? Blood will out, as will hearts and brains. A long-buried anguish demands satisfaction. Age Suitability: 13+ Running Time: 60 mins CLAIR/OBSCUR a female led-theatre company dedicated to placing inspiring women of the past centre-stage. Written by Deborah Clair Performed by Chantal Riches and Deborah Clair Directed by Lucy Speed (BBC EastEnders and ITV The Bill, BBC Radio 4 The Archers).

Blue Chrysalis Productions presents 'Look At Me' Shhh! Who? Me? Yes, you. Shhh! But who am I? You tell me. I don't know who I am. Shhh! I don't know anything about myself anymore. 'Look At Me' offers a powerful narrative that explores the suffocating pressures many women face due to unrealistic expectations around their bodies, often leading them to consider drastic measures. The piece explores the topic of body image and incorporates elements of the experience of body dysmorphic disorder. With a commitment to authenticity, 'Look At Me' seeks to champion the body acceptance movement and raise awareness about the mental health challenges arising from body image pressures, ensuring that those affected feel seen and represented. This piece was created in affiliation with the Body Dysmorphic Disorder Foundation (BDDF).

Daybed Productions present.........from the creators of that show you liked..........Two idiot detectives try to solve a murder. Featuring Big words, Jeopardy and Kerplunk. Lucky Lawrence thought he had seen it all. Until he saw his boss lying dead in a dirty alleyway. Now, forced to team up with the nave Wallace Shaft for their biggest case yet, the unlikely pair will have to put aside their differences and find out who committed such a heinous crime. As the evidence piles up and time runs out, will they be able to work together to solve the puzzle, or will the twists and turns of this gruesome case tear the two apart? Silly and bizarre, Lucky and Shaft: The Death of Dennis Bash follows two incompetent detectives as they scramble through a twisted murder case. Their collective stupidity accidentally leading them in the right direction. Age Guidance: 14+ Running Time: 60 mins approx

A Monster, a King and a Fairy enact a dark, naked ritual on an enchanted isle, in this stripped-down sequel to Shakespeare's The Tempest At the end of Shakespeares's swan song 'The Tempest', moon-calf and monster Caliban is left on the beach unclad, unhinged and alone. Five years later in Milan, his old master - magician, magus and manipulator Prospero - reaches the end of his days. His passing triggers a new storm, a fresh cosmic disturbance that brings two of Caliban's old sparring partners back to the enchanted isle to play out a naked triangular rite of ambition, dream and desire. This stripped-down, late-night, fever-dreamed version of events half a decade on from the Bard's late romance is a rich and strange concoction of candid sights and sounds and sweet airs combining to deliver a sensual feast. THIS IS A FULLY NUDE PRODUCTION AGE RESTRICTION: 16+, no admittance to under 16's Company: Jarzgar (Website) [http://www.jarzgar.com] Content Warnings: Loud Noises Nudity

The greatest strength of this production lies in its warmth and optimism.' - London Pub Theatre Magazine Best friends Becca and Zoe have known each other for 20 years. They share an idyllic childhood in Hong Kong, but as Zoe begins a new life in London, conflict arises as their paths diverge. How do we maintain a sense of belonging as we advance in life? What makes a friendship thrive despite time and distance? Set in a socio-political backdrop of increasing restrictions on migrants in the UK, 'Time and Time Again' explores themes of privilege, migration, and the conflict between adapting to a new culture while holding onto ones roots. It asks what we are willing to give to keep old ties alive. This show is developed by international theatre makers Ioana Pitic, YY Yong and Stephanie Renae Lau, inspired by their own experiences as migrants trying to hold onto home and celebrating the friendships that make them who they are today. An Indigo Creative Production Age Suitability: 12+ Running Time: 60 mins approx Indigo Creative will also be hosting a free community workshop in Brighton the weekend of 16-18 May, curated for Hong Kong and East Asian immigrants looking to develop theatre making skills. Anyone is welcome, no previous experience needed. To express your interest please email [email protected] with your name.

When a Jane Austen heroine, unlucky in love, finds herself thrown into the modern world of dating, she must set aside her customs and expectations to brave this new world of courtship. But the unsolicited pictures and lack of chivalry may be all too much for her! Will she persevere for a chance to take charge of her own story and find love or retreat back into the safety of her pages?

