When a Jane Austen heroine, unlucky in love, finds herself thrown into the modern world of dating, she must set aside her customs and expectations to brave this new world of courtship. But the unsolicited pictures and lack of chivalry may be all too much for her! Will she persevere for a chance to take charge of her own story and find love or retreat back into the safety of her pages?

A new play about the extraordinary life and work of trailblazing ceramic artist Clarice Cliff. Clarices striking, colourful and innovative designs have made her a household name, and some of her most famous pieces have sold for thousands of pounds. Her vibrant and joyful patterns represented the new modern spirit of the 1930s for women, bringing sunshine on a plate into many homes. The play charts her rise from humble working class beginnings to the first female art director of a famous commercial firm and it includes images of her iconic work. In her working life nothing intimidated her and she was not afraid to break the rules and stand out. In public Clarice was described as one of the romances of the pottery trade, but her private life concealed a heart wrenching secret which could have ruined her. The play is written and performed by Phoenix Arts Associate Artist Elizabeth Blake, directed by Brenda Longman and features the voice of special guest Nicholas Lumley (Paddington 2, Downton Abbey, The Crown.) The show recently sold out at The Phoenix Theatre & Arts Centre, Petersfield Museum & Art Gallery and The Everyman Cheltenham (Irving Studio). I was completely engrossed, A fascinating story, wonderfully performed. Totally captivating. . . revealed Clarice the woman as well as Clarice the artist. (Audience feedback) Show run time: 60mins There is a post show 15 min Q&A Age: 12+

Original Show devised by the Company. ThirdSpace Theatre and the young performers of Mondays Hove Park group and Wednesdays BYC group present a showcase of the spine-chilling work they have embarked on this and last term. The Wednesday BYC group will present a work-in-progress development of a reimagining of Mary Shelleys Frankenstein myth, stitched into a modern setting exploring the haunting and powerful spectre of AI in todays society. Mondays Hove Park group on the other hand will be sharing what they have been focused on - the Gothic and all that entrails, sorry entails.

A new play by Jess Andrews J likes bees, ice cream and the colour green. And, tonight she has a date. Join her as she shares stories of entering the world of online dating while married, to try to understand if polyamorous is something that she is or polyamory is something that she does. There is a post-show discussion on 14th June, lasting around 45 minutes Age Restriction: Adults only so 18+ Running Time: 60 mins

Acclaimed actor and comedian Chris Grace(as seen inSuperstore) brings his newest show to The Lantern for one night. Sardines explores the tragic, hilarious, and important questions of our time: Can we enjoy life if we know how it ends? Does making art actually help? And if Rihanna's song is called "Don't Stop the Music", why does the music... stop? Find out in this insightful and vulnerable comedy. Brighton Fringe Excellence Award Winner. You may have seen Chris in Atypical (Netflix), Stumptown (ABC), This Is Us (NBC) and Superstore (Netflix). In 2025, he appears in Netflix's The Residence.

An Introduction to Playwriting: Staged Readings 5 new plays from the students of ACT's Introduction To Playwriting Course. Each student has developed a new short play during the course and these will be performed (script in hand) by professional actors. Directed by Mark Burgess.

The news that a government inspector is due to arrive in a small Russian town sends its bureaucrats into a panicked frenzy. A simple case of mistaken identity exposes the hypocrisy and corruption at the heart of the town in this biting moral satire. Chaos, mayhem and hilarious consequences ensue leading to a tangled web of lies, lust and unrequited love. First published almost 200 years ago, this fresh and very funny adaptation reminds us that "plus ca change, plus c'est la meme chose" - the more things change, the more they remain the same. As our own world seems caught up in ever expanding, dizzying heights of corruption, this production is a timely reminder that sometimes, the best and only thing we can do is to laugh long and loud at our morally bankrupt leaders.

Join The Modern Day Medium, Michelle Morley and her twin sister Simone Jones, for a special evening of psychic mediumship. Witness their unique bond as they work together on stage, delivering evidential messages from the spiritual realms. This special event promises profound insights and meaningful connections, creating an unforgettable evening full of love. www.themoderndaymedium.com [http://www.themoderndaymedium.com]

SOUTH COAST THEATRE presents Keep Your Sunny Side Up - The Gracie Fields Story by David Hampshire. In the mid-1930s Gracie Fields (1898-1979) was Britains most successful variety artist who at the height of her fame was the highest earning female performer in the world. A superstar before the word had even been invented Gracie Fields songs such as Sally, Sing As We Go, The Isle of Capri The Biggest Aspidistra In The World and Wish Me Luck (As You Wave Me Goodbye) instilled themselves in the national consciousness and many are still fondly remembered today. Perhaps not so well known however is Gracies connection to the local area as for over thirty years she lived happily in Peacehaven where she established and self-funded an orphanage for the children of impoverished variety artists. Keep You Sunny Side Up! tells the rags to riches story of Rochdale-born Gracies 75 year career recounting her tough northern upbringing, her three husbands, her life-threatening illness and the unjust way she was treated by the British press during World War Two. Featuring fifteen songs from Gracies career Keep You Sunny Side Up! paints an intimate picture of a big-hearted, no-nonsense woman who made a lasting impression both on British culture and on the people she encountered in her extraordinary life. Directed by Maurice Thorogood Musical Supervision by Moody & Moody Movement by Crissy Mullen Entertaining, enlightening and moving in equal measure, Lisa Rouselle triumphs as Gracie Fields - Adrian Barry, Director, The Music Hall Guild of Great Britain. Comments on David Hampshires previous play Funny Turns: A darling show Dame Joanna Lumley. A wonderful five star play; funny, touching and full of heart and truth. Its as good as Priestly and better than Osborne. Seriously Gyles Brandreth. Its moving and entertaining and it made me laugh and cry Su Pollard. A heart-rendingly funny play and an important piece of literature. Five stars Remotegoat. A vintage piece that reflects a bygone age; delightful, funny and sad and exactly what good theatre is all about Forallevents.com

"A sin so fat and thick it stinks so much you could smoke the angels out of Heaven with it" This new adaptation embraces the darkness of Woyzeck's violent, erotic, abusive and inhumane world. Georg Bchner's play tells the story of the poor soldier, Woyzeck, subject of a medical experiment and tormented by hallucinations from a diet of peas; of his wife, Marie, by whom he's fathered a child; of Marie's overpowering desire for a brute of a man - the Drum Major and, finally, of the murderous outcome of this oppressive brew. The play is widely considered to mark the beginning of modern drama exploring themes of madness, poverty and societal oppression. Georg Bchner died in 1837 before completing the play. It was found as a bundle of 20 or so scenes. There was no obvious particular order to them and his handwriting was poor. There were also many versions deemed as drafts. Subsequently, Bchner's unfinished text has given life to many different versions. "An outstanding new version and production - Dr Tristan Marshall PHD (University Cambridge, Shakespeare's Globe) awarded the production Best Actor, Best Play, Best Presentation and Adjudicator's Choice Award at Henley Drama Festival. Running Time: Approx 45 mins, no interval