The exceptional classical guitarist Miloš Karadaglić will return with one of the UK’s top chamber orchestras. The Montenegran guitar hero with the chiselled jaw and perma-stubble brings his artistry to music from the baroque period to the 1960s, with a chamber orchestra at his back.

Mike Bubbins, star of hit podcast The Socially Distant Sports Bar, and of BBC television comedies Mammoth, Tourist Trap and The Unexplainers, unleashes Throwback, his first ever solo UK stand-up tour. And things may never be the same again. Throwback is a powerful, thought-provoking, visceral hour of stand-up comedy, that pushes boundaries, defies neat descriptions and challenges the audience... As if it is! It’s actually an hour and a half of really funny stories, pretty impressive characterisations, possibly a song (he said he’ll see how that goes), a bit of nostalgia about the good old days, a bit of optimism about the good new days, and Mike generally having a laugh about life and not taking himself, or anything else, too seriously. Having said that, he may, at some point in the show, get very annoyed at berks, whether in the past, the present, or the future. Very annoyed. So basically Throwback is a comedy show about Bubbins sharing, and bringing to life, the stuff that he finds funny. As comedy concepts go, it’s a pretty straightforward one, really.

Literary phenomenon John Cooper Clarke is a British cult hero. Known as the “Godfather of Punk Poetry” and the original people’s poet, John’s cultural influence spans literature, music and fashion. From creating some of the most iconic poetry of the modern era, including the world’s most popular wedding poem “I Wanna Be Yours” (which has over a billion streams in its incarnation as a hit record by the Arctic Monkeys) to sharing his life story through his best selling memoir of the same name which is full of John’s much-loved sardonic wit and hilarious ponderings on modern life. John is referenced as a major influence not just by the Arctic Monkeys but also by artists across the globe… As well as musicians like Alex Turner, The Sleaford Mods and Plan B, his legendary number “Evidently Chickentown” plays out the penultimate episode of The Sopranos. Watching John Cooper Clarke perform is an opportunity to see a living legend at the top of his game. Doctor John Cooper Clarke shot to prominence in the 1970s. Captivating audiences with his unique poetry and delivery style, he clawed his way up from working men’s clubs and cabaret venues in his native Salford and Manchester, to become one of the most prolific figures in punk. John’s early live shows were renowned occasions, and headline gigs were supported by many soon-to-be superstars including Joy Division, New Order and Duran Duran, as well as playing as special guest on shows by the Sex Pistols, Buzzcocks and The Clash. After the release of his seminal album on CBS “Snap, Crackle and Bop” where John’s poems were put to music by the legendary music producer Martin Hannett, he was firmly established as one of the most important artists of the Punk era. His recorded album was followed by the release of his first collection 10 Years in an Open Necked Shirt. The book is one of the best-selling poetry anthologies ever in the UK, Canada and Australia. As relevant and vibrant as ever, John Cooper Clarke’s influence is just as visible in contemporary pop culture, with his trademark ‘look’ resonating with fashion-conscious individuals across all demographics and his poetry features in the UK national curriculum syllabus. Having had a groundbreaking effect on modern music, his influence can be eard within the social observations of the Arctic Monkeys, amongst many others. His sense of humor resounds throughout his career, and his latest live show is a mix of classic verse, new material, hilarious ponderings on modern life, good honest gags, riffs and chat.

The London African Gospel Choir, backed their excellent band will perform Paul Simon’s classic record Graceland live from start to finish, alongside a collection of their own tunes. The choir’s re-imagining will take us from smash synth driven You Can Call Me Al to haunting acapella Zulu folk song Homeless and everything in between. The London African Gospel Choir is a collective of African singers, musicians and dancers who specialise in African gospel music. They have performed with the likes of Emeli Sandé, Mumford and Sons and, Annie Lennox, recorded with Idris Elba and John Legend, and are due to headline their own show at the prestigious Barbican Centre, have toured the US, Ireland, France and Romania, and were a feature of the Monte Carlo Jazz Festival. Masks must be worn unless exempt, eating, drinking, seated or dancing.

PorkPie stand proudly at the heart of the UK's modern ska revival, blending the fire of classic 2-Tone with their own unmistakable energy. Over the last three years the band have stepped firmly into their stride, releasing two full-length albums and an EP that have cemented their reputation as one of the most dynamic ska outfits on the circuit. Their self-titled EP 'Skandemic' marked a turning point for Porkpie, showcasing sharp songwriting, powerful brass arrangements, and the band's signature ability to fuse social bite with irresistible rhythm. Building on that momentum, 2025 saw the release of their acclaimed second album '9 On the Tiles', a record that broadened their sound while staying true to the ska roots that first inspired them. The album's standout single 'Bones' became a breakout success and was picked up as a favourite by Craig Charles on BBC Radio 6 Music, earning the band new listeners across the UK and beyond. Known for their electric stage presence, polished musicianship, and a commitment to making every gig feel like a celebration, PorkPie continue to rise through the ska scene with confidence and flair. In April 2026, they'll bring their unmistakable stomp to the London International Ska Festival, appearing alongside reggae and roots luminaries Misty in Roots and The Cimarons a milestone that marks just how far the band have come. With momentum on their side and a loyal, ever-growing fanbase, PorkPie are skanking forward with purpose-ready to bring their brass, bounce, and big-hearted spirit to audiences everywhere.