Youre SO Fking Croydon! is a bold dive into the female working-class experience and noughties club culture, blending music, dance, comedy and Croydons most infamous celebrities. It was my nemesis, I hated Croydon with a real vengeance. It represented everything I didnt want in my life, everything I wanted to get away from. I think its the most derogatory thing I can say about somebody or something: God, its so fking Croydon! David Bowie Set against the gritty backdrop of Croydons reputation, this interactive show aims to challenge Bowies quote. Its not just a story about a place, but about every woman whos been defined by where she comes from. With a cheeky "Love of Huns" aesthetic and a Save the Last Dance-esque finale, it celebrates resilience, power, and the refusal to be pigeonholed! Whether youve walked Croydons streets or not, YSFC resonates with humour and heart, featuring David Bowie in the most unexpected ways. Ed fringe Excellence Award-Runner up 2024

Slipping Through My Fingers is a funny, heartfelt, and deeply moving story about love, loss, and the seemingly impossible task of letting go. As Alzheimers looms, Maggie fades, Lou wrestles with grief and fear, and Amelia tries to hold them all together. Maggie is disappearing. The sharp, stubborn woman Lou spent a lifetime trying to understand is slipping away, piece by piece. As Alzheimers takes hold, Maggie struggles to hold on to herself while Lou grapples with resentment. Meanwhile, Lous daughter Amelia fights to keep their family together. Their relationship was never easyMaggie had a sharp tongue, and Lou never forgot a wound. Now, as roles reverse, old battles mix with new heartbreaks. Written and Directed by Alex Louise. A Beware My Sting production.

Jimmys just got out of prison & hes got a date tonight! He needs money, flowers, a suit & to resist his many vices. When your reach the end of your rope, tie a knot in it and hang on. Franklin D. Roosevelt said that. Or George Washington, or Lincoln, or someone. FDR also said judge me by the enemies I have made. Jimmy makes a lot of enemies daily, and hes at the end of his rope. But hes hanging on. Join him as he brings you along to get ready for a date; his first since he got out of prison that morning. Along the way hell introduce you to a cavalcade of crooked characters, talk you through a smorgasbord of shady schemes, and entice you with a variety of vices. All in the name of love. Written and performed by Charles Edward Pipe in his first solo show and his Brighton Fringe debut, this romantic crime-comedy explores the optimism inherent to love. Charles has previously had success at the Edinburgh Festival Fringe with Five Short Plays Loosely Linked by the Theme of Crime (2023) and Four More Short Plays Loosely Linked by the Theme of Crime (2024), both of which received five-star reviews. A Low Bar Production Age Suitability: 16+ Running Time: 55 mins

What wouldve happened if Romeo and Juliet didnt die? What if Romeo went off and found himself? What happens when Juliet stumbles across a new Romeo? Romiet follows Romeo and Juliet meeting after the events in the famous play. With the question : "Will they get back together now that Romeo is a drag queen?" Can Juliet put her beliefs aside for the love of her life? The play follows Romeo expressing himself and being who he wants to be, whilst looking at the effect that has on his loved one, Juliet. What if Romeo and Juliet survived? What would happen if they met again and Romeo was doing a very different job? Join us as we discover if Romeo and Juliet can rekindle their love in a modern age!

A True ghost story adapted from anonymous memoir. In 1875, two of Londons favourite spiritualist Mediums sit waiting for a seance to begin. But not everything is as it appears to be - at least to one of them. Who is really pulling the strings? And what exactly is it that is haunting them? Presented in The Grania Dean Studio

GRANIA DEAN STUDIO La La Piano Bar presents My Dad's Elton John 4 Poofs and a Piano's David Roper brings us his own chaotic, curious and charming musical adventure. David Roper (Composer/Musical Director,4 Poofs and a Piano from Friday Night With Jonathan Ross) is finally doing a solo show. Cataloguing his chaotic and curious adventure from watching ships launch on the River Tyne to homemade boats in a Billabong in Perth Western Australia, tarmacing roads outside a Gay Bar in Brighton and then to parenthood in South London. In words and music. Website Links here:LaLa Piano Bar [https://www.lalapianobar.com/] 4 Poofs and a Piano [http://%E2%80%8Bhttps://www.4poofsandapiano.com/%E2%80%8B%E2%80%8B%E2%80%8B] Age Suitability: 18+ Running Time: Approx 60 mins

