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Four theatre review: Good musicianship masks major flaws

Flat work-in-progress vibe about this story of a musical quartet

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Four theatre review: Good musicianship masks major flaws

Music isn’t always the food of love, with the world of professional musicians as riddled with fierce competition as any performative media. Writer Clé Holly has created a serious drama about the sudden change of personnel in a string quartet with Melissa Folzenlogen playing Kiki, a violinist who accepts a fresh role in the quartet to replace the missing member. The remaining three are under the command of manager Hassim (Bong Cabrera), but none of them give her a warm reception, and she wants to know exactly why . . . 

Four has a novelty hook: some of the performers can actually play their instruments, which adds a certain verisimilitude. The tunes providing a soundtrack to the on-going strife range from Beethoven to Beyoncé, but a lack of sharp definition between characters and unclear time frames mean that Four feels over-ambitious. Coming off like a work in progress, the piece certainly has a good idea at the core, but a bit of narrative expansion is required before this drama is ready for opening night.

Four, Gilded Balloon Teviot, until 28 August, 12.45pm.

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