The return of the psychedelic pop group from Liverpool whose widescreen pop tunes were popular in the mid-80s.

Devoted to recreating the atmosphere of a live Joy Division gig, Transmission emulate the sound of one of the most inventive, evocative and influential groups of their era. Joy Division were formed in the late 1970s and dissolved in 1980 after the suicide of lead singer Ian Curtis. The remaining members went on to form New Order and have achieved much critical and commercial success. The influence of Joy Division, however, was far reaching. They were considered the pioneering band of the post-punk movement of the late 1970s and early 1980s. Forty three years on you can relive the dark, cavernous sound of Joy Division through Transmission - the UK's number one Joy Division tribute act.

With hits like ‘Digging Your Scene’ and ‘It Doesn’t Have To Be This Way’, The Blow Monkeys epitomised the glamour of mid-80s pop at its most graceful and sophisticated. In the band’s frontman Robert Howard (aka Dr. Robert), they possessed a tall, charismatic singer who was both camera-friendly and clever, who appeared to be just as much at ease on the catwalk that is pop’s conveyor belt as he was penning witty, incisive songs. While quite clearly Robert’s band, though, the Blow Monkeys were also gifted three immensely talented musicians in bassist Mick Anker (he of the trademark bowler hat), saxophonist Neville Henry and drummer Tony Kiley. Behind the band’s stylish veneer lay something else, which became increasingly apparent from Robert’s lyrics. While some of the Smash Hits generation avoided politics with a capital P, The Blow Monkeys openly criticised the policies of the Conservative government, railing against social injustices and adopting an openly left-of-centre stance on issues of the day. From openly endorsing the gay community “Digging Your Scene” to an outright attack on Margaret Thatcher ‘Celebrate (The Day After You)’ – a duet with the late, great Curtis Mayfield, The Blow Monkeys were always the thinking person’s pop group. As the 1980s progressed, so too did the band’s musical style, from a sound once dubbed “jazz punk” by Robert to a more soulful, jazzy style and an ever-increasing adoption of dance music. The Blow Monkeys of their rare, indie debut single ‘Live Today Love Tomorrow’ (recorded on a shoestring in 1981) would be barely recognisable to those who bought the Balearic remix of ‘La Passionara’ from 1990. And yet a soulful, spiritually uplifting strain has continued to run through their music – and, indeed, that of Robert’s solo recordings – to this day.

Northern Irish experimental folk songwriter and producer Joshua Burnside is something of a regional anomaly. With a brooding, powerful sound echoing artists of places afar and time long gone, his enthralling craft defies local comparison in striving towards an aesthetic as much as visual as it is sonic. Balanced with a diverse palette of sounds, Burnside deftly blends alt-folk and elements of the Irish folk song tradition with South American rhythms and Eastern European influences, whilst introducing synthetic and found-sounds, synths loops and crunching beats to create a stormy world that shifts and swirls perspective like a lingering lucid dream.

John Harold Arnold Bramwell, to give him his full name, is perhaps best-known for his time as the songwriter and frontman of Manchester three-piece, I Am Kloot. However, he also possesses an enviable back catalogue as a solo artist and continues to work on new material under the guise of his latest band, John Bramwell & The Full Harmonic Convergence. Bramwell’s first studio output appeared in 1989, when he was performing and recording as Johnny Dangerously and entitled You Me & The Alarm Clock, an album The Guardian referred to as one of the ‘greatest albums you’ve never heard.’ Following a stint as a television presenter and as a member of the band, The Mouth, Bramwell formed I Am Kloot, with two members of The Mouth. They went on to record six studio albums, including the Mercury-Prize nominated album, Sky At Night. Since 2016, Bramwell has reverted to being a solo artist and tours continuously, around the UK and Europe. A home-recorded solo album, Leave Alone the Empty Spaces appeared in 2018 and the follow-up, a more expansive affair, with a working title of The Light Fantastic, is now scheduled for release in 2022.

