One of Britain's most loved and influential musicians takes to the road again with a brand new show entitled The Francis Rossi Songbook: Quo – Past, Present, Future. This is a great opportunity for fans to hear many all-time favourites from one of rock's greatest songwriters, as well as some unexpected gems, it's a journey through the incredible career of a true one-off artist.

The exceptional classical guitarist Miloš Karadaglić will return with one of the UK’s top chamber orchestras. The Montenegran guitar hero with the chiselled jaw and perma-stubble brings his artistry to music from the baroque period to the 1960s, with a chamber orchestra at his back.

Taking us through the summer of music is none other than Toots and the Maytals. A Grammy award winner, his sound is a unique and original combination of Gospel, Ska, Soul, Reggae and Rock. Maytal’s influence on popular music is undeniable. Considered a musical legend, the artist’s catalogue has been covered by artists from Amy Winehouse to Sublime.

Gotobeat by arrangement with Mister Ibé presents Ibrahim Maalouf 'Trumpets Of Michel-Ange'. Ibrahim Maalouf, a trailblazing figure in French music, achieved global recognition over the past decade. In 2022, his album "Queen of Sheba" earned him a historic Grammy nomination, followed by another nod in 2023 for "Capacity to Love." His extensive career includes being the first jazz musician to fill France's largest concert hall, receiving multiple Victoires du Jazz and Victoires de la Musique awards, and international honors like the Echo Jazz in Germany. Collaborating with renowned artists and supported by Quincy Jones, Maalouf continues to break musical boundaries, as seen in his sold-out 2023 Accor Arena performance and the announcement of his 2024 world tour in the United States and Canada. With the release of his new album TRUMPETS OF MICHEL ANGE, Ibrahim Maalouf will embark on an exciting Asian tour at the end of 2024, followed by two sold-out shows at La Salle Pleyel in Paris in December. Presented by Gotobeat. U14's to be accompanied by an adult

Mark Radcliffe and Marc Riley in Carry on an Audience with Mark and Lard. Like the day Neil Armstrong stepped on to the moon (if you were born then, if not, skip this bit) or when Alan Bradley got run over by a Blackpool tram on Coronation Street (ditto) – everybody can remember where they were on that fateful day in Radio 1 history. Listening to the radio. Obviously. Now, following high level negotiations after a chance meeting between Fat Harry White and Scoff Cruddle at a Bedford Rascal Enthusiasts rally, Mark and Marc have been coaxed back to wrestle once again on the sheepskin rug of light entertainment.

Mike Bubbins, star of hit podcast The Socially Distant Sports Bar, and of BBC television comedies Mammoth, Tourist Trap and The Unexplainers, unleashes Throwback, his first ever solo UK stand-up tour. And things may never be the same again. Throwback is a powerful, thought-provoking, visceral hour of stand-up comedy, that pushes boundaries, defies neat descriptions and challenges the audience... As if it is! It’s actually an hour and a half of really funny stories, pretty impressive characterisations, possibly a song (he said he’ll see how that goes), a bit of nostalgia about the good old days, a bit of optimism about the good new days, and Mike generally having a laugh about life and not taking himself, or anything else, too seriously. Having said that, he may, at some point in the show, get very annoyed at berks, whether in the past, the present, or the future. Very annoyed. So basically Throwback is a comedy show about Bubbins sharing, and bringing to life, the stuff that he finds funny. As comedy concepts go, it’s a pretty straightforward one, really.

Walter Trout's backstory is a page-turner you won't want to put down. Five decades in the making; it is equal parts thriller, romance, suspense and horror. There are musical fireworks, critical acclaim and fists-aloft triumph, offset by wilderness years and brushes with the jaws of narcotic oblivion. There are feted early stints as gunslinger in bands from John Mayall’s Bluesbreakers to Canned Heat, and the solo career that’s still blazing a quarter-century later. The veteran bluesman has seen and done it all - plays earth shattering blues rock music. In only a little over a decade, Dan Patlansky has become one of the busiest and most respected blues artists to ever come out of South Africa. After his debut album which garnered Dan a reputation as a Blues-phenomenon, and his subsequent “Readers Choice” vote as “Best Blues Guitarist in Southern Africa”, Dan’s second album was released by EMI on the famed Blue Note label. Dan is one of the only South Africans to ever achieve “Blue Note” status and one of only six Fender endorsed guitarists in South Africa. Dan Patlansky, #1 Blues Rock Album 2016 by Blues Rock Review.

New stand-up tour show from Mike Wozniak in which a story about a bench will be prominent. Previous experience of or strong opinions about benches not required. Let Mike worry about that. As seen on Taskmaster, Man Down and Junior Taskmaster. As heard on Three Bean Salad podcast.

Voted ‘Musician of the Year’ at the Scots Trad Music Awards 2023, and with a career spanning several studio albums and numerous high-profile collaborations, Julie Fowlis ‘crystalline’ and ‘intoxicating’ vocals have enchanted audiences around the world. Her music is deeply influenced by the Hebridean islands where she grew up and the Highland landscapes where she now resides, and she will forever be recognised for singing the theme songs to Brave, Disney Pixar’s Oscar-, Golden Globe- and BAFTA-winning animated film set in the ancient highlands of Scotland. A winner of ‘Folk Singer of the Year’ at the BBC Radio 2 Folk Awards, Julie has graced stages around the world, from village halls in the Highlands to Carnegie Hall in New York, the Mozart Concert Hall in Vienna, the Philharmonie de Paris, Shakespeare’s Globe in London and the World Festival of Sacred Music in Fez, Morocco.

Starting out as the bedroom project of Jazz pianist Scott Bradlee and rapidly growing into a viral and real-world sensation, the US group's vintage-pop mash ups have racked up over 811 million views on YouTube. Imagine marrying the 21st century party vibe of Miley Cyrus or the minimalist angst of Radiohead with the crackly warmth of a vintage 78 or the plunger-muted barrelhouse howl of a forgotten Kansas City jazzman. Bradlee's choice of material ranges from the '80s hard rock of Guns N' Roses to hits as recent as Taylor Swift's controversial "Look What You Made Me Do." They're rendered by a rotating cast of musicians and singers in fashions that date back to a time when Axl, Slash and T-Swift's parents had yet to be born - a time of street corner harmonies and torch singers, blues belters and golden-voiced crooners.

GoGo Penguin have been internationally hailed as electrifying live performers, innovative soundtrack composers, and as a collective who channel electronic and club culture atmospheres alongside minimalist, jazz and rock influences to create music that pulses and flows from the dancefloor to meditative inner-worlds, transporting us into brand new realms.

Literary phenomenon John Cooper Clarke is a British cult hero. Known as the “Godfather of Punk Poetry” and the original people’s poet, John’s cultural influence spans literature, music and fashion. From creating some of the most iconic poetry of the modern era, including the world’s most popular wedding poem “I Wanna Be Yours” (which has over a billion streams in its incarnation as a hit record by the Arctic Monkeys) to sharing his life story through his best selling memoir of the same name which is full of John’s much-loved sardonic wit and hilarious ponderings on modern life. John is referenced as a major influence not just by the Arctic Monkeys but also by artists across the globe… As well as musicians like Alex Turner, The Sleaford Mods and Plan B, his legendary number “Evidently Chickentown” plays out the penultimate episode of The Sopranos. Watching John Cooper Clarke perform is an opportunity to see a living legend at the top of his game. Doctor John Cooper Clarke shot to prominence in the 1970s. Captivating audiences with his unique poetry and delivery style, he clawed his way up from working men’s clubs and cabaret venues in his native Salford and Manchester, to become one of the most prolific figures in punk. John’s early live shows were renowned occasions, and headline gigs were supported by many soon-to-be superstars including Joy Division, New Order and Duran Duran, as well as playing as special guest on shows by the Sex Pistols, Buzzcocks and The Clash. After the release of his seminal album on CBS “Snap, Crackle and Bop” where John’s poems were put to music by the legendary music producer Martin Hannett, he was firmly established as one of the most important artists of the Punk era. His recorded album was followed by the release of his first collection 10 Years in an Open Necked Shirt. The book is one of the best-selling poetry anthologies ever in the UK, Canada and Australia. As relevant and vibrant as ever, John Cooper Clarke’s influence is just as visible in contemporary pop culture, with his trademark ‘look’ resonating with fashion-conscious individuals across all demographics and his poetry features in the UK national curriculum syllabus. Having had a groundbreaking effect on modern music, his influence can be eard within the social observations of the Arctic Monkeys, amongst many others. His sense of humor resounds throughout his career, and his latest live show is a mix of classic verse, new material, hilarious ponderings on modern life, good honest gags, riffs and chat.