An unholy musical melting pot, Detroit’s Electric 6 blitzed their way to worldwide success with 2003’s ‘Danger! High Voltage’.

Showtime. What are you going to do? Are you going to go to work? Or stay in bed, chasing oblivion. Guess what? We’re fresh out of oblivion. The economy will do fine without you – but how long will you survive without the usual giant horn of frozen caramel latte and the five thousand other pieces of bullsht you have smushed together so you can point at it and croak “That’s my… life?” Now, now, all this drama and we’re not even out the door yet. Find out how it could all have been different. Find out how to reclaim your life by becoming a lethal kickboxing, chess champion. Pioneer new trends in global love-making. Join an elite band of trillionaire poet-pastry chef-mountaineers. Just go Looking For Trouble.

Horse makes an exciting return with the 30th year anniversary celebrations of the first Horse album The Same Sky. This is a rare chance to share and relive memories from the evocative and formative first Horse album. In March 1989, the first single You Could Be Forgiven was released. It was so different from anything else – and with thrilling first plays on Radio 1, this track absolutely set the bar. The first major UK tour followed. In 1990 the album followed and tours across Europe opening for artists such as Tina Turner and BB King. The standout song from this album and arguably, of any of her albums, is Careful, a beautiful and timeless song, which will forever be her My Way. A special night which will inevitably conjure up treasured times from over the years for her entire audience. It’s the full band show, playing the album in its entirety with B-sides and a best of the rest – a set choc-full of classic songs. A very special evening indeed.

Get ready to lift your voices and celebrate the festive season with The Big Christmas Sing-a-Long. Starring much-loved performers and presenters Aled Jones and Alexander Armstrong, this heartwarming live experience promises an unforgettable evening of music, laughter and Christmas cheer. One of the UK’s most iconic voices, Aled Jones will perform some beloved highlights including his signature rendition of Walking in the Air, alongside a selection of classic carols that have become synonymous with the festive season. Joining him on stage is English comedian, actor, television presenter and bass-baritone singer Alexander Armstrong, whose rich vocals and natural charm promises to bring humour, warmth, and festive sparkle to every performance. Audiences will be invited to put on their favourite Christmas jumper and sing along with them both to a joyful mix of traditional Christmas carols, modern festive favourites, and timeless seasonal classics in the most Christmas of settings. Aled Jones MBE has had an extraordinary career over the past four decades. He is the original crossover star, has sung for the Pope and the Royal Family, has received an MBE, released over 40 albums, with over 10 million album sales and has over 40 Silver, Gold and Platinum Discs. After beginning his career at the age of 12, Aled became one of the world’s most successful boy sopranos, releasing 12 hit albums in 4 years, he was the first classical artist to have 2 albums in the Top 5 of the Official Album Charts. Aled has built an extensive career as a TV and radio presenter and hosts one of the nations most loved Classic FM shows and BBC1 Songs of Praise - all whilst continuing to record and tour. Last year, Aled also released his third book, Aled’s Book of Blessings for 2026 and is working on his next book release. Alexander Armstrong is best known as one half of the comedy duo Armstrong and Miller, who had series on Channel 4 and BBC1. As well as hosting Classic FM’s flagship weekday mid-morning programme, Alexander continues to be a regular on the BBC series Have I Got News For You, having hosted more than 40 times and helms the hugely popular TV quiz show Pointless on BBC1. More recently, he has found success as a travel presenter, he makes his 5th travel series for Channel 5 in the US in Summer ‘26. He published his bestselling debut children’s novel, Evenfall: The Golden Linnet, in 2024 and the follow-up in the Evenfall series, The Tempest Stone in February 2026. The Big Christmas Sing-a-Long will capture the true spirit of Christmas, offering a magical evening filled of festive cheer and uplifting songs that everyone can join in with!

It’s the most wonderful time of the year: the 30-piece Down for the Count Swing Orchestra returns with its much-loved annual seasonal treat, "Swing Into Christmas"! Gather your loved ones for a joyful set of festive and non-festive classics as you’ve never experienced them before. This is a Christmas spectacular like no other – the Down for the Count Swing Orchestra is one of the largest swing bands currently touring the UK. Featuring some of the UK’s top vocalists and instrumentalists, the acclaimed “big band with strings” recreates the sounds of Nat King Cole, Ella Fitzgerald, Frank Sinatra and Judy Garland in a unique extravaganza of music, stories and on-stage camaraderie which has endeared the ensemble to audiences up and down the country year after year. Audiences of all ages will be captivated by fresh arrangements of iconic songs such as "Let It Snow", "This Christmas", "The Most Wonderful Time of the Year" and "New York, New York" alongside many other favourites – all performed in authentic big-band-with-strings style. The Down for the Count Swing Orchestra is one of the UK's most highly-regarded vintage ensembles, having sold out numerous shows. It may be cold outside, but a night with the Down for the Count Swing Orchestra is guaranteed to leave you in the warm glow of the holiday spirit.