The Supernaturals formed in Glasgow in 1991 and toured extensively around Scotland, initially releasing 4 mini albums on their own label. The band signed to EMI/Food in 1995 releasing the UK top 10 album “It Doesn’t Matter Anymore” in 1997 and the fan favourite follow up a “Tune a Day” in 1998. The band had 7 Top 50 singles between 1996 and 1999. The band’s third album, the Beach boys influenced electronica of “What We Did Last Summer” was released in 2002 on Universal records, after which the band went on a long overdue break. The band reconvened in 2012 and have released the albums “360” , “Bird of luck” and “It Only Gets Worse” in the time since. The band have also resumed their legendary live shows, most recently supporting Dodgy on their UK tour in 2023. Several of the band’s songs, the Ivor Novello nominated “Smile” and “I Wasn’t Built to Get Up” have taken on a life of their own in subsequent years, having been used in adverts and films around the world. Rod Stewart covered the band’s song “Dylan’s Day Off” in 1997. Ticket Information

Lambrini Girls + Guests Lambrini Girls formed in the swamplands underneath Skegness Butlins, a scene filled with toxicity, a severe lack of accountability and not enough gravy. Flying the nest with a dream to curate slut vibes nationwide, they became the gayest band to ever win 50 consecutive Eurovision contests in a row. Due to their massive success, they now all share a planet near earth in order for them to raise their 150 babies collectively (the father of which, is Lillys pedalboard) however, they do still practice in Brighton so be sure to keep your eyes peeled for Lambrini Girls hotspots e.g your local skip or police station. Inspiration drawn from the likes of Savages, Le Tigre, The Spice Girls and unresolved trauma; not only do Lambrini Girls plan on setting your bin on fire - they want to create spaces at shows for anyone who feels like there isn’t a place for them there already.

Fronted by Buster Bloodvessel (born Douglas Trendle), the band was formed in 1976 while the members were at school together, and among their early incarnations were known as Stoop Solo and the Sheet Starchers. None of the members had any formal musical training, not even the ability to play any instruments. They were popular during the late 1970s and early 1980s, a period when lots of similar ska bands filled the charts. Some of their hits include 'My Girl Lollipop', 'Lip Up Fatty', 'Special Brew' and 'Ne-Ne-Na-Na-Na-Na-Nu-Nu'. One of the main reasons for their notoriety was because of their outlandish, larger-than-life, huge-tongued & shaven-headed front man. Buster´s exploits got them banned from the British TV chart show Top of the Pops (which included dressing as Henry VIII and singing to a blow-up doll for the song 'Lorraine', pouring a large can of baked beans over his head, and dressing in a can-can dancer´s dress to promote their single 'Can-Can').

Indie ensemble hailing from East Kilbride, Scotland. Declan Welsh is a songwriter and poet from Glasgow. With his band, The Decadent West they create music that is unapologetic, direct and with a message of humanity.

The 3rd instalment of Bassology bringing you some of the best local dance music promoters in Aberdeen & surrounding areas for a one night showcase in the one & only Tunnels nightclub.

The Fun Lovin' Criminals (often referred to by their acronym, FLC) is an American alternative hip-hop/alternative rock group from New York City. Their musical style is primarily eclectic, covering styles such as hip-hop, rock, funk, blues and jazz. Their songs often deal with life in New York City, as well as urban life in general. As a band, they cover such issues as organised crime, recreational drug use, violence, poverty and politics. Their songs are often gritty or existentialist in nature, but are just as often humourous or satirical. They are best known for their hit Scooby Snacks, which features samples from films by Quentin Tarantino, as well as the song Love Unlimited, which serves as a comical tribute to Barry White (and shares its name with White's backing vocal group). The band gained a large following internationally, notably in north-west Europe, around the release of their first two albums in the late Nineties.

Fresh from packed out festival slots at the likes of Isle Of Wight Festival and tour dates all across the UK.