Men want to be him, Women want their boyfriends to stop showing them his videos. The King of the Internet Jungle is back where he belongs, doing stand-up in front of a live audience. After the whirlwind success of his chart-topping podcast Fin vs History and interview series Fin vs the Internet, it’s his biggest tour yet. But with the shows on-sale so far in advance, the question remains: will he fall off the tightrope before the curtain comes up?  It’s the pre-emptive comeback special.  As seen and heard on Live At The Apollo, Have I Got News For You, The Last Leg, Roast Battle, The Mash Report, 8 out of 10 Cats, Have a Word, Parenting Hell.

Sleeping At Last, the stage moniker of Chicago-based singer, producer and composer Ryan O’Neal, has captivated worldwide listeners for the past 12 years with its enchanting and emotive sound. O’Neal is known for his ability to craft introspective and cinematic compositions, which have featured in films and series including The Fault in Our Stars, The Twilight Saga and Grey’s Anatomy. Over the last decade, O’Neal has released three full-length albums, performed with the likes of Alanis Morissette and Christina Perri, scored the feature documentary film Many Beautiful Things, and recorded a podcast in which he explains the process and inspiration behind his music, one song at a time. In this performance, he shares music from his Atlas project, which has spanned the past 11 years and seen him release an ongoing series of EPs and garner a loyal following.

At the forefront of the UK’s world and roots music scene matching fiery intensity with exquisite finesse.

Chart topping podcasters I'm Grand Mam are back with a bang. The two lads, originally from Cork, have a cuppa and catch up each week while exploring the collective life landmarks that accompany growing up gay in the world today. Join Kevin and PJ as they navigate their way through life, whilst battling with the internal shared struggle that every Irish gay man deals with - ‘what would Mam think?’

The London African Gospel Choir, backed their excellent band will perform Paul Simon’s classic record Graceland live from start to finish, alongside a collection of their own tunes. The choir’s re-imagining will take us from smash synth driven You Can Call Me Al to haunting acapella Zulu folk song Homeless and everything in between. The London African Gospel Choir is a collective of African singers, musicians and dancers who specialise in African gospel music. They have performed with the likes of Emeli Sandé, Mumford and Sons and, Annie Lennox, recorded with Idris Elba and John Legend, and are due to headline their own show at the prestigious Barbican Centre, have toured the US, Ireland, France and Romania, and were a feature of the Monte Carlo Jazz Festival. Masks must be worn unless exempt, eating, drinking, seated or dancing.

Never failing to delight crowds with a glorious mix of fiddle and foot tapping, guitar, accordion, piano, bass, hurdy-gurdy and wonderful four-part harmonies, the band delivers catchy songs and tunes inspired and influenced by Québec’s traditional folk styles. Having performed across Canada, the US and in over 15 European countries, Le Vent du Nord is considered a driving force in progressive folk, capturing the energy and mirth of a Saturday night kitchen party, infusing old Québec with a breath of fresh, cosmopolitan air.

Shawn Colvin returns for a rare tour of the UK Over the course of three decades, Americana queen Shawn Colvin has established herself as a captivating performer and a revered storyteller, well-deserving of the commendation of her peers and the devoted audiences who have been inspired by her artistry. And as she enters her thirtieth decade as a songwriter and performer, she continues to reaffirm her status as a vital voice in music.

Join the Down for the Count Swing Orchestra for a celebration of one of the most iconic figures in swing music history: the incomparable Nat King Cole. Enjoy timeless classics such as Mona Lisa, Let’s Face the Music and Dance and L-O-V-E lovingly brought back to life by the instrumentalists and vocalists of this sensational 30-piece orchestra – one of the few UK jazz ensembles to feature a string section. This is not a tribute show, but rather a vibrant celebration of Nat King Cole’s life and music; a journey through the great man’s repertoire, from the intimate trio recordings he made early in his career to the later luscious orchestral work with arrangers such as Nelson Riddle and Gordon Jenkins. Compèred by musical director and conductor Mike Paul-Smith, the performance blends anecdotes from Nat King Cole’s life with recreations of some of his greatest recordings, as well as original arrangements of other classics penned by members of the orchestra. The Down for the Count Swing Orchestra is one of the UK’s leading swing ensembles with performance credits including Ronnie Scott’s Jazz Club, the London Jazz Festival, Glasgow Royal Concert Hall and Twinwood Festival. Join them for this one-of-a-kind celebration of a true musical legend in 2026. Programme Includes:
Mona Lisa, When I Fall In Love, Straighten Up and Fly Right, Let’s Face the Music and Dance, L-O-V-E, and many more! Performers: Down for the Count Orchestra, Mike Paul-Smith, conductor, Marvin Muoneké, vocals, and further guest vocalists to be announced.

Acclaimed actor, singer, musician and writer — and proud Geordie icon — Jimmy Nail heads out on the road in 2026 with Stories and Songs, a series of intimate retrospective shows reflecting on an extraordinary seven-decade career. From the landmark television series Auf Wiedersehen, Pet to Spender and then Crocodile Shoes — which spawned multi-platinum albums and chart-topping singles — Jimmy Nail has left an indelible mark on British popular culture. His career spans hit records, television series, major film roles including Evita and Still Crazy, and leading performances on both Broadway and London’s West End. Following a recent run of sell-out shows in Newcastle, celebrating the songs of Crocodile Shoes, Jimmy now brings audiences something more personal. Stories and Songs is a warm, witty and revealing evening that blends music, memories and rarely seen images. Audiences can expect candid anecdotes, moments of reflection, and a hand-picked selection of songs drawn from across his remarkable career. And with a catalogue this rich, no two nights will be quite the same. From the 1992 UK number one “Ain’t No Doubt”, to “Love Don’t Live Here Anymore”, “Crocodile Shoes”, “Cowboy Dreams”, “Big River”, and music from film and stage, the choices are many—and the stories behind them just as compelling. Jimmy will be joined on stage by long-time collaborator Tony Davis on keyboards and accordion, adding texture and atmosphere to these stripped-back, intimate performances. An evening of Stories and Songs is not just a concert, it’s a journey—through music, memory, and a life lived on stage and screen.

The world is in chaos. Inequality is widening, autocracy is rising and political parties are collapsing. In these divided times, what this country desperately needs is Angry Humour From a Really Nice Guy (in many ways it's actually the last thing this country needs, but it's what it's getting so tough luck). The UK’s leading political comic Nish Kumar – co-host of hugely popular podcast Pod Save the UK, former host of axed BBC show The Mash Report, and one of Taskmaster’s greatest losers – is back on tour with a formidable batch of passionate, progressive stand-up for the ages. Kumar is 40. His mind is breaking. His body is worse. Expect existential angst and political disquiet from comedy's cheekiest boy. Nish Kumar was named one of the 50 Best Comedians of the 21st Century by both The Guardian and The Telegraph, with his previous tour playing to sold out crowds across the UK, North America, Australasia and mainland Europe.