Martin Stephenson & The Daintees is a folk-rock band known for their rich storytelling, catchy hooks, and authentic sound.

Oxford favourites play the hometown finale of their ‘StorNoMore’ tour. Having recorded & toured together for over a decade, the quartet will bring their unique brand of homegrown "hebridean headrush" indie folk back to the town where they first honed it, and which their lyrics describe.

The Jam released their debut single 'In the City' in 1977 on Polydor Records. Over the next five years The Jam became one of the most important groups that the UK has ever produced with number 1 singles such as 'Start!', 'Going Underground', 'Town Called Malice' and 'Beat Surrender'. Bruce Foxton was the bass guitarist on every recording The Jam ever made. He was also lead vocalist and songwriter on songs such as 'News of the World' (which is the theme tune to BBC's 'Mock the Week' tv show), 'Smithers-jones', 'Carnaby Street' and more. In 2027, Bruce Foxton will be celebrating 50 years of the jam along with his band Mark Brzezicki (big country), Andrew Fairclough (secret affair) and Craig Joiner (Romeo's daughter) along with very special guests.

Highly-energetic stand-up from the actor, comic and social media star who is known for sharing short-form comedic content across a range of social media platforms under the stage name Mo the Comedian.

Amy Gledhill has appeared on the biggest comedy shows on TV, won the most prestigious award in live comedy AND starred in a Netflix blockbuster. Then why can't she nail just one first date, social interaction or trip to the spa. (She is now banned.) Join the Taskmaster alumnus, Last One Laughing's cruelest red card, and co-host of smash-hit podcasts Single Ladies In Your Area and Northern News on her brand new stand-up tour, as Amy Gledhill says Thanks For Having Me to audiences up and down the country. Amy won the Edinburgh Comedy Award in 2024, is triple Edinburgh Comedy Award nominee, National Comedy Award nominee and 1/3 of cult double act The Delightful Sausage. She's also appeared on Live at the Apollo (BBC) Would I Lie To You (BBC), The Jonathan Ross Show (ITV), Never Mind The Buzzcocks (Sky), Run Away (Netflix), Alma's Not Normal (BBC) and 8 Out of 10 Cats Does Countdown (C4). Presented by Plosive Live in association with United Agents.

Grace-Evangeline Mason - The Water Garden Françaix - Sept Danses from Les Malheurs de Sophie Ibert - Trois pièces brèves Gipps - Seascape FRANÇAIX Neuf Pièces caractéristiques SCO Wind Soloists RCS Winds The programme opens with Grace‑Evangeline Mason’s The Water Garden, its shimmering textures evoking quiet beauty and reflection. Françaix’s Sept Danses brings French wit and elegance, before Ruth Gipps’ Seascape captures the shifting moods of the natural world. The concert concludes with two sparkling showcases: Ibert’s Trois pièces brèves and Françaix’s Neuf Pièces caractéristiques, full of vitality, humour and character.

- SCHNITTKE Concerto for Piano and Strings - BARTÓK Music for Strings, Percussion and Celeste - DVOŘÁK Serenade for Winds Maxim Emelyanychev - conductor/piano Join us for a programme that revels in the brilliance of strings and winds, led by Maxim Emelyanychev in the dual role of conductor and pianist. The evening opens with Schnittke’s Concerto for Piano and Strings, a work of striking contrasts that showcases Maxim’s artistry at the keyboard. At the heart of the programme is Bartók’s Music for Strings, Percussion and Celeste, celebrated for its rhythmic vitality and haunting beauty. The concert concludes with Dvořák’s Serenade for Winds, a Romantic gem full of elegance and warmth.

- JC BACH Overture, Amadis de Gaule - HAYDN Symphony No.99 in E-flat - BEETHOVEN Symphony No.1 Rachel Podger - director/violin Discover the elegance and energy of the Classical era in this programme tracing the evolution of the symphony. Rachel Podger directs from the violin, opening with JC Bach’s Overture from Amadis de Gaule, music that charmed audiences and influenced the young Mozart. The concert continues with Haydn’s Symphony No.99, a work full of wit and sophistication that showcases his mastery of orchestral colour. The programme ends with Beethoven’s Symphony No.1, a bold debut that hints at the revolutionary spirit to come.

- HANDEL Concerto a due Cori No.2 - Locatelli - Concerto Grosso in F minor Op.1 No.8 ‘Christmas Concerto’ - Muffat - Sonata V from Armonico Tributo (Salzburg 1682) - Corelli Concerto Grosso in G minor, Op.6 No.8 ‘fatto per la notte di Natale’ - VIVALDI Violin Concerto in E ‘Il riposo per il Santissimo Natale’ - JS BACH Orchestral Suite No.4 Rachel Podger - director/violin Celebrate the season in true Baroque style as Rachel Podger leads an evening of festive music. From the grandeur of Handel to the intimacy of Corelli and the brilliance of Bach, this programme is full of warmth and spirit. Expect moments of jubilation, serenity and virtuosity – a perfect musical treat for the festive period.