Kyle Falconer has always been a songwriter who has been inspired by a female muse. From his chart-topping success with The View through to his acclaimed solo career, his storytelling songs have explored the good times of love and lust; the bad times of regret and heartache; and stories of some of the larger-than-life characters who have stepped into his life, alongside some playful fictional narratives. Recently crowned with the King Tuts Songwriting Award at the Scottish Music Awards, Kyle brings the best of those songs together with The One I Love The Most which will be released on February 7th ahead of Valentines Day. The album is a collection of songs from his vast back catalogue, all of which are named after women and have been newly reworked in acoustic form. Named after a lyric taken from The View fan favourite 5 Rebeccas, The One I Love The Most features songs spanning almost two decades: from the unrequited love of Claudia (from the bands #1 debut album Hats Off To The Buskers) through to the lovelorn Dixie (the original of which featured on last years Top 10 return Exorcism of Youth). Along the way, the album also reinvents highlights from his two solo albums No Thank You and No Love Songs For Laura, which often tackled more complicated themes: Laura shares regrets for his past behaviour and the impact it had on his then-partner and now-wife Laura Wilde, to the issues of gender identity addressed in Kelly. A far lighter moment comes with Madonna, a playful, celeb-heavy imagining of what the ideal afterlife might be like, while Manchester rapper PROSE adds his razor-sharp rhymes to an otherwise stripped-back Lucy. The albums lead single and brand new track Angelina is an instant highlight and will be unveiled on December 20th. Dramatic percussion and sweeping string arrangements creates an intense cinematic atmosphere to match a story of a relationship which has been ruined by conflicting perceptions on what the truth really is.

BBC Radio 2 Folk Award winners, Irish/Manx/Scottish quintet mar are amongst Glasgows hottest folk property. Their most recent release, Awakening (2023) delivers a critically acclaimed third round of the high octane fuel that has energised audiences worldwide, making mar one of the most sought-after folk festival bands (Folk Radio). With a line-up boasting a heavyweight collective haul of top solo prizes including nine All-Ireland and eight All-Britain titles audiences are unfailingly transfixed by mars formidable technical prowess, underpinned by an electric live energy and out-and-out joy of playing together. With a wide-reaching fanbase throughout the UK, Europe, USA and Canada, the quintet fast became one of the trad scenes most talked about groups thanks in no small part to their debut video, LAir Mignonne catapulting the group to the attention of audiences and media worldwide. Adam Brown (bodhrn), Adam Rhodes (bouzouki), Mohsen Amini (concertina), Ryan Murphy (uilleann pipes) and Toms Callister (fiddle) share a strong background in Irish music; a grounding that underpins many of mars distinctive qualities, in both instrumentation and material. Indeed, the groups very being embodies a personal reconnection with its members formative years, dating back long before their recent camaraderie around Glasgows celebrated session scene. The shared cultural heritages between Scotland, Ireland and the Isle of Man are well documented: all three once shared the same Gaelic language, and a similar, clearly potent, kinship endures between their musical traditions. striking musicianship, artful arrangements and sheer absolute delight | Songlines

A group of tried-and-true musicians got together and found the sort of camaraderie and kinship you typically only find once in a lifetime. They didn’t overthink it. They didn’t waste a second. They simply left their blood, sweat, and tears on tape—like they’ve always done. For as much as Better Lovers represents the union of former Every Time I Die members Jordan Buckley [guitar], Steve Micciche [bass], and Clayton “Goose” Holyoak [drums] with The Dillinger Escape Plan frontman Greg Puciato [vocals], and musician (Fit For An Autopsy/END) and GRAMMY® Award-winning producer, Will Putney [guitar], it really cements the bond of five friends around a shared vision. That vision is as uncompromising, unapologetic, and undeniable as anything they’ve individually done, yet it’s refined by experience and a commitment to a future together. They’re in it for the long haul. Jordan ended up back in Buffalo, NY, jamming with Steve and Goose during the winter of 2022. After working with Will on the last two Every Time I Die records, they shared a handful of early demos with him to produce. As the year progressed, Jordan caught Greg on the road with Jerry Cantrell in Las Vegas, mentioning the new music. Once ideas solidified, he shared them with the vocalist who replied at 3 am one night in December.