The '60s group Manfred Mann is now considered, more than ever, one of the finest and most respected bands from that era. Their numerous hits were R&B based with an undercurrent of jazz - a very unusual but winning combination of playing style and substance. As a result, their records have a timeless quality and, some 55 years on, The Manfreds, with original front man, Paul Jones, will be performing many of their hits, including ‘Do Wah Diddy Diddy’, one of the most popular and instantly recognisable songs of the ‘60’s,and still the biggest audience pleaser at their concerts, along with a mix of Jazz and Blues covers and tracks from their individual solo albums. Paul Jones, with his unique harmonica sound, will be joined by Mike Hugg on keyboards, Tom McGuinness on guitar, Rob Townsend on drums, Marcus Cliffe on bass, and Simon Currie on saxophone/ flute.

PorkPie stand proudly at the heart of the UK's modern ska revival, blending the fire of classic 2-Tone with their own unmistakable energy. Over the last three years the band have stepped firmly into their stride, releasing two full-length albums and an EP that have cemented their reputation as one of the most dynamic ska outfits on the circuit. Their self-titled EP 'Skandemic' marked a turning point for Porkpie, showcasing sharp songwriting, powerful brass arrangements, and the band's signature ability to fuse social bite with irresistible rhythm. Building on that momentum, 2025 saw the release of their acclaimed second album '9 On the Tiles', a record that broadened their sound while staying true to the ska roots that first inspired them. The album's standout single 'Bones' became a breakout success and was picked up as a favourite by Craig Charles on BBC Radio 6 Music, earning the band new listeners across the UK and beyond. Known for their electric stage presence, polished musicianship, and a commitment to making every gig feel like a celebration, PorkPie continue to rise through the ska scene with confidence and flair. In April 2026, they'll bring their unmistakable stomp to the London International Ska Festival, appearing alongside reggae and roots luminaries Misty in Roots and The Cimarons a milestone that marks just how far the band have come. With momentum on their side and a loyal, ever-growing fanbase, PorkPie are skanking forward with purpose-ready to bring their brass, bounce, and big-hearted spirit to audiences everywhere.

One of the most outstanding instrumentalists in rock over the past 40 years, Texas guitarist Eric Johnson was already a legend before he recorded his first album. By the early 1980s, many celebrated guitarists were singing the praises of this skinny kid from Austin with the mind-melting chops. Since 1986 Eric has released seventeen albums, in addition to albums with other artists such as Eclectic with jazz guitarist Mike Stern, and the platinum-selling G3 Live with Joe Satriani and Steve Vai. Eric has received eight Grammy nominations along with numerous other recognitions, awards and wins in various polls and magazines. Over the course of more than four decades, Eric Johnson has been traveling on a prolific odyssey. Along the way, his creations have cross-pollinated the various musical genres which include rock, blues, jazz, fusion, soul, folk, new-age, classical, and even country. Presented by The Gig Cartel. This is a 16+ event. You may be asked to prove your age and if you’re unable to show valid ID, you may be refused entry. Valid ID includes passports, driving licences, 16+ Zip Oyster photocards and CitizenCards. Photocopies will not be accepted.'

Mario Biondi first came to international prominence in 2006 with the release of his, now classic, debut single 'This is What You Are' on the Schema label. The same year's debut album Handful of Soul went quadruple platinum and introduced his distinctive warm, sensual voice to the world. Further albums I Love You More, If and Due featured collaborations with Burt Bacharach, Amalia Gre and The Duke Orchestra cementing his position as one of the world's most exciting new vocalists. In 2010, Mario Biondi dueted with Chaka Khan on a version of Boz Scaggs' 'Lowdown' for Incognito's Transatlantic RPM album.

Find tickets and full event details for The Manfreds: Get Your Kicks On Tour '26 live in the UK, including venues, performance dates, and accessibility information.

Last year, after the release of ON PAIN, the focus was on putting a band together for the first time in a very long time, and it went quite well! Now Lloyd Cole will be taking his One Man Show out on the road in the UK this September. Two sets from him with no support, for a show that is different from anything he's done recently.

Following a revered debut at The Roundhouse in April 2024, a string of sold out performances and widespread critical acclaim, The Songs of Joni Mitchell returns this autumn with an extraordinary lineup of artists paying tribute to one of the greatest songwriters of all time. Jesca Hoop, Kate Stables (This Is The Kit) & Lail Arad, acclaimed singer-songwriters in their own right, will perform intimate interpretations of their favourite Joni Mitchell songs in a loving ode to one of the finest songwriters of all time. They will be joined by Richard Sears on piano and Lisa Hannigan & Loah as special guests in London and Dublin. The Songs Of Joni Mitchell, originally conceived and curated by Lail Arad to mark Joni Mitchell’s 80th birthday and hosted by Cerys Matthews, was described as “a perfect celebration of Joni Mitchell” (Get In Her Ears), packed with “heartfelt and intricate performances” from Emeli Sandé, Eska, Jesca Hoop, Kate Stables, Lail Arad, Olivia Chaney, Sam Amidon and Vashti Bunyan. Jesca Hoop, just a few months prior, presented Legend: The Joni Mitchell Story, the award-winning 6-part BBC Radio documentary and podcast about the life of Joni Mitchell lending further gravitas to the event. Born out of a mutual love of Joni Mitchell – and tour bus bonding over their other favourite artists – Hoop and Arad are joining forces to launch Songs Of, a rolling concert series celebrating the world’s finest songwriters, through the unique voices of those they’ve inspired.

Building on the lo-fi, sparse aesthetic of his early work as Smog toward the lush instrumentation and masterly command of structure (and beautiful production) evidenced on his latest records, Bill Callahan has released consistently excellent albums for two decades. He can safely be spoken of as one of America’s great songwriters. His songs have been covered by Gil Scott Heron, Cat Power and the Flaming Lips, and featured in films such as 'High Fidelity'. Emotive and beautifully arranged, 2009’s “Sometimes I wish we were an Eagle” is a great gateway to Bill. It’s fair to say that the snare sound here is exquisite! Before starting to release music under his own name in 2007, Bill Callahan recorded as Smog. Sample lyric: “My foolish heart had to go diving… diving, diving into the murk”…

Pronoter EP Musician, singer, songwriter, and Lifetime Achievement Award winner at the inaugural RTÉ Folk Awards, Andy has had an amazing musical career over the past 50 years. At the helm of legendary bands like Sweeney’s Men in the mid 60s, to the enormous success of Planxty in the 70s, and then Patrick Street, Mozaik, LAPD and recently Usher’s Island, Andy is both a world music pioneer and an icon for traditional music and musicians. Andy is one of the great Irish singers, his voice one of a handful of truly great ones that gets to the very soul of Ireland. He has been hailed as “a tradition in himself”. Musician, singer, songwriter, Andy has maintained his highly individual performing skills throughout his over 50-year career. As a soloist, Andy fills the role of the archetypal troubadour with a show and a travelling lifestyle that reflect his lifelong influence, Woody Guthrie. To quote the Irish Times, “Often copied, never equalled”, his repertoire consists of Irish traditional songs, dexterous Balkan dance tunes and a compelling cannon of his own self-penned songs.

An unholy musical melting pot, Detroit’s Electric 6 blitzed their way to worldwide success with 2003’s ‘Danger! High Voltage’.

See legendary British Blues guitarist Robin Trower as he graces audiences with his incendiary back-catalogue that saw the British music scene shift from a pop to rock prevalence. Heralded as one of the most influential guitar players, hear the signature sound and style of the man who was tagged by the press with the nickname of ‘The White Hendrix' back in the 70's. Expect a mix of Trower's solo work as well as celebratory performances of certain Procol Harlem tracks. This is a night in the rock calendar not to be missed.