Robben Ford is one of the world's premier guitarists, particularly known for his blues playing, as well as his ability to be comfortable in a variety of musical contexts. A five-time Grammy nominee, he has played with artists as diverse as Joni Mitchell, Miles Davis, George Harrison, Bonnie Raitt, Bob Dylan and many others.

Beethoven - Musik zu einem Ritterballett WoO1 - Symphony No.2 - Symphony No.4 Lorenza Borrani - director/violin Experience Beethoven’s genius in a programme led by Lorenza Borrani. The concert opens with the rarely heard Musik zu einem Ritterballett, a playful and spirited work showing Beethoven’s youthful charm and theatrical flair. The journey continues with the exuberant Second Symphony, full of wit, rhythmic drive and unexpected twists. The programme ends with the radiant Fourth Symphony, often described as Beethoven’s hidden treasure, combining Classical grace with flashes of daring invention.

Berg Lyric Suite Nico Muhly Concerto for String Quartet and Orchestra Jonny Greenwood Water LIGETI Melodien Missy Mazzoli Sinfonia (for Orbiting Spheres) Geoffrey Paterson - conductor Brooklyn Rider This New Dimensions concert brings the SCO together with the genre‑defying quartet Brooklyn Rider for a bold and exploratory evening. The world premiere of Nico Muhly’s new concerto, written for the quartet, offers fresh textures and vivid interplay. The programme also features Berg’s Lyric Suite, Ligeti’s Melodien and Missy Mazzoli’s Sinfonia (for Orbiting Spheres). Jonny Greenwood’s Water adds a hypnotic sound world that blends classical and contemporary elements. World Premiere, commissioned by Scottish Chamber Orchestra and Santa Fe Pro Musica, Ann Arbor Symphony Orchestra, Orlando Philharmonic Orchestra and La Toscanini.

Experience the musical glories of the greatest decade of them all at a live show designed by Trevor Horn, founding member of The Buggles. After recording the chart-topping 1979 hit ‘Video Killed the Radio Star’, Horn, former member of Art of Noise and the producer who created the sound of the 1980s, worked on ABC’s ‘Lexicon of Love’, ‘Owner of a Lonely Heart’ by Yes, and Frankie Goes to Hollywood’s number one hits ‘Relax’, ‘Two Tribes’ and ‘The Power of Love’.

Canadian quirky popsters who inject their songs with lashings of humour.

Bossa Nova = Nouvelle Vague = New Wave. This transliteration was the starting point for Marc Collin and Olivier Libaux’s unique project, which, by appropriating the punk and post-punk cannon and running it through the Bossa Nova filter, reinvented the cover band genre, revealing new and brilliant talents along the way: Camille, Phoebe Killdeer, Nadeah, Mélanie Pain, and Liset Alea. The group’s first two albums, Nouvelle Vague (2004) and Bande A Part (2006) defined their unique sound with Bossa versions of New Wave Classics. Their third album NV3 (2009) featured collaborations with Depeche Mode's Martin Gore, Ian McCullouch from Echo and the Bunnymen, Terry Hall from The Specials, Barry Adamson, The Saints & Minimal Compact.

Anna von Hausswolff is a Swedish musician and composer whose work carves out space for the celestial and the transcendent to enter into the modern world.

Dvořák Romance Prokofiev Violin Concerto No.2 Prokofiev Overture on Hebrew Themes Op.34 Bis Bartók Divertimento Alena Baeva - violin/director Alena Baeva returns to Scotland to direct a matinee performance full of energy, elegance and drama. At the heart of the programme is Prokofiev’s Second Violin Concerto, a work of striking beauty and bold invention, from its haunting opening to a fiery finale. The programme opens with Dvořák’s lyrical Romance, followed by Prokofiev’s colourful Overture on Hebrew Themes. Bartók’s Divertimento closes the afternoon with rhythmic vitality and folk‑inspired charm.

Hummel Trumpet Concerto Beethoven Arr Brett Dean Adagio Molto E Mesto Brett Dean Testament Beethoven the Creatures of Prometheus (excerpts) interspersed with Hk Gruber Three Mob Pieces and Manhattan Broadcasts Håkan Hardenberger - director/trumpet For this Season’s final New Dimensions concert, we journey into Beethoven’s creative world, exploring the influences, ideals and innovations that shaped his music and how they resonate today. Håkan Hardenberger directs and performs Hummel’s Trumpet Concerto, a showpiece by Beethoven’s contemporary. The programme moves to Brett Dean, whose Adagio molto e mesto and Testament offer thoughtful reflections on Beethoven’s struggles and achievements, viewed through a modern lens. The evening ends with excerpts from The Creatures of Prometheus interspersed with HK Gruber’s Three Mob Pieces and Manhattan Broadcasts, creating a lively dialogue between tradition and contemporary invention.