Its the oldest profession in the book, and Mistress is there to guide you with a trusty whip in hand. But theres a new dominatrix in town, and she wants to leave a mark. Tish is stuck, studying musical theatre in Bognor Regis (the Broadway of the South Coast). Theyre told to be a leading man, not to put a foot wrong, and facing them in the mirror is a body they dont recognise. Something in them is screaming, longing to be free. But after a chance exchange on Grindr, Tish was given a chance to become something new; and make some money along the way. Now, Letitia will take you by the collar and unleash the power that comes from relinquishing control and fuelling your inner desires. But when the corset comes off and the cash changes hands, can Tish separate the person from the persona? And how far will she push herself to become what she's always wanted. Sex sells, and selling out is just one flogging away. Provocateur is a bold new show from drag fetish sensation Letitia Delish on her world as an ex dominatrix, from the sordid sessions to the eye opening experiences that started out as a quick way to pay rent, and become her first ways to explore their gender and their trans identity. First performed in 2024 as part of The Pleasance's Futures Festival. Letitia Delish has renowned on the cabaret scene for her incredible vocals, acid wit, storytelling and self created latex creations. Billed as "Lily Savage in Berghain", she blends traditional working mens club performance with modern, off the wall storytelling, pushing the boundaries of drag, theatre and installation. Drag Idol Semi Finalist 2022, Lip Sync 1000 Finalist 2023, previous work includes "God Save the Kink" and "Final Penetration" Age suitability 18+ Content Warning: Audience Interaction Haze/Smoke Effects Mental Illness Nudity Sexual Abuse Strobe Lights Strong Language Depictions of BDSM

EL is not well. Her weekly therapy sessions reveal more than she expected. As she shares her story, secrets and dark memories surface through a muddle of cathartic flashbacks and visceral 'rave clubbing deliriums' played out in her mind. In these frantic moments, all EL can do is dance. The fateful journey of a tormented woman confronting the haunting shadows of narcissistic abuse amidst a disturbed reality and psychotic breakdowns. But as the story unfolds, does a new, unsettling truth emerge? A Greco-British rave tragicomedy unravelling the complex mind of an abuse survivor. triada theatre company Age: 16+ Content Warning: Drug/Alcohol Abuse Loud Noises Mental Illness Nudity Strobe Lights Strong Language

By Naomi Moylan-Torke and Ahsan Kazmi Directed by Gillian Saker Amber is broke. Sandy is dying. Both want something from the other, but neither will give an inch. Assisted Seduction is a razor-sharp two-hander that brings together biting humour, power struggles, and the complex question of autonomywho really controls the end of the story? Sandy, a former Playboy Bunny in the grips of a degenerative disease, is determined to orchestrate her final exit on her terms. Her niece Amber, a self-proclaimed hustler trying to survive in the gig economy, has made questionable decisions and is facing financial desperation. When Sandy makes an outrageous request, Amber finds herself in an impossible dilemma, caught between guilt, self-interest, and the murky waters of moral compromise. As the two women battle for control, using manipulation, wit, and vulnerability, Assisted Seduction delves into the intersection of gender and survival. It explores how women, in particular, are often forced to play the game of life, sometimes bending the rules, sometimes rewriting them altogether. Through dark comedy, the play asks: How far are people willing to go when faced with the ultimate decision of life and death? 'Assisted Seduction' is a searing exploration of control, autonomy, and how far people will go to avoid being powerless. It asks: when all youve ever had is your ability to charm, seduce, or manipulatewhat happens when that power fades? And when youve spent your life feeling unseen, how much are you willing to sacrifice to be noticed? Meet the Team Naomi Moylan-Torke Writer Naomi Moylan-Torke is a London-born writer and activist whose work explores themes of class, intersectionality, and identity. She has worked with National Youth Theatre, Soho Theatre, Royal Opera, and Ballet. Her recent credits include Fix Your Mind (Director, Edinburgh Fringe 2024 ★★★★★), The White RoseThe Musical, Afters: This is not a Party, and Where Are You On The Kinsey Scale? KTW Theatre 60 mins 16+ Ahsan Kazmi Writer A northern-born, Midlands-based writer, Ahsan Kazmi creates stories that shed light on overlooked individuals and the darker sides of society. His work includes writing for the UN General Assembly, international development organisations, and charities. A finalist in the BBC Writers' Competition for BAME writers, Ahsan holds an MA in Scriptwriting. Content Warning: Mental Illness Sexual Abuse Suicide/Self Harm Strong Language Depictions or References to Violence Euthanasia, manipulation, depictions of sex workers, misogyny, fatphobia Gillian Saker Director Gillian Saker is a London-based actor, writer, and director with a career that spans stage and screen on both sides of the Atlantic. She trained at the Royal Welsh College of Music and Drama, beginning her career at the Royal Court. Her stage credits include The River (Royal Court), tick, tick Boom! (Park Theatre), and Othello. She is best known on TV for her series regular role in Ripper Street and roles in Misfits, Silent Witness, Endeavour, and Apple TV+'s upcoming Dope Sick. She has also worked as a comedy script development producer for Emmy Award-winning producer Marci Klein