Usual tags such as ‘singer-songwriter', ‘folk-soul', ‘troubadour' are perceived with a considerable amount of cynicism these days, especially since the music scene has been saturated with middle of the road artists, marketed as such by traditional record label formulae. Someone with a discerning ear and trust in their own taste should be able to spot who's the real deal and who's not. Leaving tags aside, Foy Vance operates in his own parallel universe. His music is an evolving journey, a constant search for artistic expression captured in the moment, operating well away from industry standards. Surely you'll hear echoes of Otis Redding, Richie Havens, Tom Waits and Van Morrison in Foy's music, legends he's already being compared to and definite influences. An ever so modest Foy will laugh at these comparisons, but then again that's what makes him so special. With his distinctive, cracked, soulful voice and a skill to write profound storytelling songs, Foy Vance belongs to a calibre of artists that stand the test of time, irrespective of trends or fads, delivering heartfelt songs about the human condition that everyone can relate to.

How can it be you have spent a whole ten minutes staring at a banana? Why do you always do stuff like that? Why do you never do the other really great things where it’s much, much better - and afterwards you don’t want to saw off your own face and post it back to yourself with not quite enough stamps? Also, learn how to make breakfast not even knowing you are out of bed. Diagnose the mirror, reason with the mice and boil yoghurt blindfolded. Enjoy the fruits of hurtling cognitive decline and your neighbour’s sprawling ghastliness, absence of humanity and so, so much more. These times have not been easy. We Got This is the brand new show from BAFTA and Perrier award winning comedian Dylan Moran. It promises to be a joyously furious romp through the frustration and folly of modern day life.

Since the release of Kingfish, his Grammy-nominated 2019 Alligator Records debut, guitarist, vocalist and songwriter Christone “Kingfish” Ingram has quickly become the defining blues voice of his generation. From his hometown of Clarksdale, Mississippi to stages around the world, the now 22-year-old has already headlined two national tours and performed with friends including Vampire Weekend, Jason Isbell and Buddy Guy.

Horse makes an exciting return with the 30th year anniversary celebrations of the first Horse album The Same Sky. This is a rare chance to share and relive memories from the evocative and formative first Horse album. In March 1989, the first single You Could Be Forgiven was released. It was so different from anything else – and with thrilling first plays on Radio 1, this track absolutely set the bar. The first major UK tour followed. In 1990 the album followed and tours across Europe opening for artists such as Tina Turner and BB King. The standout song from this album and arguably, of any of her albums, is Careful, a beautiful and timeless song, which will forever be her My Way. A special night which will inevitably conjure up treasured times from over the years for her entire audience. It’s the full band show, playing the album in its entirety with B-sides and a best of the rest – a set choc-full of classic songs. A very special evening indeed.

It’s not often one encounters an imagination with the depth and prolificacy of Jacob Collier’s. The London-based 26-year-old is dubbed by many as one of the most innovative musicians of his generation. In 2012, Jacob’s self-made YouTube videos achieved legendary status in the music world, attracting the praise of such luminaries as Herbie Hancock and Quincy Jones, who manages Jacob to this day. Jacob’s debut album, In My Room, crafted entirely in his room at home, went on to win two GRAMMY’s. His success has led to musical collaborators and fans including the likes of Coldplay, Ty Dolla $ign, Tori Kelly, Daniel Caesar, Charlie Puth, Jessie Reyez, T-Pain, and SZA (to name a few). In January of 2018, Jacob began designing and creating a recording project on an unprecedented scale –a quadruple album called DJESSE: 50 songs, divided between four volumes, with each operating within a separate musical universe of sound, style and genre. Scattered across the four volumes are 30+ collaborators from across every facet of the music world. Djesse Volumes 1 & 2 both have earned him a GRAMMY each, affirming that Jacob has never lost a Grammy in a category he’s been nominated in. Djesse Vol. 3 is currently nominated for an additional three Grammys, including Album of the Year.

Alabama sextet mixing old time American soul with rock 'n' roll confidence.

Passionate and poetic singer-songwriter with a funky, soulful voice Born and raised in Canton, Ohio, Macy Gray – real name Natalie Renée McIntyre – moved to Southern California in the '80s to attend university. She studied scriptwriting and was even in film classes with Ally Sheedy and Rob Lowe. Her own debut album album On How Life Is arrived in 1999 and was a massive success thanks to the single I Try, which peaked at No.6 on the UK albums chart and went on to score her a Grammy for Best Female Pop Vocal Performance.

Get ready to lift your voices and celebrate the festive season with The Big Christmas Sing-a-Long. Starring much-loved performers and presenters Aled Jones and Alexander Armstrong, this heartwarming live experience promises an unforgettable evening of music, laughter and Christmas cheer. One of the UK’s most iconic voices, Aled Jones will perform some beloved highlights including his signature rendition of Walking in the Air, alongside a selection of classic carols that have become synonymous with the festive season. Joining him on stage is English comedian, actor, television presenter and bass-baritone singer Alexander Armstrong, whose rich vocals and natural charm promises to bring humour, warmth, and festive sparkle to every performance. Audiences will be invited to put on their favourite Christmas jumper and sing along with them both to a joyful mix of traditional Christmas carols, modern festive favourites, and timeless seasonal classics in the most Christmas of settings. Aled Jones MBE has had an extraordinary career over the past four decades. He is the original crossover star, has sung for the Pope and the Royal Family, has received an MBE, released over 40 albums, with over 10 million album sales and has over 40 Silver, Gold and Platinum Discs. After beginning his career at the age of 12, Aled became one of the world’s most successful boy sopranos, releasing 12 hit albums in 4 years, he was the first classical artist to have 2 albums in the Top 5 of the Official Album Charts. Aled has built an extensive career as a TV and radio presenter and hosts one of the nations most loved Classic FM shows and BBC1 Songs of Praise - all whilst continuing to record and tour. Last year, Aled also released his third book, Aled’s Book of Blessings for 2026 and is working on his next book release. Alexander Armstrong is best known as one half of the comedy duo Armstrong and Miller, who had series on Channel 4 and BBC1. As well as hosting Classic FM’s flagship weekday mid-morning programme, Alexander continues to be a regular on the BBC series Have I Got News For You, having hosted more than 40 times and helms the hugely popular TV quiz show Pointless on BBC1. More recently, he has found success as a travel presenter, he makes his 5th travel series for Channel 5 in the US in Summer ‘26. He published his bestselling debut children’s novel, Evenfall: The Golden Linnet, in 2024 and the follow-up in the Evenfall series, The Tempest Stone in February 2026. The Big Christmas Sing-a-Long will capture the true spirit of Christmas, offering a magical evening filled of festive cheer and uplifting songs that everyone can join in with!

The Transatlantic Ensemble The Transatlantic Ensemble return by popular demand after multiple, annual Fringe sell-outs. Performing Fleetwood Mac's iconic Rumours, plus many other FM classics. Experience one of the greatest albums ever made, lovingly and accurately recreated live. For any fan of the album, this stunning performance, by this incredible Ensemble, is quite simply something you cannot miss. Ask anyone who’s seen them before, this show is a close to witnessing a young Fleetwood Mac, in their absolute prime as possible to get. It’s become an annual Edinburgh tradition, as this band are simply incredible! Strobe lighting Age category: 14+

It’s the most wonderful time of the year: the 30-piece Down for the Count Swing Orchestra returns with its much-loved annual seasonal treat, "Swing Into Christmas"! Gather your loved ones for a joyful set of festive and non-festive classics as you’ve never experienced them before. This is a Christmas spectacular like no other – the Down for the Count Swing Orchestra is one of the largest swing bands currently touring the UK. Featuring some of the UK’s top vocalists and instrumentalists, the acclaimed “big band with strings” recreates the sounds of Nat King Cole, Ella Fitzgerald, Frank Sinatra and Judy Garland in a unique extravaganza of music, stories and on-stage camaraderie which has endeared the ensemble to audiences up and down the country year after year. Audiences of all ages will be captivated by fresh arrangements of iconic songs such as "Let It Snow", "This Christmas", "The Most Wonderful Time of the Year" and "New York, New York" alongside many other favourites – all performed in authentic big-band-with-strings style. The Down for the Count Swing Orchestra is one of the UK's most highly-regarded vintage ensembles, having sold out numerous shows. It may be cold outside, but a night with the Down for the Count Swing Orchestra is guaranteed to leave you in the warm glow of the holiday spirit.