Ravel Suite, Mother Goose Stravinsky Suite, the Soldier’s Tale Poulenc La Voix Humaine Maxim Emelyanychev - conductor Carolyn Sampson - soprano Poulenc’s La Voix humaine is a one‑act opera of raw intensity. Through a single phone call, the music captures heartbreak and vulnerability with striking emotional power. Carolyn Sampson brings this gripping drama vividly to life. The evening opens with Ravel’s Mother Goose Suite, a delicate evocation of childhood wonder filled with colour and charm. Stravinsky’s The Soldier’s Tale Suite follows, a sharp, witty work with jazz‑inflected character, offering a vivid contrast to Ravel’s dreamlike world.

Poulenc La Courte Paille Poulenc Violin Sonata Poulenc Cello Sonata Chausson Chanson Perpétuelle Fauré La Bonne Chanson Carolyn Sampson - soprano Maxim Emelyanychev - piano SCO String Quintet This elegant chamber programme weaves together poetic and intimate French songs and chamber works, brought vividly to life by Carolyn Sampson, Maxim Emelyanychev and a quintet of SCO players. Poulenc’s La Courte Paille opens with playful charm and tender reflections, before his Violin Sonata reveals a fiery, incisive voice shaped by wartime urgency. Chausson’s Chanson perpétuelle deepens the mood, its yearning lines set in rich instrumental colour. Poulenc’s Cello Sonata brings wit, warmth and clarity, showing the composer at his most personal. Fauré’s radiant La Bonne Chanson closes the programme, glowing with lyrical delicacy and the shimmer of late‑Romantic song.

Fanny Mendelssohn Orch Detlev Glanert Das Jahr (october, November, December) Felix Mendelssohn String Symphony No.10 in B Minor Fanny Mendelssohn Orch Detlev Glanert Das Jahr (january, February, March) Schumann Symphony No.1 ‘spring’ Lorenza Borrani - director/violin A celebration of spring and renewal, this programme brings together music by Fanny and Felix Mendelssohn alongside Schumann’s radiant ‘Spring’ Symphony. At its heart is Fanny Mendelssohn’s Das Jahr, in vivid orchestrations by Detlev Glanert. Following the seasons from October to March, the music reveals colour and emotional power. Felix Mendelssohn’s String Symphony No.10 offers youthful intensity, while Schumann’s ‘Spring’ Symphony brings the evening to a joyful close. Commissioned by the Mozarteum Orchestra Salzburg (financed by the Friends of the Mozarteum Orchestra Association), the Scottish Chamber Orchestra and the Dresden Philharmonic Orchestra.

Kodály Dances of Galánta Mozart Violin Concerto No.5 ‘turkish’ Dvořák Symphony No.5 Václav Luks - conductor Alena Baeva - violin A concert full of colour and character awaits as Václav Luks leads the SCO in a programme that moves between Hungarian fire and Austrian grace. The evening begins with Kodály’s Dances of Galánta, a dazzling homage to the composer’s childhood memories, shaped by folk rhythms and gypsy flair. At the heart of the programme is Mozart’s Violin Concerto No.5, the beloved ‘Turkish’. Playful and refined, the concerto surprises with its exotic, percussive finale — a flourish that has captivated audiences for centuries. In her second appearance this Season, Alena Baeva brings radiant tone and expressive style to this jewel of the repertoire. The concert concludes with Dvořák’s Symphony No.5, a rustic and much‑loved work infused with the composer’s love of nature and Bohemian spirit.

Rebel Les Elémens: Le Chaos Ravel Le Tombeau de Couperin Thomas Adès Three Studies from Couperin Telemann Concerto for Flute and Recorder, TWV 52: e1 Telemann Concerto for 3 Oboes and 3 Violins, TWV 44:43 Telemann Concerto in A major for Flute, Violin and Cello TWV 53: A2 Maxim Emelyanychev - conductor Welcome to Maxim Emelyanychev’s Baroque Inspirations programme – where timeless style sparks fresh creativity. It opens with Rebel’s Les Élémens: Le Chaos, a vivid 18th century soundscape. Ravel’s Le Tombeau de Couperin follows, a tribute to Baroque elegance. Thomas Adès’ Three Studies from Couperin continues the conversation, reimagining the French master. The spotlight turns to Telemann, whose concertos reveal the variety and wit of the Baroque era, showcasing Telemann’s imagination and flair. Sponsored by Institut Français Écosse

Bound together by lifelong friendship and shared experience for more than 25 years, the Fisherman’s Friends have met on the Platt (harbour) in their native Port Isaac to raise money for charity, singing the traditional songs of the sea handed down to them by their forefathers. In 2010 they signed a major record deal and their album Port Isaac’s Fisherman’s Friends went gold as they became the first traditional folk act to land a UK top ten album. Since then they’ve been the subject of an ITV documentary, released the hit albums One and All and Proper Job and played to hundreds of thousands of fans at home and abroad. The Fisherman’s Friends have been widely credited with starting the revival of interest in shanty-style choral singing but a cornerstone of their success has been their constantly evolving and expanding repertoire.

A huge festive night of comedy bringing together a brilliant all-star line-up for one unforgettable Christmas show. Packed with brilliant stand-up, sharp one-liners, unforgettable characters and plenty of Christmas cheer, Live At Christmas is the perfect way to kick off the festive season with some of the very best names in comedy. Whether you are planning a festive night out with friends, a Christmas treat, or a work night out with a difference, LIVE AT CHRISTMAS promises a brilliant evening of big laughs and festive fun. Please note: line-up is subject to change.