Imagine a world in which everyone literally wears their emotions on their sleeve. In The Wardrobe of Love, Abi Hercules does just that, inviting audiences into a visually stunning, emotionally charged exploration of relationships in a multi-media show about the clothes we wearliterally and metaphorically. A gig, fashion show, cabaret fusion, this one-woman show interweaves memorable songs, each paired with a costume and narrative. Through an artful blend of hooky, Electro-pop songs, storytelling and costume design Abi takes her audience on a journey where clothes tell the stories of our deepest experiences, most cherished moments and rawest vulnerabilities. As deep fashion meets timeless songwriting, Abi Hercules delivers an engaging, immersive experience. Bold, vulnerable and real. Everyone has a wardrobe of love and it's time to wear it with pride!

"Freezer Cake" is a delicious and devastating culinary play that delves into themes of family, love, personal choice, and the significance of food. The narrative follows Marco, a young man with a lifelong passion for food. Upon discovering that certain tastes can unlock memories, he decides to leave university to pursue a career as a chef. This decision is met with disapproval from his academically inclined Argentine grandmother (Nona). The play chronicles Marco's journey to prove his capabilities to her and himself. "Freezer Cake" was showcased at the Lambeth Fringe Festival and Camden Fringe in 2024, and debuting at the Brighton Fringe in 2025!

Mettle - a true story Written and performed by Nicholas Collett and directed by Gavin Robertson. Award-winning solo performer Nicholas Collett (British Arrows Best Actor, Special Performance Award World Duo Festival, Seoul South Korea, Best Theatre Award Adelaide Fringe 2023) tells the story of his fathers service during the Atlantic Convoys of World War Two. A true odyssey, that takes us from Sheffield to Liverpool to Nova Scotia, Boston to West Africa and home again, amidst the constant threat of U-Boat attack and treacherous weather. Physical theatre and storytelling, with a dramatic soundscape and 40s music, this is a tribute to those who served, those who were lost and those who lived to tell their story. In association with the Daparian Foundation - committed to those on trauma journeys, supporting veterans and blue lights personnel.

A new play about the extraordinary life and work of trailblazing ceramic artist Clarice Cliff. Clarices striking, colourful and innovative designs have made her a household name, and some of her most famous pieces have sold for thousands of pounds. Her vibrant and joyful patterns represented the new modern spirit of the 1930s for women, bringing sunshine on a plate into many homes. The play charts her rise from humble working class beginnings to the first female art director of a famous commercial firm and it includes images of her iconic work. In her working life nothing intimidated her and she was not afraid to break the rules and stand out. In public Clarice was described as one of the romances of the pottery trade, but her private life concealed a heart wrenching secret which could have ruined her. The play is written and performed by Phoenix Arts Associate Artist Elizabeth Blake, directed by Brenda Longman and features the voice of special guest Nicholas Lumley (Paddington 2, Downton Abbey, The Crown.) The show recently sold out at The Phoenix Theatre & Arts Centre, Petersfield Museum & Art Gallery and The Everyman Cheltenham (Irving Studio). I was completely engrossed, A fascinating story, wonderfully performed. Totally captivating. . . revealed Clarice the woman as well as Clarice the artist. (Audience feedback) Show run time: 60mins There is a post show 15 min Q&A Age: 12+

Richard Beans fast and furious play tells the story of Paige Britain, a morally bankrupt young news editor of the Free Press, a tabloid newspaper locked in a new-ending battle for more readers. This play is an anarchic foul-mouthed satire about the press, the police and the political establishment.