Martin Stephenson & The Daintees is a folk-rock band known for their rich storytelling, catchy hooks, and authentic sound.

Rising and established talents join forces for an exceptional recital of vocal music, including Johannes Brahms’s dramatic Neue Liebeslieder. Our Rising Stars programme invites outstanding up-and-coming performers to The Queen’s Hall stage. They perform alongside their internationally acclaimed mentors, soprano Louise Alder and pianist James Baillieu. The new recruits for 2026 curate and perform the repertoire for the first half of the concert. After the interval they are joined by Louise Alder, following her performance in opera in concert Don Giovanni at the Usher Hall. Alder has been described by The Times as having ‘such a glorious bloom on her soprano voice that you’d think she could simply sing open the gates of heaven’. Together, they perform Johannes Brahms’s full-blooded Neue Liebeslieder (New Love Songs). Composed in 1874 for a mix of solo voices and vocal ensemble with piano, this set of waltzes depicts a series of highly dramatic scenarios - from stormy seas, to thwarted love and failed bewitchments - all in Brahms’s lush, opulent vocal style. Don’t miss this chance to discover classical music’s future luminaries. Supported by David and Brenda Lamb and Finlay and Lynn Williamson

Europe meets the US in a celebration of the string quartet, with music from Dvořák, Korngold and Martinů. The Czech Pavel Haas Quartet bring their characteristic joie de vivre to three engaging quartets, by composers who reached across the Atlantic to explore new musical avenues. Bohuslav Martinů’s Third Quartet is a fascinating exploration of texture, with its spiky opening movement and its bluesy central Andante. The finale is an absolute riot of speed and virtuosity. Before he headed for Hollywood and a much-garlanded career as a film composer, Erich Korngold was a busy and successful composer in his native Austria. He wrote his Second String Quartet shortly before he left for the US. While it charms and dances, it also disconcerts with some dissonant, sharp edges. Antonín Dvořák’s quartets from the 1890s are some of his most flamboyantly tuneful chamber works. His ‘American’ quartet is infused with folk melodies from his three-year stay in the United States. Supported by Tanya and David Parker

Outstanding vocal ensemble The Gesualdo Six explores the chilling music and life story of composer Carlo Gesualdo in a multi-media concert piece. What do we do with the art of monstrous people? The 16th-century composer Carlo Gesualdo is infamous for murdering his wife and her lover, while also being remembered for his dissonant musical language. Director Bill Barclay has chosen some of Gesualdo’s darkest music, including Tenebrae (a mass for the composer’s own death), to create a fascinating but chilling portrait of the composer. The Gesualdo Six sing with ‘precision, pure tone and nuanced expression’ (The Guardian), joined by six actor-dancers to further illustrate the music through Renaissance iconography, puppetry and sinister tableaux vivants. Death of Gesualdo contrasts beauty and monstrosity in a completely unique experience. According to a recent five-star review, 'the staging, the singing and acting are sublime' (The Times). While the pristine sounds of this concert can be enjoyed throughout the hall, please note that side seats will have less direct views of some of the theatrical elements. Any seats where we anticipate a partially restricted view are indicated on the seating plan. Performed in Italian with English surtitles

Franz Schubert’s final quartet is interwoven with music by György Kurtág, celebrating his centenary. Acclaimed for their ‘beautifully integrated sound’ (The Herald), the musicians of the Gringolts Quartet create a lively dialogue between compositions from different eras. Their Festival recital celebrates György Kurtág’s centenary by interweaving three of his exquisitely crafted compositions with the final quartet of one of his heroes, Franz Schubert. Kurtág’s elegiac Officium breve in memoriam Andreae Szervánszky pays tribute to a compatriot and fellow composer. Considered among his finest creations, it deftly combines original music with arrangements of pieces by Endre Szervánszky and Anton Webern. Also on the programme are the delicately textured Hommage à Jacob Obrecht and the emotionally intense Microludes - each lasting under two minutes. One of Kurtág’s heroes, Franz Schubert composed his String Quartet No. 15 in G in 1826, two years before his death. Its harmonic adventurousness, heroic scale, melodic beauty and dramatic range of moods make it one of the most engaging of his chamber works.

Start your day with a stunning programme of spirituals, folk songs and hymns. Conductor and composer Jason Max Ferdinand formed his choir to champion Black excellence through an eclectic range of choral literature. Founded during the pandemic, the Jason Max Ferdinand Singers have fast gained international renown for their ‘bold, impassioned sound’ (The Guardian). Following their Festival debut in All Rise, they present a wide-ranging and emotionally potent programme in this more intimate performance. At its heart are inventive arrangements of traditional spirituals, songs and hymns. These include John Stoddart’s dramatic choral rhapsody on Soon I Will Be Done, Donald Dillard’s energetic take on the spiritual Didn’t It Rain, Norman Luboff’s tender arrangement of the Welsh hymn All Through the Night, and Cedric Dent’s exultant version of He’s Got the Whole World in His Hands - complete with quotations from Handel’s ‘Hallelujah Chorus’. Other items include stirring choruses by Richard Wagner and Ludwig van Beethoven, soulful contemporary compositions by Jacob Collier, James Mulholland and Jason Max and Meka Ferdinand’s celebration of the birth of their youngest child. Supported by Geoff and Mary Ball Sung in English

Violinist Vilde Frang leads a superb ensemble of classical and folk musicians in a programme of works inspired by Hungarian traditional music Join these first-class musicians led by the ‘powerful and dynamic’ (BBC Music Magazine) violinist Vilde Frang, celebrating music from Béla Bartók alongside various folk songs and dances. Her fellow performers include Benjamin and Salamon Eredics from award-winning Hungarian folk band Söndorgő - described by Songlines Magazine as ‘one of Europe’s most versatile and exciting bands’. Béla Bartók wrote his tumultuous First Violin Sonata for Hungarian violinist Jelly d’Arányi. It was rapturously received at its 1922 London premiere - with the composer at the keyboard. The soulful slow movement is especially beautiful, while the dance-infused finale is thrillingly virtuosic. Also on the programme is an exciting array of folk music hailing from Hungary, Bulgaria and the Balkans, from inventive arrangements by Bartók to dynamic contemporary compositions that offer a perfect blend of innovation and tradition. Supported by Donald and Louise MacDonald

The acclaimed Baroque ensemble performs International Festival co-commission, Passion of Mary Magdalene by Tansy Davies. Drawing on non-canonical gospels, ancient texts and poetry by Ruth Fainlight, this fascinating new work by Tansy Davies brings a fresh perspective to historically repressed voices. BBC Radio 3’s Kate Molleson has described Davies as a composer who ‘connects with body, spirituality and political convictions’. This bracing approach to both musical language and subject matter shapes her new dramatic work. An Edinburgh International Festival co-commission with the Barbican, Passion of Mary Magdelene was written specially for Dunedin Consort. It reimagines the story of the Passion of Christ, casting Mary as a complex spiritual leader and filtering the musical style of the Baroque through Davies’s thoroughly modern idiom. Baroque specialist John Butt conducts the ensemble, known for ‘ebullient flourishes of melody and technique’ (The Times). Singing the title role, soprano Anna Dennis is an award-winning singer noted for her serene and intuitive performances of both Baroque and modern music. Sung in English with surtitles

Pierre-Laurent Aimard honours the late Alfred Brendel, his regular musical partner, with a characteristically imaginative programme. Pierre-Laurent Aimard - ‘one of the most essential keyboard advocates of our era’ (The Guardian) - enjoyed a close professional partnership and friendship with pianist and composer Alfred Brendel. In the third of our Brendel tribute recitals, he offers a characteristically imaginative programme of works close to both their hearts. Brendel had a particular fondness for Franz Schubert. Aimard performs some of Schubert’s shorter lyrical works alongside finely crafted miniatures by his own long-term collaborator György Kurtág - himself a Schubert devotee. Aimard has also chosen a selection of Ludwig van Beethoven’s alternately witty and tender Bagatelles - another Brendel favourite. He juxtaposes them with a work by the composer who dubbed Aimard ‘the best pianist for me’ (The New York Times): György Ligeti’s inventive and virtuosic Musica ricercata. In Aimard's recent performance of works by Kurtág and Ligeti, The Telegraph described Brendel’s spirit as ‘smiling down on us’.