For over 30 years, The Fabulous Thunderbirds have been the quintessential American Blues band. The groups distinctive and powerful sound manifested itself into a unique musical hybrid via such barnburners as 'Tuff Enuff' and 'Wrap It Up'. Co-founder Kim Wilson, the sole original member, still spearheads the group.

Ed just wants to live a life free of hassles or drama. He feels he’s earned it, but the world has other plans for him. Come, hear the conquistador of petty gripes air his grievances with a world hell bent on irritating the bejeezus out of us all and, who knows, perhaps it will make you feel better about your own bouts of impotent rage.

Selling out at venues all over the world, Clearwater Creedence Revival feature road-hardened players who, collectively have performed with – Stax legend Steve Cropper, Big Country, Denny Laine (Wings, Moody Blues), Eric Haydocks Hollies, Animals And Friends, Alan Silson (Smokie), Wayne Fontana’s Mindbenders and more. Together, they are the best celebration of the music of Creedence Clearwater Revival and Fogerty you’re ever likely to see – and a band selling out all over the world, as audiences in Germany, Israel,Russia, Holland, Scandinavia, UK and more will attest! A tribute band like no other.

This very special series of live speaking events will allow audiences to hear personal stories from Ian’s remarkable life and career in music. From his childhood in Hounslow to the global rise of Deep Purple, Ian will reflect on the experiences, music and outlook on life that shaped one of rock’s most influential careers. The tour offers a rare chance to hear directly from a true music icon. Ian Gillan’s career now spans more than six decades, with his voice remaining one of the most distinctive and celebrated on the global stage. He joined his first band, The Javelins, in 1962, then teamed up with Roger Glover in Episode Six in 1965. Touring with Dusty Springfield and performing across Europe and the Middle East helped shape his musicianship and distinctive vocal style.  In 1969, Ian joined Deep Purple in what became one of the pivotal moments in rock history. Formed in 1968, Deep Purple are pioneers of hard rock. Their 1972 album Machine Head includes the iconic track Smoke on the Water, cementing their legacy as one of the most influential bands of the music genre.  In 1970, Ian took on the role of Jesus Christ in the original London studio recording of Jesus Christ Superstar for MCA Records, earning acclaim for his powerful and emotive interpretation. Throughout the late 1970's and 1980s, he continued to break new ground with Gillan, Garth Rockett and the Moonshiners and Repo Depo.  The 'Talking Gib'rish Tour' will offer fans a rare opportunity to hear behind-the-scenes stories from Ian in his own words...candid, humorous, and unfiltered.

The Felice Brothers' distinct brand of song-writing and lawless sound has earned them comparisons to Neil Young, Bob Dylan and James Brown. Self-taught musicians Ian and James Felice began playing subway platforms and sidewalks in NYC, in 2006, and have gone on to release nine albums of original songs and to tour extensively throughout the world. Following the release of Life in the Dark, they served as the backing band for Conor Oberst’s 2017 release Salutations and subsequent tour. Their album 'Undress' was released last year to critical acclaim and they will be performing songs from this and their extensive back catalogue accompanied by Will Lawrence (drums) and Jesske Hume (bass).

On 19th October 1984 Talking Heads and Jonathan Demme released the greatest concert movie of all time. The band of 10 members will play all of the Talking Heads songs featured in the film. From Psycho Killer to Burning Down The House to Once In A Lifetime and everything in between. They have a tape they'd like to play for you. And everyone is getting involved.

With her passion for compassion and flair for giving care, the bust a gut funny (Graham Norton) Myra DuBois calls out to the disadvantaged, downtrodden and tyrannised of the world with her manifesto for mental health: Ad Myrism! But are you ready to receive the call?

No musician more fully embodies the dramatic transformation of the British jazz scene over the past four decades than Courtney Pine CBE.

Fat Dog’s particular brand of chaos seems a fine antidote to the remains of pent-up lockdown frustration. The collective scream has found a mouth; the potential energy has been activated. Joe’s singing, his words slurred and distorted in the time-honoured tradition of delta bluesmen, melds to Jazz’s wordless vocals, high and keening like some punk banshee princess, equal parts Grace Slick and Yoko Ono.

Jake Bugg’s indie-pop sound has thrilled UK audiences for a decade, with poignant lyrics and catchy guitar riffs. Singer-songwriter Jake Bugg's Festival debut in 2023, bringing his ‘distinct no-nonsense charm to indie folk and indie pop music. His eponymous debut album took the UK Album Charts by storm in 2012, winning the Brit Award for Best Breakthrough Artist with sounds inspired by Oasis, the Arctic Monkeys, and Bob Dylan. After forays into acoustic and bluegrass sounds, his 2021 release Saturday Night, Sunday Morning brings back the beloved ‘infectious guitar riffs and clever introspective lyrics, which are perfectly paired with powerful atmospheric choruses.