Aberdeen - TUNNELS Vieze Asbak UK TOUR - full lineup drops soon

Katie Gregson-MacLeods unique blend of deeply personal lyricism and folk-influenced sound have earned her a dedicated global audience.

Welcome to the over 30 club Take a trip down memory lane with us with the ultimate over 30s indoor festival. Get ready for a nostalgia-packed evening covering bangers from the 80's 90's and 00's in an eclectic night. - Massive Indoor Festival experience - Ultimate Anthems from the '80s, '90s, & '00s - Glitter Stations & Professional Dancers - Camera Crew - Live Roaming Performers - Strictly Over 30s - No Kids, No Drama! Home by 10pm!

Two piece from Bristol that provide a sweat soaked, tub thumping, groove infused experience. Squint your eyes and it’s a stag do on a karaoke machine but open your mind and you’ll find it’s at least 500% more enjoyable than that.

Accessibility: Tunnels is accessible via ramp with an accessible toilet indoors - however please note the route to the venue's entrance is cobbled. The bar area is accessible with some seating available. The 'pit' area closest to the stage can only be accessed via stairs. Strobe lights may be used during the show. Free ear plugs available at the bar.

Following a sold out show here in February, Nieves are back with a pre Christmas headline gig.

DHP Presents: BEN BROWN Presented by DHP FAMILY. This is an 14+ event (under 16s to be accompanied by an adult)

The Bug Club's name does a good job of introducing the band and their music: a tight-knit, collaborative effort focussed on telling tales of the everyday that we often take for granted, shot through with humour and riffs-a-plenty. Comprising the creative trio of Sam Willmett (guitar/vocals), Tilly Harris (bass/vocals) & Dan Matthew (drums), The Bug Club formed in 2016 in the little-known rock n' roll hotbed that is Caldicot, Monmouthshire. The band were signed by Bingo Records in Autumn 2020, and released their first single 'We Don't Need Room For Lovin'' in Feb 2021. EPs Launching Moondream One and Pure Particles followed, along with standalone releases Intelectuals and Two Beauties. Initially championed by BBC 6 Music's Marc Riley, along with Adam Walton and Huw Stephens on Radio Cymru, The Bug Club have since earned the support of DJs, fellow artists and press worldwide. Sold-out tours across the UK and in Europe paved the way for a 2023 which will see the band play further afield to an ever-growing loyal fanbase, who can look forward to a number of new releases from the trio this year. Three groovy peas in a far out pod!

Forged in Scotland and Ireland's traditional music scene, but drawing on Balkan and North American influences, don't miss Dallahan on tour.

Torridon are an award winning Scottish trad-folk band from the Highlands. Their live show has seen them become a favourite on the festival circuit.

Killer Kitsch Presents: Brat and its the same but its an all night rave so its not.

RURA are a multi award-winning act, and one of Scotland’s most popular folk-based bands. The quartet’s compellingly fiery, rugged yet refined and progressive instrumentals on fiddle, Highland pipes, flute, guitar, keyboards and bodhran has placed them firmly at the forefront of 21st century Scottish folk.

Restricted has become a defining force in the new wave of hard techno with number one charting hits like WTF (via Verknipt) as well as Tunnel Vision and Rockin to the Rhythm (out on his ownunderground label @revive.wav.

Dallahan is one of the most distinct forces in the international folk music scene. Forged in Scotland's traditional music community, but drawing on the traditional music styles of the Balkans and North America, they create an original and seamless musical montage, blending their contemporary influences from jazz, funk, and pop music.