Pianist Paul Lewis pays tribute to his teacher and mentor, Alfred Brendel, in a recital of classical and early Romantic works. Alfred Brendel was a much-loved performer at the Edinburgh International Festival for 40 years. His former student, Paul Lewis, reflects Brendel’s influence through his ‘unshowy, deeply considered interpretations,’ (The Times). Now a leading pianist of his generation, Lewis has described Brendel as an ‘endless source of inspiration’. Brendel had a particular affinity with Mozart, whom he termed ‘one of the most sensuous composers ever’ (The New Yorker). Fittingly, Lewis includes two Mozart sonatas in his programme. K333 is full of songlike charm and high spirits, while K570 anticipates the composer’s great final opera The Magic Flute in its mixture of wit and profundity. Lewis has also chosen Carl Maria von Weber’s sunny and expansive Sonata in A flat - which Brendel essentially rediscovered - and three miniature masterpieces by Frédéric Chopin - his heartfelt Nocturnes and impassioned Polonaise.

The Scottish guitarist’s Festival debut explores Spanish and British music across five centuries. Sean Shibe’s recitals have become known for their startling originality: part concerts, part musical happenings. Described by The Guardian as a ‘truly compelling performer’, the multi-faceted Scottish guitarist frequently engages in a lively dialogue between past and present. This programme of Spanish and British music from across five centuries is no exception. The Renaissance is represented by the graceful fantasias and preludes of Alonso Mudarra, and the sweet melancholy of Shibe’s go-to composer, John Dowland. Joaquín Rodrigo ushers us gently into the 20th century with his exquisitely written Tres piezas españolas (Three Spanish Pieces). The contemporary composers in the programme take their lead from their forbears. Francisco Coll’s new work Sefarad draws on Sephardic folk music, while Thomas Adès’s restless Forgotten Dances suggests music heard long ago, not just rediscovered but reimagined. Supported by Margaret Duffy and Peter Williamson

Experience an inspired selection of songs from the French Belle Époque and beyond, sung by one of today’s most vibrant sopranos. Soprano Julie Roset and pianist Susan Manoff perform a passionate and elegant tribute to the art of French mélodies (art songs), drawing on over a century of song and solo piano repertoire. Dreams, queens, and mythical figures populate poetic songs from both established composers and intriguing lesser-known figures. Enjoy music by Claude Debussy and Reynaldo Hahn, writing at the height of the French Belle Époque. Discover the immaculate musicianship of their contemporaries Manuel Rosenthal and Mel Bonis, a prolific composer who chose to disguise her gender when her music was eventually published. Roset’s ‘pure, fresh and youthful voice’ (Scherzo) is ideally suited to exquisite songs by contemporary composer Isabelle Aboulker. At the heart of this programme, Je t’aime is a stunning burst of virtuosity - and a declaration of undying love. Sung in French with English surtitles

Players from the Berliner Philharmoniker perform an elegant and intimate programme of 19th- and 20th-century chamber works. As part of their International Festival residency, players from the Berliner Philharmoniker perform a delightful programme of chamber works from the 19th and 20th centuries. Piano, strings, clarinet and horn join forces for a memorable close of The Queen’s Hall series. Czech composer Zdeněk Fibich added the rich sonorities of clarinet and horn to the traditional piano trio for his warmly lyrical Quintet in D, inspired by his love for librettist and critic Anežka Schulzová. Johannes Brahms’s soulful trio is one of his ‘autumnal’ late works, which masterfully intertwines the voices of clarinet, piano and cello. Finally, Ernst von Dohnányi’s colourful sextet was composed for the unusual combination of piano, violin, viola, cello, clarinet and horn. It was written in 1935 when the composer was bedridden with illness, circumstances which make its zest, energy and swagger seem even more astonishing. In Memory of Peter Diamand

Celebrate the beauty of Baroque orchestral music with the Venice Baroque Orchestra and its founder-director Andrea Marcon. Now in its 29th year, the Venice Baroque Ensemble is known for its ‘vivid, strongly etched performances that often reach fiery intensity’ (Gramophone). Performing on period instruments, the orchestra has won praise for its seminal recordings of music by Antonio Vivaldi. This concert highlights the variety of Vivaldi’s virtuoso works for soloists and orchestra, from the soulfulness of the Concerto for Two Cellos to the flamboyant high spirits of the Flute Concerto. Works by two of Vivaldi’s distinguished London-based contemporaries are also on the programme. Francesco Geminiani’s lively Concerto grosso is based on a famous dance tune, while George Frideric Handel’s is full of grace and charm. Supported by the Italian Institute of Culture in Edinburgh

Smallpipes player Brìghde Chaimbeul and the genre-crossing Scottish Ensemble explore Celtic music and mythology. Brìghde Chaimbeul (pronounced Breech-huh Campbell) has set the world of Celtic music alight. She pairs mastery of the Scottish smallpipes with a creative, forward-looking approach to the Scottish Gaelic music tradition that has gained her a devoted international fanbase. Chaimbeul joins forces with Scottish Ensemble, a group of string players renowned for their ambitious cross-genre collaborations. Stunning visuals are provided by filmmaker Jonny Ashworth, one of the creators of Brìghde’s haunting and memorable music videos. Together, their performance blends new and traditional tunes, electronic sound and bewitching footage of the Scottish Highlands and Islands. It's an exploration of Celtic mythology and storytelling, music emerging from a deep, earthy soundscape of heavy drones. If you’re new to the distinctive sound of the smallpipes, there’s no better place to start. Produced by Scottish Ensemble. Co-commissioned by Edinburgh International Festival and Eden Court, with support from PRS Foundation's Beyond Borders, the Leche Trust and the Cockaigne Fund, administered by Foundation Scotland.

American tenor Lawrence Brownlee and Scottish pianist Iain Burnside reunite for a fascinating recital of Italian and American songs. Tenor Lawrence Brownlee has won international acclaim for his ‘sweet tone, fastidious pitch and poetic phrasing’ (New Yorker). He returns to the Festival with Scottish pianist and broadcaster Iain Burnside, following their 2019 Queen’s Hall recital, after which ‘no one left the hall without a smile on their face’, according to The Arts Desk. In the Italian-themed first half, enjoy lyrical love songs by Gaetano Donizetti and Ottorino Respighi, romantic numbers by popular songwriters Luigi Denza and Gabriele Sibella, and Franz Liszt’s impassioned Tre sonetti di Petrarca (Three Petrarch Sonnets), inspired by the composer’s travels in Italy. Brownlee then turns his focus to American music. Dominick Argento’s tuneful tributes to Tudor poetry pave the way for songs from Genuis Child, Ricky Ian Gordon’s moving setting of poems by Langston Hughes. The concert concludes with songs from Brownlee’s own Rising project, in which he has commissioned leading Black American composers to set powerful poetry from the Harlem Renaissance. Supported by Richard Parry Sung in English and Italian with English surtitles

Steven Osborne performs works by Alfred Brendel’s beloved Schubert, alongside contemporary gems from Scottish composers James MacMillan and Judith Weir Steven Osborne has described Alfred Brendel’s recordings as ‘one of the formative influences of my childhood’. In this tribute to the great pianist, Osborne - acclaimed for his ‘musical intelligence and reflective grace’ (The Herald) - pairs late works by Brendel’s beloved Franz Schubert with short contemporary compositions. Schubert’s Piano Sonata in C minor, D958, is among several masterpieces written in the final months of his life. This highly dramatic piece closes with a wild, dance-like finale. Osborne also performs Schubert’s luminous Four Impromptus, songs from Schubert’s final collection, Schwanengesang (Swan Song), and an unfinished Allegretto that Osborne has himself completed. Bookending these expansive works are James MacMillan’s playful Lumen Christi, inspired by an Easter chant, and Judith Weir’s affectionate tribute to her composer friend Steven Stucky, Chorale, for Steve. Supported by an anonymous donor

