Mimesis: African Soldier is shown across three screens, which allow us to see different perspectives and narratives at the same time. The screens display archival footage and reimagined contemporary views of historical military experiences alongside still life [nature morte] scenes, with flowing water running over objects, flags and photographs related to the soldiers. Akomfrah uses montage techniques and bricolage, weaving together new footage with archival material and still photography. This poetic approach to history and archives draws attention to overlooked stories, Britain’s historical role in conflict across the colonies, and the impact on people of colour today. There is no spoken narrative in the work, instead poignant quotes, an emotive soundscape including song, and words (such as disenchantment, disgust, rude awakening) appear on the screen to function as pauses or titles interspersing the powerful images and archives that we are witness to. These words encapsulate what we are seeing unfold before us and echo the soldiers’ journey and conscription into a war that is not of their making.