Leading the way for a new generation of classical artists, the exceptional pianist and composer defies our preconceptions. Alexis Ffrench has high ambitions. Trained at the Purcell School, the Guildhall School of Music and Drama and the Royal Academy, Ffrench wants to change the way people perceive classical music and make it more inclusive, democratic and relevant to the society in which we live. In his own words: ‘In the near future, I would love to look out at Last Night of the Proms and see a welcome mixture of white, brown and black faces, with people of all backgrounds. ‘That would prove to me that classical music is alive and adaptable, and I see myself as an artist who can help to lead the change.’

Are you ready for some filth? Good! I’m going to be talking about things on this tour that would get me flogged in Dubai. And pointed at in Peckham. I have decided to open up to the public and reveal all. No more hiding behind a stage persona – I’m going to be myself. The question is will you be able to tell the difference? In this show I will reveal intimate secrets of my life and share the traumas that have led me to lead the life of a camp comic and renowned homosexual.

James Grant is simply one of the most renowned and respected musicians Scotland has ever produced. His career began in the early eighties with Friends Again. Although short-lived, their influence was huge, helping to define the emerging sound of the Scottish bands that followed them. It was in Love and Money that James found more widespread recognition; four albums, working with an array of legendary producers such as Gary Katz (Steely Dan) and Tom Dowd (Rod Stewart, Eric Clapton, Aretha Franklin) several hit singles, a world-wide following and silver discs in the UK helped seal his reputation as one of the best songwriters in the country. He has shared the stage and worked with such luminaries as Donald Fagen (Steely Dan), BBKing, Pete Seeger, Nanci Griffiths, U2, Jeff Pocaro (Toto), Tim Schmidt (The Eagles), Tom Verlaine. He has released 6 solo albums and continues to record and perform.

The '60s group Manfred Mann is now considered, more than ever, one of the finest and most respected bands from that era. Their numerous hits were R&B based with an undercurrent of jazz - a very unusual but winning combination of playing style and substance. As a result, their records have a timeless quality and, some 55 years on, The Manfreds, with original front man, Paul Jones, will be performing many of their hits, including ‘Do Wah Diddy Diddy’, one of the most popular and instantly recognisable songs of the ‘60’s,and still the biggest audience pleaser at their concerts, along with a mix of Jazz and Blues covers and tracks from their individual solo albums. Paul Jones, with his unique harmonica sound, will be joined by Mike Hugg on keyboards, Tom McGuinness on guitar, Rob Townsend on drums, Marcus Cliffe on bass, and Simon Currie on saxophone/ flute.

Bleech 9:3 is a London-based Irish four-piece band playing emotive, 90s-influenced heavy alt-grunge, featuring distorted guitars, raw vocals, and themes of recovery and addiction.

Florence Road is an Irish rock band formed in Bray, County Wicklow in 2019. The group consists of lead singer and guitarist Lily Aron, guitarist Emma Brandon, bassist Ailbhe Barry, and drummer Hannah Kelly.

The sleeve tells you so much about the process. It’s a picture of a lone figure. Suited up and immersed in interplanetary protective gear, he walks out across unmapped terrain. In the distance, a mountain range towers over the roughly gridded sand he’s striding. This is very much a solo mission – giant steps into the unknown. Inside the helmet, there’s all the uncertainty and madness that such a pursuit brings. That sleeve (designed, as ever, with Mark Farrow), comes wrapped around And Nothing Hurt - Spiritualized’s eighth album, the follow up to 2012’s Sweet Heart, Sweet Light. From the opening lullaby of A Perfect Miracle through to the fading Morse Code at the close of Sail on Through, it painstakingly wraps layer upon layer of gloriously transcendent sound together to create a mesmerizing and cinematic collection of songs. There are points – the thunderous climax of On the Sunshine; the spectral waltz of The Prize; the towering guitar solo on I’m Your Man – where the waves of blissful noise are almost overwhelming, where one can imagine the studio’s speakers vibrating themselves off of the walls. Which is an incredible feat when you discover that the album was conceived and recorded almost entirely by one man – Jason Pierce, AKA J.Spaceman - in an upstairs room in his east London home. Sat in an edit suite in Whitechapel a month or so after finishing recording, Jason talks honestly about the painstaking, frustrating process of creating And Nothing Hurt.

Taking us through the summer of music is none other than Toots and the Maytals. A Grammy award winner, his sound is a unique and original combination of Gospel, Ska, Soul, Reggae and Rock. Maytal’s influence on popular music is undeniable. Considered a musical legend, the artist’s catalogue has been covered by artists from Amy Winehouse to Sublime.

Experience the passion, precision, and fiery soul of flamenco with Café del Mundo, Germanys leading flamenco guitar duo.

American bandleader and trombonist, known as one of the architects of funk, and responsible for penning many hits such as House Party, Blow Your Head, Use Me and Same Beat.

- George Frideric Handel Mesiah, HWV 56 - Matthew Truscott violin & director - Rowan Pierce soprano - Anita Monserrat mezzo-soprano - Ed Lyon tenor - Marcus Farnsworth baritone - Paul Whittaker BSL interpreter It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed, the solo writing profoundly moving, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it, with a small orchestra, a team of twelve singers and soloists who step out from the chorus, there are few more uplifting ways to celebrate the festive season.