Enjoy a programme of 20th-century French chamber music. Wind soloists from the Scottish Chamber Orchestra explore music from Poulenc, Ravel and Françaix, with their conductor Maxim Emelyanychev on piano. Francis Poulenc’s chamber music is a beguiling mix of lyrical and frenetic, sombre and playful. Written the year before he died, the sonatas for oboe and clarinet take an occasionally melancholic look back at his musical life, quoting from both early and more recent works. The famous Flute Sonata retains its power to charm, yet is infused with memories of a lost loved one. In contrast, the much earlier Sextet bursts out of the blocks with astonishing, effervescent energy. Dazzling piano music from Maurice Ravel and Jean Françaix’s bustling ‘Musique de Brasserie’ - a vivid portrait of a busy Parisian restaurant - add to this enthralling, colourful, and thoroughly French concert.

Cellist Sheku Kanneh-Mason and pianist Makoto Ozone join the Kleio Quartet for this unusual programme. The Kleio Quartet - BBC New Generation Artists and winners of the 2023 Carl Nielsen International Chamber Music Competition - made an ecstatically received Festival debut in 2024. Now the ensemble joins forces with star cellist Sheku Kanneh-Mason and genre-defying pianist Makoto Ozone to perform two great quintets. Franz Schubert’s String Quintet is one of the pinnacles of the chamber music repertoire. Completed just weeks before his death, it contains a world of emotions, from agitation to exuberance to serenity. Its poignant slow movement is especially beautiful. It is paired here with Béla Bartók’s rarely performed Piano Quintet. This early masterpiece blends the luscious melodies and textures of late Romanticism with elements of Hungarian folk music - especially in the rhapsodic finale. Supported by Niall and Carol Lothian

Experience a relaxed atmosphere and lively music with our Scottish Rising Stars of Jazz. Join our Scottish Rising Stars of Jazz and presenter Lucy Drever for two Dementia-Friendly concerts. Revisit well-known jazz standards and explore new sounds, coupled with conversation, tea and cake. These relaxed performances are designed especially for people living with dementia and their caregivers, family and friends to enjoy familiar music in a comfortable environment. You are welcome to move around the auditorium, arrive early and take breaks. Don't feel the need to rush off, as you will be welcome to use the cafe area for 30 mins after the performance, so you can collect yourself before heading outside. Supported by Elizabeth Lornie's Charitable Trust The Rising Stars of Jazz are supported by Rising Stars of Jazz Lucy Drever Presenter

Hear evocative musical depictions of iconic female figures from myth, in the Festival debut of Scottish mezzo soprano Beth Taylor. Scottish mezzo soprano Beth Taylor, praised by the Telegraph for her ‘tender and magnificent’ tone, makes her Festival debut with regular collaborator, pianist Hamish Brown. Their carefully curated recital is inspired by the sea and iconic female figures from myth from the Lorelei to Cassandra and Medusa. Women composers are especially well represented in this programme. Among the many treats are Ethel Smyth’s atmospheric Three Moods of the Sea, Lili Boulanger’s pensive Reflets, Clara Schumann’s thrilling Die Lorelei and rapt chants by medieval composers Kassia and Hildegard of Bingen. There’s also a rare chance to hear songs from the enigmatic singer-songwriter and activist Connie Converse’s last known work - the haunting Cassandra Cycle. Beth Taylor also performs two works specially written for her. Cameron Biles-Liddell’s The Breakers evokes Scottish seascapes, while Stuart MacRae and poet JL Williams look through Medusa’s many eyes to seek the humanity behind the monstrous image. Sung in Greek, Latin, French, English, Orcadian, Scots, and German with English surtitles

Oxford favourites play the hometown finale of their ‘StorNoMore’ tour. Having recorded & toured together for over a decade, the quartet will bring their unique brand of homegrown "hebridean headrush" indie folk back to the town where they first honed it, and which their lyrics describe.

Bruce Foxton is a part of the English Rock and Roll establishment. A musician who is most commonly recognised as the bass player in legendary bands The Jam and Stiff Little Fingers.

Highly-energetic stand-up from the actor, comic and social media star who is known for sharing short-form comedic content across a range of social media platforms under the stage name Mo the Comedian.

Amy Gledhill has appeared on the biggest comedy shows on TV, won the most prestigious award in live comedy AND starred in a Netflix blockbuster. Then why can't she nail just one first date, social interaction or trip to the spa. (She is now banned.) Join the Taskmaster alumnus, Last One Laughing's cruelest red card, and co-host of smash-hit podcasts Single Ladies In Your Area and Northern News on her brand new stand-up tour, as Amy Gledhill says Thanks For Having Me to audiences up and down the country. Amy won the Edinburgh Comedy Award in 2024, is triple Edinburgh Comedy Award nominee, National Comedy Award nominee and 1/3 of cult double act The Delightful Sausage. She's also appeared on Live at the Apollo (BBC) Would I Lie To You (BBC), The Jonathan Ross Show (ITV), Never Mind The Buzzcocks (Sky), Run Away (Netflix), Alma's Not Normal (BBC) and 8 Out of 10 Cats Does Countdown (C4). Presented by Plosive Live in association with United Agents.

A masterful multi-instrumentalist and a deeply engaging storyteller, Jerron Paxton carries the torch for traditional acoustic blues. He moves effortlessly between blues, folk, ragtime and early jazz, bringing each tradition vividly to life. His musicianship is authoritative yet completely unshowy, driven by an infectious sense of joy and an intuitive understanding of the music’s roots. Paxton’s solo performances are as entertaining as they are accomplished. His easy humour, rich singing voice and natural rapport with an audience create concerts that feel intimate and generous, even in large rooms. He doesn’t just play music, he invites listeners into it, sharing its history, humanity and enduring relevance. Soulful and irresistibly engaging, this American bluesman delivers concerts that stay with you long after the final note. A must-see performance from a true audience favourite.

London Afrobeat Collective mix classic West African rhythms with jazz, funk and soul, and they do it with a powerful, dance-driven intensity. This is Afrobeat as it was meant to be heard - bold horn lines, propulsive percussion, deep bass and fearless improvisation, all driven by a collective spirit that turns every performance into a celebration. Rooted in the revolutionary sound of Fela Kuti but firmly grounded in the energy of modern London, the band create music that is both politically charged and joyfully danceable in their legendary live shows. They have rocked major stages around the world from Glastonbury Festival to the Shrine in Lagos, Nigeria – don't miss them when they come to Edinburgh! Joining them on the bill Glasgow afro and latin rhythm specialists Samson Sounds. Characterised by their uplifting stage presence, they blend elements of African highlife with dubstep, electronic beats and Jamaican reggae. The line-up is completed by renowned DJ Chris Knight from Samedia Shebeen.

Davina has been compared to the likes of Etta James, Janis Joplin and Billie Holiday, but she’s truly one-of-a-kind. She commands the stage from the first note, drawing audiences in with her powerhouse voice, wicked humour and total emotional honesty. One moment she’s belting out roof-raising blues, the next she’s breaking hearts with a ballad. Backed by a tight band that play jazz, blues, soul, swing and rock ‘n roll with flair, precision and joy, Davina delivers an evening packed with fearless charisma, razor-sharp musicianship and a huge sense of fun.