GRANIA DEAN STUDIO Affectionate musical comedy tribute to a thoroughly modern, fully empowered female role model a woman who headed up a country & united a commonwealth for over 70 years, earning respect, admiration & affection from around the world. This powerful, colourful, lady head of state reflects on her long life and reveals her all to her people her undying love for her corgis, the men in her life, her singlehanded success at forging peace processes, with a surprise coming out at 96. "Age cannot wither her, nor custom stale her infinite variety." You are commanded to join Her Majesty for tea, free cake & biscuits, and a glimpse into unseen aspects of her life. With audience participation, SingalongaLiz, Shakespeare & quiz. We may mourn her passing and the end of an era, but HM would not have wished us to be miserable. Don't miss the UKs answer to Mrs Maisel! Handbag the regal older ladys Fleabag!

GENRE: Circus/Dance/Physical Theatre Katherine and Pierre are returning... Drag. Dance. Clowning. and... Katy Perry!? Its Friday morning. We meet Pierre in his office, filling in some paperwork. In walks Katherine... their eyes lock and instantly its pure passion and sexual chemistry. After works do, they find themselves in bed with one another... what comes next, nobody could foresee. Built around the musical playlist of Katy Perry, Katherine & Pierre plays out the highs and lows of a relationship in a way youve never seen it before! Lip sync, mime, acrobatics and choreography that will make your jaw drop. This brilliant, genre defying show from queer-led theatre company Talksmall has thrilled audiences across the UK. TalkSmall is a multi award - winning and Offie Nominated Queer, Working-Class, Northern, Physical Theatre company. Through energetic movement, intricate sound design and "Mime Dancing", TalkSmall promises to deliver a queer, passionate and enjoyable experience for all who attend.

Brotherhood isnt free. A darkly comedic, high-energy exploration of male loneliness, loyalty, and power within an American fraternity. Fast-paced, razor-sharp, and unflinching, Untitled Frat Play pulls back the curtain on the hidden rules that shape young men. In a world where loyalty is everything, four fraternity brothers navigate the pressures of tradition, identity, and belonging. As the night unfolds, tensions rise, jokes cut deep, and the line between camaraderie and cruelty begins to blur. This gripping, high-stakes drama blends biting humour with brutal honesty, challenging what it means to be part of the pack. Expect a bold, immersive experience that keeps you on edge until the final moment. For fans of sharp dialogue, physical intensity, and theatre that doesnt pull its punches. How far would you go to belong? Contains strong language, references to sexual assault, and blackouts. Recommended for ages 16+. Company: Namesake Theatre Genre: Theatre Duration: 60 mins Age suitability: 16+ (Guideline) Babes in Arms policy: Under 2's are not allowed at this event. Content Warnings: [ Strong Language]Strong Language [ Loud Noises]Loud Noises [ References to Drug/Alcohol Misuse]References to Drug/Alcohol Misuse [ References to Sexual Abuse]References to Sexual Abuse Additional Content Warning: Blackouts.