Bring the magic of live classical music to life with our Children’s Messiah, a fun-filled 45-minute adventure perfect for families and young, first-time concertgoers! Join Mr Handel and his lively footwoman, Frances, and the singers and musicians of Dunedin Consort as they introduce you to the wonderful world of Handel’s Messiah through captivating storytelling, interactive games, and plenty of opportunities to join in. Meet the soloists, conductor, chorus, and orchestra, and discover what makes live music so special. Whether it’s your child’s first concert or a new family adventure, there’s something for everyone to enjoy. And who knows? Some lucky young volunteers might even get to conduct the orchestra! With BSL interpretation from Paul Whittaker.

Now in her 40s, Sophie McCartney has officially entered her ‘Queenage’ years. At this point in her life, she should be a responsible adult. A capable parent. A successful career woman with strong opinions on important issues. Unfortunately, she didn't get the memo. While the world is healing its inner child, Sophie's lost one of hers in Asda. Everyone else is cleansing their gut; she's burning hers with three spicy margaritas on a Wednesday. She's desperate to go further in life. Unfortunately, she forgot to charge the electric car. Again. Following a barnstorming run of her critically acclaimed One Foot in the Rave tour, award-winning comedian and double Sunday Times No. 1 bestselling author Sophie McCartney is back with Queenage Dirtbag - a brand-new stand-up show tackling motherhood, millennial misbehaviour, double standards and the ever-widening gap between the woman she's supposed to be and the one she actually is. Chaos reigns supreme, and this monarch’s crown is as wonky as her morals. She wants to change the world. She just can't be arsed to change herself. Long live the Queenage Dirtbag.

Identity is at the very heart of this powerhouse programme with the Edinburgh City Orchestra, beginning with the eerie forest world of Carl Maria von Weber’s Overture to 'Der Freischütz'. Folk traditions, mythology, literature and, above all, romanticism are what make up the opening to this fundamentally fairytale German opera, laying the ground for many composers in the operatic world of the nineteenth century. Beethoven’s third piano concerto has been called, among other things, celestial; it is the only one of his concertos written in a minor key; and it was premiered by Beethoven without a written score, through a largely blank piano part. The driving force behind these three things is typical of Beethoven’s heroic middle period, characterised by his struggle with the now-unavoidable reality of his increasing deafness. Defiant, moody and central to his identity as a composer, the concerto’s stormy solo will be played by Scottish pianist Catriona Mackenzie, a graduate of the Royal Academy of Music, London and the Royal Conservatoire of Scotland, Glasgow. For Antonin Dvořák, the New World is one of hope, tradition, and both Native- and African-American melody. His ubiquitous ninth symphony, 'From the New World,' was a landmark in America’s early musical identity. Written in 1893 as a commission for the New York Philharmonic, Dvořák was deeply inspired by folk melodies both from his new home and his native Czechia. For Dvořák, the soul of the new world—and indeed this symphony—was found in its diverse communities, cemented into history through the lionised melody in the symphony’s largo second movement. Join the Edinburgh City Orchestra and conductor Peter Le Tissier for a programme of melodicism, rich romanticism and evocative imagery.

In an age of alpha males, gym bros and ‘business’ podcasts, etiquette coach, author, and the upmarket half of Help I Sexted My Boss, William Hanson makes the case for the beta, the napkin, and the correctly written thank-you letter. The manosphere has had its moment. William returns to the stage to reflect on the state of manners today and embarks on a mission to counter toxic masculinity and re-civilise the nation. Part memoir, part variety show, part public service, The Mannersphere traces the making of an etiquette expert, beginning with a teenager inventing his own genre of murder mystery (camp crime) and ending, several home videos later, with a published novel called A Fatal Forking. Somewhere in between, William Hanson is made. Expect laughs. Expect introspection. Expect cutlery.

The Scottish Christmas Songbook is a joyful festive concert featuring Eddi Reader, Karen Matheson, John McCusker, Kris Drever, Ian Carr, Kevin McGuire and the Scottish Christmas Songbook Brass Ensemble. Bursting with seasonal favourites and celebratory energy, it’s the perfect night out to get you straight into the Christmas spirit.

Robert Jon & The Wreck is comprised of Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, b. vocals), Steve Maggiora (keyboards, b. vocals), Henry James (lead guitar, b. vocals), & Warren Murrel (bass, b. vocals). Robert Jon & The Wreck has been writing songs and releasing albums since the band’s conception in 2011. During this time, this quintet of follicular proficient gentlemen has been busy fine-tuning their sound playing to packed houses across Europe and the United States. RJTW has received accolades and rave reviews for years now, from nominations of “Best Rock” and “Best Blues” and winning the title of “Best Live Band” at the Orange County Music Awards in 2013, to numerous top 10 chart placement on Southern Rock Brazil’s Top 20 Albums to being praised as “Classic and fresh at the same time,” by Rock The Best Music, “Raising the bar for the Southern genre” by Blues Rock Review, and “keeping the history of classic 60’s and 70’s rock alive for newer generations” by blues guitar legend Joe Bonamassa.