Tickets also available via The Queen's Hall [https://www.thequeenshall.net/whats-on/brian-kellock-ejbf-tickets-edinburgh] A towering figure on the UK jazz scene and a cherished presence at the festival, Brian Kellock’s warmth, humour and musicianship left a mark on everyone who played with him, and everyone who heard him.  This all-star, one-of-a-kind concert features special guests travelling from across the world to pay homage. An incomparable front line of Liane Carroll (vocals), Scott Hamilton and Alan Barnes (saxophones), Warren Vaché (trumpet), meets a stellar rhythm section David Newton (piano and musical director), Dave Green (bass) and Max Popp (drums). Fergus McCreadie (piano) makes a special guest appearance. Expect an evening of world-class music, full of the tunes that Brian loved, packed with generosity, humour and wonderful storytelling, as we pay tribute to the musical genius and virtuosity of Brian Kellock.

Making their Edinburgh debut, Tuba Skinny are a powerhouse ensemble channelling the spirit of early New Orleans jazz. Young, virtuosic and unmistakably the real deal, their sound is rooted in early jazz, blues and ragtime, bringing history to life with soulful vocals, rich horn harmonies, and driving rhythms. Their sound is joyful and infectious, and, while it's evident the band treasures the sense of history evoked by these vintage tunes, the players' natural exuberance makes the music feel irresistibly alive. Don't miss this rare opportunity to experience a true New Orleans street band in full flow.

Tickets also available via The Queen's Hall [https://www.thequeenshall.net/whats-on/classic-jazz-orchestra-ejbf-tickets-edinburgh] The band that sets the standard for classic jazz, plays a new set of big-bands highlights from the late 1920s to today by way of Basie, Ellington, Benny Carter and Gerry Mulligan. Expect some rarely played gems from this stellar octet featuring Colin Steele (trumpet), Chris Greive (trombone), Dick Lee (saxes/clarinet), Konrad Wiszniewski (saxophone), Martin Foster (saxes/clarinet), Paul Harrison (piano), Roy Percy (bass) and Tom Gordon (drums).

Caroline Shaw, Punctum † Beethoven, Piano Concerto No.4 Beethoven, Piano Concerto No.5 ‘Emperor’ Sunwook Kim - piano/director Stephanie Gonley - violin/director † This exhilarating programme opens with Caroline Shaw’s Punctum, a piece of luminous clarity that sets the scene for two of Beethoven’s most celebrated piano concertos. The intimacy of the Fourth and the heroic power of the Fifth show Beethoven at his most inventive. Pianist Sunwook Kim performs and directs both concertos, bringing a combination of elegance, insight and authority to these iconic works. Stephanie Gonley directs Shaw’s evocative opening piece.

Ryan Bancroft brings his trademark energy to an evening centred on two of Barber’s most powerful works. Clara-Jumi Kang performs the Violin Concerto, offering compelling insight and virtuosity. The Orchestra then plays Barber’s instantly recognisable Adagio, well known from its use in films such as Platoon and The Elephant Man. The programme opens with Schulhoff’s jazz‑tinged Suite for Chamber Orchestra and ends with Kurt Weill’s darkly brilliant Second Symphony, a striking contrast to Barber’s intimate intensity.

Principal Guest Conductor Andrew Manze leads the SCO in a programme that spans centuries and styles, from Nordic refinement to Russian Romanticism. The concert opens with Lars-Erik Larsson’s Lyric Fantasy, a graceful and atmospheric work that complements Anders Hillborg’s bold and imaginative Cello Concerto. Soloist Amalie Stalheim brings out the concerto’s striking contrasts, moments of delicate intimacy and brilliant virtuosity. Stalheim then returns for Tchaikovsky’s elegant Rococo Variations, followed by the Serenade, a masterpiece full of soaring melodies and lyrical warmth.

Grace-Evangeline Mason - The Water Garden Françaix - Sept Danses from Les Malheurs de Sophie Ibert - Trois pièces brèves Gipps - Seascape FRANÇAIX Neuf Pièces caractéristiques SCO Wind Soloists RCS Winds Celebrate the vibrant colours and character of wind music as players from the Royal Conservatoire of Scotland join the SCO Wind Soloists for this special side-by-side performance. The programme opens with Grace‑Evangeline Mason’s The Water Garden, its shimmering textures evoking quiet beauty and reflection. Françaix’s Sept Danses brings French wit and elegance, before Ruth Gipps’ Seascape captures the shifting moods of the natural world. The concert concludes with two sparkling showcases: Ibert’s Trois pièces brèves and Françaix’s Neuf Pièces caractéristiques, full of vitality, humour and character.

- SCHNITTKE Concerto for Piano and Strings - BARTÓK Music for Strings, Percussion and Celeste - DVOŘÁK Serenade for Winds Maxim Emelyanychev - conductor/piano Join us for a programme that revels in the brilliance of strings and winds, led by Maxim Emelyanychev in the dual role of conductor and pianist. The evening opens with Schnittke’s Concerto for Piano and Strings, a work of striking contrasts that showcases Maxim’s artistry at the keyboard. At the heart of the programme is Bartók’s Music for Strings, Percussion and Celeste, celebrated for its rhythmic vitality and haunting beauty. The concert concludes with Dvořák’s Serenade for Winds, a Romantic gem full of elegance and warmth.

- JC BACH Overture, Amadis de Gaule - HAYDN Symphony No.99 in E-flat - BEETHOVEN Symphony No.1 Rachel Podger - director/violin Discover the elegance and energy of the Classical era in this programme tracing the evolution of the symphony. Rachel Podger directs from the violin, opening with JC Bach’s Overture from Amadis de Gaule, music that charmed audiences and influenced the young Mozart. The concert continues with Haydn’s Symphony No.99, a work full of wit and sophistication that showcases his mastery of orchestral colour. The programme ends with Beethoven’s Symphony No.1, a bold debut that hints at the revolutionary spirit to come.

- HANDEL Concerto a due Cori No.2 - Locatelli - Concerto Grosso in F minor Op.1 No.8 ‘Christmas Concerto’ - Muffat - Sonata V from Armonico Tributo (Salzburg 1682) - Corelli Concerto Grosso in G minor, Op.6 No.8 ‘fatto per la notte di Natale’ - VIVALDI Violin Concerto in E ‘Il riposo per il Santissimo Natale’ - JS BACH Orchestral Suite No.4 Rachel Podger - director/violin Celebrate the season in true Baroque style as Rachel Podger leads an evening of festive music. From the grandeur of Handel to the intimacy of Corelli and the brilliance of Bach, this programme is full of warmth and spirit. Expect moments of jubilation, serenity and virtuosity – a perfect musical treat for the festive period.

The legendary 70s folk-rock pioneers, Lindisfarne, return with a classic five-piece line-up of long-time members fronted by founder/member Rod Clements on vocals, mandolin, fiddle and slide guitar. With a repertoire of unforgettable songs like Meet Me on the Corner, Fog on the Tyne, Lady Eleanor and Run for Home and a reputation for live performance second to none, Lindisfarne’s power to galvanise festival and concert audiences remains undimmed and is guaranteed to get the crowd on their feet and singing along. None Age category: 14+

St Mary's Music School pupils return to the Queen's Hall for their annual Summer Concert. Performing Bruch's Violin Concerto no.1 in G minor, the evening will also include music by Bartók, Mendelssohn and Shaw. A celebration of emerging talent and great music in one of Edinburgh’s iconic performance venues.

The Simon & Garfunkel Story continues to stun audiences across the globe, making it a must-see international sensation. Using huge projection photos and original film footage, the international hit show also features a full live band performing all the hits including Mrs Robinson, Cecilia, Bridge Over Troubled Water, Homeward Bound and many more.

If It Bleeds, Nihilanth, Frayed Ends BC, Microtonal and Stitch play the biggest local metal show of the summer!

Robben Ford is one of the world's premier guitarists, particularly known for his blues playing, as well as his ability to be comfortable in a variety of musical contexts. A five-time Grammy nominee, he has played with artists as diverse as Joni Mitchell, Miles Davis, George Harrison, Bonnie Raitt, Bob Dylan and many others.