MADONNA ON THE ROCKS is a dark and hilarious musical about motherhood, madness and making art at the end of the world. A neon-lit, techno-soundtracked mental breakdown at the Stay and Play. It's about fragile egos, following our childhood dreams and the struggle to be an artist, or to have any sort of career at all really, and be a relatively decent parent at the same time. With banging original tunes inspired by Peaches, The Slits, Madonna and Nina Simone. Following an incredible Work In Progress run at last year's festival, the show returns, bigger and better than ever before. "Marie is a powerful stage presence, and bold." Off Chance Magazine Marie Hamilton is a force to reckoned with! She brings the paucity, punch, and timbre of ferocity to each character she sketches alive. North West End "Laugh-a-minute stuff of the highest order... Theatre needs ingenuity like this. The Greenwich Visitor Reviews A war cry for wronged women... riveting from the first moment. - Adventures In Theatreland (For Polly: The Heartbreak Opera), You could feel the spines curve, the men in power fall off their pedestals... Sweet retribution. - North West End (For Polly: The Heartbreak Opera), Bringing womens voices to the foreground in the sexiest and funniest way possible... phenomenal. - Bristol 24/7 (For Polly: The Heartbreak Opera) Age suitability: 14+ (Guideline) Babes in Arms policy: Under 2's are allowed in for free on the lap of a guardian. Content Warnings: [ Strong Language]Strong Language [ Contains Haze/Smoke Effects]Contains Haze/Smoke Effects [ References to Mental Illness] References to Mental Illness

Original Show devised by the Company. ThirdSpace Theatre and the young performers of Mondays Hove Park group and Wednesdays BYC group present a showcase of the spine-chilling work they have embarked on this and last term. The Wednesday BYC group will present a work-in-progress development of a reimagining of Mary Shelleys Frankenstein myth, stitched into a modern setting exploring the haunting and powerful spectre of AI in todays society. Mondays Hove Park group on the other hand will be sharing what they have been focused on - the Gothic and all that entrails, sorry entails.

Orange Works is proud to present "Locusts" - a compelling mix of drama and northern humour, in which love, family and faith are put to the test. Locusts tells the story of Stephen, whose past resurfaces as Pete, a once-trusted church leader, reappears - asking for Stephen’s help in repeating damaging mistakes. Stephen’s partner, Jeff, is facing problems of his own, and knows nothing of this part of Stephen’s past. Now, they must all face the truth. Locusts masterfully weaves together real-life experiences of gay conversion therapy within an evangelical church into a gripping and sensitively performed fictional storyline. Locusts received critical and audience acclaim at the 2023 Edinburgh Festival Fringe, including stellar four and five-star reviews: ★★★★ "An exemplary drama” - Broadway Baby ★★★★★ "Outstanding, understated, nuanced, and profoundly touching.” - The Wee Review ★★★★ “A true, poignant story… Their connection is electric” - Neurodiverse Review

A new play by Jess Andrews J likes bees, ice cream and the colour green. And, tonight she has a date. Join her as she shares stories of entering the world of online dating while married, to try to understand if polyamorous is something that she is or polyamory is something that she does. There is a post-show discussion on 14th June, lasting around 45 minutes Age Restriction: Adults only so 18+ Running Time: 60 mins

January 15th, 1947 - the mutilated body of a young woman was found in an abandoned lot. It became one of the most famous unsolved cases in true crime history. Elizabeth Short believed in the inherent goodness of people even when she had been given so many reasons not to. She moved freely around the world knowing that the universe would catch her if she fell. Until it didnt. A gruesome unsolved murder, a young woman dead before her prime, reborn as an icon known as 'The Black Dahlia'. After years of media speculation and true crime podcasts, The Black Dahlia has never been able to tell her own story. That is, until tonight. Part chilling mystery, part experimental cabaret, "The Dahlia Files grapples with the ethics behind the recent boom in true crime entertainment. It explores the commercialisation of violence and gore, and the dehumanising impact on victims and their families. Unnerving, darkly funny, and probing - this is a production you wont want to miss. Hey Thanks! Theatre Collective is a queer and women-led theatre company focusing on the importance of collective collaboration. Based in both Edinburgh and London, Hey Thanks! fosters emerging creatives through community programming throughout the year, and a focus on new writing. The Dahlia Files marks the companys second time at the Brighton Fringe Festival. Previously, Hey Thanks! was recognised as one of Playbills Five Edinburgh-Based Companies to Watch Out For for their show Kitchen Underwear. In the last two years, they have taken three shows to the Edinburgh Fringe Festival, receiving the prestigious Keep it Fringe funding for both years. Most recently, the company has hosted their first scratch night, as well as a writing workshop, with both events selling out. The Dahlia Files is set to participate in The Free Edinburgh Fringe Festival 2025.